Difference between revisions of "The Manxman"

From ESAT
Jump to navigation Jump to search
 
(5 intermediate revisions by the same user not shown)
Line 12: Line 12:
 
On 5 March 1898 Wilson Barrett and Maud Jeffries took their London company to Australia, opening in Her Majesty's Theatre, Sydney.
 
On 5 March 1898 Wilson Barrett and Maud Jeffries took their London company to Australia, opening in Her Majesty's Theatre, Sydney.
  
==Translations and adaptations==
+
==Translations and adaptations of Barrett's play==
  
Caine and Louis N. Parker later also dramatized his novel under the title ''[[Pete]]'', a very popular version. Published by Collier, London, in 1908.
+
==Other translations and adaptations of Caine's novel==
 +
 
 +
 
 +
Two other dramatizations of the original novel were done later:
 +
 
 +
Having discussed it with [[George Bernard Shaw]], Caine and Louis N. Parker wrote a new four act version, called '''''[[Pete]]'''''. Performed by Parker and his wife, it became a popular success. The text published by Collier, London, in 1908.
 +
 +
In Australia Maud Williamson also dramatized the novel, calling it '''''[[A Woman's Sin]]'''''.
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
  
1902: Performed by Wilson Barrett and his Company, on their first visit to South Africa, as their opening piece of a short season in the [[Good Hope Theatre]], Cape Town, under the auspices of the [[Wheeler Brothers]] in August. [[D.C. Boonzaier]] described the performance by the famed tragedian as disappointing and the actor "feeble" and "tottering", and "struggling painfully to realise the strong, robust and manly hero of Mr Hall Caine's imagination" (cited in [[F.C.L. Bosman|Bosman]], 1980: p.411).
+
1902: Performed by as ''[[The Manxman]]'' by Wilson Barrett and his company, on a visit to South Africa, as their opening piece of a short season in the [[Good Hope Theatre]], Cape Town, under the auspices of the [[Wheeler Brothers]] in August. [[D.C. Boonzaier]] described the performance by the famed tragedian as disappointing and the actor "feeble" and "tottering", and "struggling painfully to realise the strong, robust and manly hero of Mr Hall Caine's imagination" (cited in [[F.C.L. Bosman|Bosman]], 1980: p.411).
  
 
== Sources ==
 
== Sources ==

Latest revision as of 08:29, 28 August 2020

The Manxman is a play in five acts by Wilson Barrett (1846-1904)[1]


The original text

The play is the first dramatization of The Manxman, the popular novel by Hall Caine (1853-1931)[2], which first appeared as a serial in The Queen, The Lady's Newspaper and Court Chronicle between January and July 1894. It was then published as one volume in August 1894 by Heinemann.

Wilson Barrett's dramatization was first performed in the Grand Theatre, Leeds, on 22 August 1894, shortly after the publication of the book and then went on a regional tour, before opening in the Shaftesbury Theatre in London. Poorly received it only last 13 performances in London.

It played at the American Theatre, New York from 26 November to December of 1894)

On 5 March 1898 Wilson Barrett and Maud Jeffries took their London company to Australia, opening in Her Majesty's Theatre, Sydney.

Translations and adaptations of Barrett's play

Other translations and adaptations of Caine's novel

Two other dramatizations of the original novel were done later:

Having discussed it with George Bernard Shaw, Caine and Louis N. Parker wrote a new four act version, called Pete. Performed by Parker and his wife, it became a popular success. The text published by Collier, London, in 1908.

In Australia Maud Williamson also dramatized the novel, calling it A Woman's Sin.

Performance history in South Africa

1902: Performed by as The Manxman by Wilson Barrett and his company, on a visit to South Africa, as their opening piece of a short season in the Good Hope Theatre, Cape Town, under the auspices of the Wheeler Brothers in August. D.C. Boonzaier described the performance by the famed tragedian as disappointing and the actor "feeble" and "tottering", and "struggling painfully to realise the strong, robust and manly hero of Mr Hall Caine's imagination" (cited in Bosman, 1980: p.411).

Sources

https://en.wikipedia.org/wiki/The_Manxman_(novel)

https://en.wikipedia.org/wiki/Wilson_Barrett

https://www.ibdb.com/broadway-production/the-manxman-412612

https://catalog.hathitrust.org/Record/007654350

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p. 411

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page