Difference between revisions of "South African Theatre – Four Plays and an Introduction"

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''[[South African Theatre – Four Plays and an Introduction]]'' is a multicultural collection of representative plays, edited and introduced by [[Temple Hauptfleisch]] and [[Ian Steadman]].
 
''[[South African Theatre – Four Plays and an Introduction]]'' is a multicultural collection of representative plays, edited and introduced by [[Temple Hauptfleisch]] and [[Ian Steadman]].
  
First published in 1984, this is the first collection of South African plays to acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors' categorization of the theatrical system in the country as consisting of a number of sub-systems, which they refer to as English Theatre, Afrikaans Theatre, Black Theatre and Alternative Theatre did much to shift the emphasis in drama teaching and theatre training to a consideration of the larger whole in a time.   
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First published in 1984 by [[De Jager-HAUM]], Pretoria, this is the first collection of South African plays to overtly acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors categorized the theatrical system in the country as consisting of a number of sub-systems, including what they refer to as [[English Theatre]], [[Afrikaans Theatre]], [[Black Theatre]] and [[Alternative Theatre]]. Though often debated, this initial categorization did much to shift the emphasis in drama teaching and theatre training away from the narrow focus on linguistic and cultural identities, to a consideration of the larger whole.   
  
Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: [[Bartho Smit]]'s ''[[Christine]]'' (translated from the [[Afrikaans]] by [[Walter Greyvenstein]]),
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Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: [[Bartho Smit]]'s ''[[Christine]]'' (translated from the [[Afrikaans]] by [[Walter Greyvenstein]]), [[Athol Fugard]]'s ''[[Hello and Goodbye]]'', [[Maishe Maponya]]'s ''[[The Hungry Earth]]'' and ''[[Cincinatti – Scenes from City Life]]'', a workshop play by [[Barney Simon]] and company.
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The volume also contains a chronology of South African social, political and cultural events up till 1983.
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==Sources==
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Text of ''[[South African Theatre – Four Plays and an Introduction]]'', [[De Jager-HAUM]],  1984
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[The ESAT Entries]]
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Return to [[Main Page]]

Latest revision as of 05:51, 13 February 2019

South African Theatre – Four Plays and an Introduction is a multicultural collection of representative plays, edited and introduced by Temple Hauptfleisch and Ian Steadman.

First published in 1984 by De Jager-HAUM, Pretoria, this is the first collection of South African plays to overtly acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors categorized the theatrical system in the country as consisting of a number of sub-systems, including what they refer to as English Theatre, Afrikaans Theatre, Black Theatre and Alternative Theatre. Though often debated, this initial categorization did much to shift the emphasis in drama teaching and theatre training away from the narrow focus on linguistic and cultural identities, to a consideration of the larger whole.

Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: Bartho Smit's Christine (translated from the Afrikaans by Walter Greyvenstein), Athol Fugard's Hello and Goodbye, Maishe Maponya's The Hungry Earth and Cincinatti – Scenes from City Life, a workshop play by Barney Simon and company.

The volume also contains a chronology of South African social, political and cultural events up till 1983.

Sources

Text of South African Theatre – Four Plays and an Introduction, De Jager-HAUM, 1984

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page