Difference between revisions of "The Actress Of All Work, or My Country Cousin"

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A Comic Sketch, in One Act by William Henry Oxberry (1784-1824). Also known as ''[[The Actress Of All Work, or Six in One]]'' or ''[[The Actress Of All Work]]''
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''[[The Actress Of All Work, or My Country Cousin]]'' is a comic sketch, in one act by William Henry Oxberry (1784-1824)[https://en.wikisource.org/wiki/Oxberry,_William_Henry_(DNB00)].  
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The play is also known as ''[[The Actress Of All Work, or Six in One]]'' or ''[[The Actress Of All Work]]''
  
 
==The original play==
 
==The original play==
  
First opened 25 Oct 1819, at the Adelphi Theatre, London. On September 9 1821 a production was put on by Mr Tayleure, starring Mrs Tayleure.  
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One of the first, and an interesting example of, the so called "transformation pieces", also known as "protean farces", popular in the 19th century.  
  
Published texts by J. Duncombe, 1819; W. Simpkin and R. Marshall, 1819.  
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Originally opened 25 Oct 1819, at the Adelphi Theatre, London. On September 9 1821 a production was put on by Mr Tayleure, starring Mrs Tayleure. Published texts by J. Duncombe, 1819; W. Simpkin and R. Marshall, 1819.  
  
 
According to the ''Oxford Companion to the Theatre'' (2nd ed. 1957) the play  "was probably inspired by Colman's ''[[Actor of All Work]]'', written for Mathews in 1817".[http://www.umass.edu/AdelphiTheatreCalendar/m19d.htm]
 
According to the ''Oxford Companion to the Theatre'' (2nd ed. 1957) the play  "was probably inspired by Colman's ''[[Actor of All Work]]'', written for Mathews in 1817".[http://www.umass.edu/AdelphiTheatreCalendar/m19d.htm]
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1833: Performed as ''[[The Actress Of All Work]]'' (author not mentioned ) by the [[All the World's a Stage]] on 21 September, with ''[[The Day After the Wedding, or A Wife’s First Lesson]]'', the interlude ''[[A Race for Dinner]]'' (Rodwell), and the farce ''[[Rival Valets]]'' (Ebsworth).
 
1833: Performed as ''[[The Actress Of All Work]]'' (author not mentioned ) by the [[All the World's a Stage]] on 21 September, with ''[[The Day After the Wedding, or A Wife’s First Lesson]]'', the interlude ''[[A Race for Dinner]]'' (Rodwell), and the farce ''[[Rival Valets]]'' (Ebsworth).
  
1833: Performed as ''[[The Actress Of All Work, or Six in One]]'' (author not mentioned ) by the [[All the World's a Stage]] on 211 November, with ''[[The Iron Chest]]'' (Colman),  and ''[[St Patrick’s Day]]'' (Sheridan).
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1833: Performed, now as ''[[The Actress Of All Work, or Six in One]]'' (author not mentioned ), by the [[All the World's a Stage]] on 11 November, with ''[[The Iron Chest]]'' (Colman),  and ''[[St Patrick’s Day]]'' (Sheridan).
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1866: Performed in Cape Town by the [[Le Roy and Duret Company]] on 9 and 11 April, with [[Madame Duret]]  portraying six characters, as well as three in the accompanying play, ''[[The French Spy, or The Wild Arab of the Desert]]'' (Aubert?). 
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1866: Performed in Cape Town by the [[Le Roy and Duret Company]] on 17 May, with ''[[The Green Bushes, or Ireland a Hundred Years Ago]]'' (Buckstone).
  
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1866: Performed in Cape Town by the [[Le Roy and Duret Company]] on 18 June, with ''[[Good for Evil, or A Wife's Trial]]'' (Augier),  ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby) and a popular "dance-song", ''[[The Nervous Cures]]''.
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1867: Performed by the [[Le Roy and Duret]] company in the [[Theatre Royal]], Cape Town, on 3 September, with scenes from ''[[Hamlet]]'' (Shakespeare) and ''[[A Prince for an Hour]]'' (Morton). The Morton play is erroneously listed in this case as ''[[A Price for an Hour]]'' by [[F.C.L. Bosman]] (1980:p.227).
  
 
== Sources ==
 
== Sources ==
  
  
The 1919 publsihed text, Google Books[https://books.google.co.za/books?id=9ERTAAAAcAAJ&q=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&dq=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&hl=en&sa=X&ei=36cwVfuQO4TD7gbK4oHYCg&ved=0CCEQ6AEwAQ]
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The 1919 published text, Google Books[https://books.google.co.za/books?id=9ERTAAAAcAAJ&q=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&dq=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&hl=en&sa=X&ei=36cwVfuQO4TD7gbK4oHYCg&ved=0CCEQ6AEwAQ]
  
Facsimile of John Bull, Volumes 1-2 , p305[https://books.google.co.za/books?id=3ZE-AQAAMAAJ&pg=PA305&lpg=PA305&dq=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&source=bl&ots=oEKvwmmaC3&sig=YhX6blxVTwo1SLpLpqmA3UeXFhs&hl=en&sa=X&ei=nKYwVfPhL4Od7gaAtoGwCg&ved=0CBwQ6AEwAA#v=onepage&q=The%20Actress%20Of%20All%20Work%2C%20or%20Six%20in%20One%20a%20comic%20sketch&f=true]
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Jane Goodall. 2002. ''Performance and Evolution in the Age of Darwin: Out of the Natural Order.'' Psychology Press, 2002: p. 125[https://books.google.co.za/books?id=phaj_TcjDbcC&pg=PA125&lpg=PA125&dq=Protean+farce&source=bl&ots=UzL6e1Epkb&sig=T09vItYwrga6oU9c9557CT_gEvM&hl=af&sa=X&ved=0ahUKEwjWoda-ypXOAhXsLMAKHetSDkMQ6AEILTAE#v=onepage&q=Protean%20farce&f=false]
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Facsimile of John Bull, Volumes 1-2 , p. 305[https://books.google.co.za/books?id=3ZE-AQAAMAAJ&pg=PA305&lpg=PA305&dq=The+Actress+Of+All+Work,+or+Six+in+One+a+comic+sketch&source=bl&ots=oEKvwmmaC3&sig=YhX6blxVTwo1SLpLpqmA3UeXFhs&hl=en&sa=X&ei=nKYwVfPhL4Od7gaAtoGwCg&ved=0CBwQ6AEwAA#v=onepage&q=The%20Actress%20Of%20All%20Work%2C%20or%20Six%20in%20One%20a%20comic%20sketch&f=true]
  
 
25 Oct 1819 playbill, ''British Library''[http://www.umass.edu/AdelphiTheatreCalendar/m19d.htm]
 
25 Oct 1819 playbill, ''British Library''[http://www.umass.edu/AdelphiTheatreCalendar/m19d.htm]
  
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 185
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[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 227
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[[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 203-4,208-9, 211,218, 227, 229.
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Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]
  

Revision as of 06:13, 24 June 2020

The Actress Of All Work, or My Country Cousin is a comic sketch, in one act by William Henry Oxberry (1784-1824)[1].

The play is also known as The Actress Of All Work, or Six in One or The Actress Of All Work

The original play

One of the first, and an interesting example of, the so called "transformation pieces", also known as "protean farces", popular in the 19th century.

Originally opened 25 Oct 1819, at the Adelphi Theatre, London. On September 9 1821 a production was put on by Mr Tayleure, starring Mrs Tayleure. Published texts by J. Duncombe, 1819; W. Simpkin and R. Marshall, 1819.

According to the Oxford Companion to the Theatre (2nd ed. 1957) the play "was probably inspired by Colman's Actor of All Work, written for Mathews in 1817".[2]

Translations and adaptations

Performance history in South Africa

1833: Performed as The Actress Of All Work (author not mentioned ) by the All the World's a Stage on 21 September, with The Day After the Wedding, or A Wife’s First Lesson, the interlude A Race for Dinner (Rodwell), and the farce Rival Valets (Ebsworth).

1833: Performed, now as The Actress Of All Work, or Six in One (author not mentioned ), by the All the World's a Stage on 11 November, with The Iron Chest (Colman), and St Patrick’s Day (Sheridan).

1866: Performed in Cape Town by the Le Roy and Duret Company on 9 and 11 April, with Madame Duret portraying six characters, as well as three in the accompanying play, The French Spy, or The Wild Arab of the Desert (Aubert?).

1866: Performed in Cape Town by the Le Roy and Duret Company on 17 May, with The Green Bushes, or Ireland a Hundred Years Ago (Buckstone).

1866: Performed in Cape Town by the Le Roy and Duret Company on 18 June, with Good for Evil, or A Wife's Trial (Augier), Hunting a Turtle, or Trust a Woman's Wit (Selby) and a popular "dance-song", The Nervous Cures.

1867: Performed by the Le Roy and Duret company in the Theatre Royal, Cape Town, on 3 September, with scenes from Hamlet (Shakespeare) and A Prince for an Hour (Morton). The Morton play is erroneously listed in this case as A Price for an Hour by F.C.L. Bosman (1980:p.227).

Sources

The 1919 published text, Google Books[3]

Jane Goodall. 2002. Performance and Evolution in the Age of Darwin: Out of the Natural Order. Psychology Press, 2002: p. 125[4]

Facsimile of John Bull, Volumes 1-2 , p. 305[5]

25 Oct 1819 playbill, British Library[6]

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [7]: pp. 227

F.C.L. Bosman, 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 203-4,208-9, 211,218, 227, 229.

Go to ESAT Bibliography

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