Difference between revisions of "The Beggar's Opera"
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| − | ''The Beggar’s Opera'' is a ballad opera | + | ''The Beggar’s Opera'' is a ballad opera. The text is by John Gay (1685-1732) and the music consists largely of pouplar tunes of the day to whic Gay adapted his own words. In the original production these were arranged and orchestrated by Dr. Christoph Pepusch, who also composed the overture. |
A musical comedy about the love triangle between the highwayman Macheath, his fence's daughter Polly and the jailer's daughter Lucy. | A musical comedy about the love triangle between the highwayman Macheath, his fence's daughter Polly and the jailer's daughter Lucy. | ||
| Line 7: | Line 7: | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
| − | There was a London revival at the Lyric Theatre, Hammersmith, produced by Sir Nigel Playfair, for | + | There was a London revival at the Lyric Theatre, Hammersmith, produced by Sir Nigel Playfair, for which the music was freely rearranged by Frederic Austin. |
Since 1920 there had been several "rewrites" of ''The Beggar's Opera''. | Since 1920 there had been several "rewrites" of ''The Beggar's Opera''. | ||
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It later formed the basis of Bertolt Brecht’s immensely popular ''[[The Threepenny Opera]]'' (qv.). | It later formed the basis of Bertolt Brecht’s immensely popular ''[[The Threepenny Opera]]'' (qv.). | ||
| + | Adapted by [[Louis Burke]] for the [[CAPAB]] production. | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | + | Staged in Cape Town in 1922 at the [[Opera House]] by an overseas company under the direction of [[African Theatres]] Ltd. | |
| − | + | A production by [[CAPAB]] in 1965 was directed and choreographed by [[Louis Burke]], with [[Joan Brickhill]], David Holliday [https://en.wikipedia.org/wiki/David_Holliday] and a large cast which included [[Fitz Morley]], [[Paddy Canavan]], [[Yvonne Bryceland]], [[Frank Lazarus]]. Musical direction was by [[Walter Swanson]], decor by [[Bill Smuts]], costumes by [[joan Brickhill]]. This production was then taken to Johannesburg by [[Theatre International]] in 1966. | |
== Sources == | == Sources == | ||
| + | Wikipedia [https://en.wikipedia.org/wiki/The_Beggar%27s_Opera]. | ||
| + | |||
''The Beaggar's Opera'' theatre programme, 1965. | ''The Beaggar's Opera'' theatre programme, 1965. | ||
Revision as of 10:49, 23 March 2016
The Beggar’s Opera is a ballad opera. The text is by John Gay (1685-1732) and the music consists largely of pouplar tunes of the day to whic Gay adapted his own words. In the original production these were arranged and orchestrated by Dr. Christoph Pepusch, who also composed the overture.
A musical comedy about the love triangle between the highwayman Macheath, his fence's daughter Polly and the jailer's daughter Lucy.
Contents
The original text
First produced in the Lincoln's Inn Fields Theatre in London in 1728.
Translations and adaptations
There was a London revival at the Lyric Theatre, Hammersmith, produced by Sir Nigel Playfair, for which the music was freely rearranged by Frederic Austin.
Since 1920 there had been several "rewrites" of The Beggar's Opera.
It later formed the basis of Bertolt Brecht’s immensely popular The Threepenny Opera (qv.).
Adapted by Louis Burke for the CAPAB production.
Performance history in South Africa
Staged in Cape Town in 1922 at the Opera House by an overseas company under the direction of African Theatres Ltd.
A production by CAPAB in 1965 was directed and choreographed by Louis Burke, with Joan Brickhill, David Holliday [1] and a large cast which included Fitz Morley, Paddy Canavan, Yvonne Bryceland, Frank Lazarus. Musical direction was by Walter Swanson, decor by Bill Smuts, costumes by joan Brickhill. This production was then taken to Johannesburg by Theatre International in 1966.
Sources
Wikipedia [2].
The Beaggar's Opera theatre programme, 1965.
Go to ESAT Bibliography
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Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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