Difference between revisions of "South African Theatre – Four Plays and an Introduction"
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First published in 1984, this is the first collection of South African plays to acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors' categorization of the theatrical system in the country as consisting of a number of sub-systems, which they refer to as English Theatre, Afrikaans Theatre, Black Theatre and Alternative Theatre did much to shift the emphasis in drama teaching and theatre training to a consideration of the larger whole in a time. | First published in 1984, this is the first collection of South African plays to acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors' categorization of the theatrical system in the country as consisting of a number of sub-systems, which they refer to as English Theatre, Afrikaans Theatre, Black Theatre and Alternative Theatre did much to shift the emphasis in drama teaching and theatre training to a consideration of the larger whole in a time. | ||
| − | Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: [[Bartho Smit]]'s ''[[ | + | Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: [[Bartho Smit]]'s ''[[Christine]]'' (translated from the [[Afrikaans]] by [[Walter Greyvenstein]]), |
Revision as of 06:51, 12 February 2019
South African Theatre – Four Plays and an Introduction is a multicultural collection of representative plays, edited and introduced by Temple Hauptfleisch and Ian Steadman.
First published in 1984, this is the first collection of South African plays to acknowledge the complex cross-cultural nature of South African theatre, and to introduce the idea of a more encompassing theatrical system in the country. The authors' categorization of the theatrical system in the country as consisting of a number of sub-systems, which they refer to as English Theatre, Afrikaans Theatre, Black Theatre and Alternative Theatre did much to shift the emphasis in drama teaching and theatre training to a consideration of the larger whole in a time.
Besides substantial introductions to each of the sub-systems, the collection contains four illustrative plays: Bartho Smit's Christine (translated from the Afrikaans by Walter Greyvenstein),
