Difference between revisions of "Skrikkeljaar"

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See ''[[Summertime]]'' by Ugo Betti
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Two plays by this name have been produced in South Africa.
  
''Skrikkeljaar'' ("Leap Year") by Ugo Betti. ** Produced by [[NTO]] in 1958. 
 
  
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== ''[[Skrikkeljaar]]'' ("Leap Year") by Ugo Betti. ==
  
SKRIKKELJAAR
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A translation of ''[[Summertime]]'' by [[Ugo Betti]], produced by [[National Theatre Organisation]] in 1958. 
PLEKSPESIFIEKE TEATER
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Afr. en Eng. Geen o/13 OB (T)
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See '''''[[Summertime]]''''' by Ugo Betti
Teks: Layla Swart en David Johnson
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Regie: Layla Swart
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== ''[[Skrikkeljaar]]'' ("Leap Year") by [[Layla Swart]] en [[David Johnson]]. ==
Vervaardiger: Keenan Arrison
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Musiek: David Johnson en Layla Swart
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A bilingual (Afrikaans and English) South African play, described as a multi-media, site specific production dealing with a young man in search of himself. First produced in 2013 at the [[KKNK]] by  [[Keenan Arrison]], directed by [[Layla Swart]], music by  [[David Johnson]] en [[Layla Swart]], starring [[David Johnson]].
Met David Johnson
 
Vincent vier sy verjaarsdag op 29 Februarie. Deur multi-media en ’n kragtoer deur David Johnson word die gehoor deel van Vincent se herinneringe, sy soeke na sy identiteit. Ons leer hoe ons, ongeag die wonde van die verlede, die uitdagings van die lewe aangryp en die universele siening van wie jy is, omhels.
 
(Source: [[KKNK]] programme, 29 March-6 April 2013)
 
  
 
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Latest revision as of 09:12, 16 April 2016

Two plays by this name have been produced in South Africa.


Skrikkeljaar ("Leap Year") by Ugo Betti.

A translation of Summertime by Ugo Betti, produced by National Theatre Organisation in 1958.

See Summertime by Ugo Betti

Skrikkeljaar ("Leap Year") by Layla Swart en David Johnson.

A bilingual (Afrikaans and English) South African play, described as a multi-media, site specific production dealing with a young man in search of himself. First produced in 2013 at the KKNK by Keenan Arrison, directed by Layla Swart, music by David Johnson en Layla Swart, starring David Johnson.

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