Difference between revisions of "The Croaker, or The Miseries of Human Life"
Jump to navigation
Jump to search
(Created page with " ''The Miseries of Human Life'' is a humorous dialogue between two old curmudgeons, the book details the “petty outrages, minor humiliations, and tiny discomforts that...") |
|||
| Line 2: | Line 2: | ||
| − | ''[[The Miseries of Human Life]]'' is a humorous dialogue between two old curmudgeons, the book details the “petty outrages, minor humiliations, and tiny discomforts that make up everyday human existence.” Written in 1806 by James Beresford (1764–1840), it was published as ''[[The Miseries of Human Life, or, The Groans of Samuel Sensitive and Timothy Testy]]'' by W. Miller in 1806- with a frontispiece by William Henry Pyne (1769–1843) - it became a minor classic in the satirical literature of the day. | + | ''[[The Miseries of Human Life]]'' is a humorous dialogue between two old curmudgeons, the book details the “petty outrages, minor humiliations, and tiny discomforts that make up everyday human existence.” Written in 1806 by James Beresford (1764–1840), it was published as ''[[The Miseries of Human Life, or, The Groans of Samuel Sensitive and Timothy Testy]]'' by W. Miller in 1806- with a frontispiece by William Henry Pyne (1769–1843) - it became a minor classic in the satirical literature of the day. Apparently the public loved it, so dozens of editions were published, while printmakers rushed to illustrate their own versions of life’s miseries. |
Revision as of 06:04, 20 May 2019
The Miseries of Human Life is a humorous dialogue between two old curmudgeons, the book details the “petty outrages, minor humiliations, and tiny discomforts that make up everyday human existence.” Written in 1806 by James Beresford (1764–1840), it was published as The Miseries of Human Life, or, The Groans of Samuel Sensitive and Timothy Testy by W. Miller in 1806- with a frontispiece by William Henry Pyne (1769–1843) - it became a minor classic in the satirical literature of the day. Apparently the public loved it, so dozens of editions were published, while printmakers rushed to illustrate their own versions of life’s miseries.
