Difference between revisions of "Statue Blanche, or Harlequin and the Magic Cross"
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| − | Robert Leach. 2018. ''An Illustrated History of British Theatre and Performance | + | Robert Leach. 2018. ''An Illustrated History of British Theatre and Performance: Volume Two - From the Industrial Revolution to the Digital Age''. London: Routledge, p.94[https://books.google.co.za/books?id=ePmADwAAQBAJ&pg=PT136&lpg=PT136&dq=Statue+Blanch+a+pantomime&source=bl&ots=VBfCXaNgF2&sig=ACfU3U0D_vEzqy9KXAUyIsk2mNP_0Lu8gA&hl=en&sa=X&ved=2ahUKEwjs7Z-mzonxAhW_QkEAHTonAmwQ6AEwGHoECBkQAw#v=onepage&q=Statue%20Blanch%20a%20pantomime&f=false] |
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
Revision as of 05:42, 9 June 2021
Statue Blanche, or Harlequin and the Magic Cross was a 19th century
Contents
The original text
Translations and adaptations
Performance history in South Africa
1866: Performed as Lucretia Borgia by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on
Sources
Robert Leach. 2018. An Illustrated History of British Theatre and Performance: Volume Two - From the Industrial Revolution to the Digital Age. London: Routledge, p.94[1]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
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