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| − | FIRTH, Shirley. (19**-) Actor and producer. **** As an actress she appeared in Dodie Smith’s ''[[I Capture the Castle]]'' at the [[YMCA]] ([[Firth-Toerien Company]],1955), Kushlick-Gluckman’s revival of Clare Boothe’s ''[[The Women]]'' ([[Kushlick-Gluckman]], 1961), ''[[Pyjama Tops]]'' ([[Brooke Company]] ,1963).
| + | [[Shirley Firth]] (b. Boksburg, 03/03/1934 - d. Johannesburg, **/11/2019) was an actress and producer. |
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| − | As a producer she initially worked with [[Pieter Toerien]] (1955 onwards) staging ''[[I Capture the Castle]]'' (1955), André Roussin’s comedy ''[[The Little Hut]]'' (195?*), Terrence Rattigan’s ''[[In Praise of Love]]''.,In 1966 she worked for [[PACT]], then joined forces with actor-director [[Angus Neill]] and ventured back into management. They called themselves [[The Stage Company]], and took a two year lease at the [[Intimate Theatre]] where their first production was a revival of ''[[The Little Hut ]]'' (circa 1966) and ''[[The Creeper]]'' with [[Michael McCabe]] and [[John Hayter]] (1967). *** Later owned The [[Intimate Theatre]], a 235 seater, in partnership with [[Pieter Toerien]].
| + | == Biography == |
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| − | FIRTH, Shirley. Actor and producer. She starred in Dodie Smith’s romantic comedy I Capture the Castle at the ‘Y’ in 1955. Jimmy Mentis produced and Anthony Farmer did sets. She was involved with this theatre as her own management and in partnership with Pieter Toerien. She staged the comedy The Little Hut at the Intimate Theatre. She staged Rattigan’s In Praise of Love starring Robert Flemyng, together with Pieter Toerien. She played the lead in Kushlick-Gluckman’s revival of Clare Boothe’s The Women at the IntimateTheatre in 1961. Anthony Farmer designed and Jenny Gratus, Valerie Miller and Diane Wilson also played leads. She starred in Brian Brooke’s Pyjama Tops, which was staged at the Playhouse in 1963. It also starred John Hayter. She was kept in steady employment by PACT in 1966 (See PACT). She joined forces with actor-director Angus Neill and ventured into management. They called themselves The Stage Company, and took a two year lease at the Intimate Theatre where their first production was a revival of André Roussin’s comedy The Little Hut circa 1966. Together with Angus McNeill they staged a second production, The Creeper, with Michael McCabe and John Hayter at the Intimate Theatre in 1967. Together with Angus Neill she staged Caste, starring Neill, Adrian Egan, Elaine Lee and Arthur Hall at the Intimate Theatre in 1967. Neill renamed the show True Hearts Are More Than Coronets.Together with Toerien and Rubin she stepped forward as new management of the Intimate in 1969. Their first co-production was The Secretary Bird which was directed by Kerry Jordan and starred Jeremy Hawk, Shelagh Holliday, Ivan Berold and Firth herself. Together with Toerien and Rubin she staged Anthony Shaffer’s thriller Sleuth, starring Ralph Michael and Nicholas Amer, and directed by Warren Jenkins at the Intimate circa 1970. Toerien-Firth presented Who Killed Santa Claus? starring John Justin and Naomi Chance, with direction by Anthony Sharp in 1971. They also staged Don’t Start Without Me, directed by Roger Redfarn and starring Jeremy Hawk; and No sex Please, We’re British, directed by Allen Davis and starring Billy Boyle in 1971. Toerien-Firth presented Wait Until Dark starring Shirley Anne Field at the Intimate in 1972. Toerien-Firth presented the Francis Durbridge thriller Suddenly at Home and Royce Ryton’s Crown Matrimonial at the Intimate in 1973. The latter starred Owen Holder and Peggy Thorpe-Bates. They also brought Libby Morris to star in Just Libby in December 1973. Toerien-Firth brought Muriel Pavlow, Robert Flemyng, Robert Beatty and Ron Smerczak to star at the Intimate in Terence Rattigan’s In Praise of Love in 1974. They also got John Fernald to direct Hildegard Neil in a revival of Private Lives, and Heather Lloyd-Jones to star in Jerome Chodorov’s A Community of Two, directed by Chodorov at the Intimate in 1974. Toerien-Firth brought Maxine Audley and Richard Huggett with director Laurier Lister from England for Not Bloody Likely at the Intimate and Jeremy Hawk and Elspeth March from England for The Payoff at the Intimate in 1975. Toerien-Firth revived Tennessee Williams’ A Streetcar Named Desire with Michael McGovern and Anne Rogers in 1975. In 1976 Toerien-Firth brought back Owen Holder to star in Royce Ryton’s For the Woman I love; Hywel Bennett starred in Simon Gray’s Otherwise Engaged together with Sandra Duncan; West End director Frith Banbury staged a revival of Frederick Lonsdale’s 1920s comedy On Approval, starring Richard Todd and Moyra Fraser. They took a lease on the Little Theatre and renamed it the Barnato Theatre, after mining magnate Barney Barnato. Their opening production Caught in the Act, devised and directed by England’s Charles Ross with Anna Quayle and Graham Armitage was staged in 1976. Royce Ryton’s The Other Side of the Swamp starring Ryton himself, together with Eckard Rabe under direction by Graham Armitage was staged at the Barnato in 1976. It ran for a year. Toerien-Firth staged William Douglas Home’s The Kingfisher at the Intimate in 1977 and The Monkey Walk starring Barbara Kinghorn and British actor Richard Warwick, later replaced by Paul Jericco at the Barnato in 1977. Toerien-Firth presented Anthony Marriott and John Chapmans’s Shut Your Eyes and Think of England, directed by Roger Redfarn and starring Peter Blythe (later replaced by Simon Merrick). It ran at the Intimate from 1978 to January 1979. Together with Pieter Toerien she presented Terence Rattigan’s Cause Célèbre, directed by Joan Kemp-Welch and starring Mary Millar and William Lucas in 1978. It ran at the Andre Huguenet for nine months. Toerien-Firth staged Royce Ryton’s The Unvarnished Truth with Michael Richard, Anthony Fridjohn, Nicholas Ellenbogen and Lynne White and directed by Joan Kemp-Welch at the Intimate in 1979. Toerien-Firth presented Sextet by Michael Pertwee at the Andre Huguenet in 1979. Toerien-Firth produced Mothers and Fathers with Clive Parnell, Lesley Nott, Elizabeth Rae and Ian Winter which was staged at the Barnato Theatre in 1980. Together with Toerien she staged Hugh Leonard’s A Life directed by Godfrey Quigley and starring Quigley and Margaret Inglis at the Brooke , Mark Camelotti’s Happy Birthday starring Clive Scott at the Intimate, and Simon Gray’s Stage Struck directed by Stephen Hollis and starring Michael McGovern and Kenneth Baker in 1980. Toerien-Firth staged Andrew Davies’ Rose starring Sandra Duncan at the Intimate in 1980/1981. Toerien-Firth staged their last joint production at the Intimate in 1982 namely the Baxter Theatre production of Robert Kirby’s It’s a Boy starring Dale Cutts, Bo Petersen and James Irwin and directed by Keith Grenville. She produced Neil Simon’s Brighton Beach Memoirs directed by Louis Burke at the Andre Huguenet in 1986. She presented Barry Creyton’s Double Act at the Windybrow in 1988. (Tucker, 1997)
| + | === Youth === |
| | + | She was born in Johannesburg on 3 March 1934. |
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| | + | === Training === |
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| − | Return to [[ESAT Personalities F]] | + | |
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| | + | === Career === |
| | + | She was kept in steady employment by [[PACT]] until 1966. |
| | + | |
| | + | Towards the end of 1966 she ventured into management, joining forces with actor-director [[Angus Neill]], calling themselves The [[Stage Company]]. They took a long lease on the [[Intimate Theatre]], where their first production was a revival of ''[[The Little Hut]]''. |
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| | + | The [[Stage Company]] did only three productions in two years but Shirley held onto the lease of the theatre. This led to her association with [[Pieter Toerien]], operating as the [[Toerien-Firth Company]]. |
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| | + | Shirley did freelance writing on various topics for, inter alia, ''[[Business Day]]'' in the 1990s. |
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| | + | ==Contribution to SA theatre, film, media and/or performance== |
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| | + | As an actress she appeared in Dodie Smith’s ''[[I Capture the Castle]]'' at the [[YMCA]] in 1955, Kushlick-Gluckman’s revival of Clare Boothe’s ''[[The Women]]'' (1961), ''[[Pyjama Tops]]'' ([[Brian Brooke Company]] at the [[Playhouse]], 1963). She appeared in ''[[The Secretary Bird]]'' in 1969, for the first and last time in a play for which she was also the management. |
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| | + | == As Manager == |
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| | + | She staged the comedy ''[[The Little Hut]]'' at the [[Intimate Theatre]], 1966. |
| | + | In 1967 The [[Stage Company]] put on ''[[The Creeper]]'' and their final production ''[[Caste]]'', renamed ''[[True Hearts are more than Coronets]]'', 1968. |
| | + | |
| | + | Together with [[Pieter Toerien|Toerien]] and [[Basil Rubin|Rubin]] she stepped forward as new management of the [[Intimate Theatre|Intimate]] in 1969. Their first co-production was ''[[The Secretary Bird]]'' which was directed by [[Kerry Jordan]] and starred [[Jeremy Hawk]], [[Shelagh Holliday]], [[Ivan Berold]] and Firth herself. They also presented ''[[Sleuth]]'' circa 1970. T.268 |
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| | + | So what about love?, directed by Patrick Tucker. Rubin-Toerien-Firth. |
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| | + | The [[Toerien-Firth Company]] presented many productions, starting with ''[[Who Killed Santa Claus?]]'' in 1971. Their last joint production at the [[Intimate Theatre]] was in 1982, namely the [[Baxter Theatre]] production of [[Robert Kirby]]’s ''[[It's a Boy!]]''. |
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| | + | See [[Toerien-Firth Company]] for more information about their productions. |
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| | + | 449: She produced Neil Simon’s ''[[Brighton Beach Memoirs]]'' directed by [[Louis Burke]] at the [[André Huguenet Theatre]] in February 1986. |
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| | + | She returned briefly to the management scene when she presented Barry Creyton’s ''[[Double Act]]'' at the [[Windybrow Theatre]] in 1988. |
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| | + | == Awards, etc == |
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| | + | == Sources == |
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| | + | [[ESAT Bibliography Tra-Tz|Tucker]], 1997. |
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| | + | Various entries in the [[NELM]] catalogue. |
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| | + | Go to [[ESAT Bibliography]] |
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| | + | == Return to == |
| | + | |
| | + | Return to [[ESAT Personalities F]] |
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| | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] |
| | + | |
| | + | Return to [[The ESAT Entries]] |
| | | | |
| | Return to [[Main Page]] | | Return to [[Main Page]] |
Shirley Firth (b. Boksburg, 03/03/1934 - d. Johannesburg, **/11/2019) was an actress and producer.
Biography
Youth
She was born in Johannesburg on 3 March 1934.
Training
Career
She was kept in steady employment by PACT until 1966.
Towards the end of 1966 she ventured into management, joining forces with actor-director Angus Neill, calling themselves The Stage Company. They took a long lease on the Intimate Theatre, where their first production was a revival of The Little Hut.
The Stage Company did only three productions in two years but Shirley held onto the lease of the theatre. This led to her association with Pieter Toerien, operating as the Toerien-Firth Company.
Shirley did freelance writing on various topics for, inter alia, Business Day in the 1990s.
Contribution to SA theatre, film, media and/or performance
As an actress she appeared in Dodie Smith’s I Capture the Castle at the YMCA in 1955, Kushlick-Gluckman’s revival of Clare Boothe’s The Women (1961), Pyjama Tops (Brian Brooke Company at the Playhouse, 1963). She appeared in The Secretary Bird in 1969, for the first and last time in a play for which she was also the management.
As Manager
She staged the comedy The Little Hut at the Intimate Theatre, 1966.
In 1967 The Stage Company put on The Creeper and their final production Caste, renamed True Hearts are more than Coronets, 1968.
Together with Toerien and Rubin she stepped forward as new management of the Intimate in 1969. Their first co-production was The Secretary Bird which was directed by Kerry Jordan and starred Jeremy Hawk, Shelagh Holliday, Ivan Berold and Firth herself. They also presented Sleuth circa 1970. T.268
So what about love?, directed by Patrick Tucker. Rubin-Toerien-Firth.
The Toerien-Firth Company presented many productions, starting with Who Killed Santa Claus? in 1971. Their last joint production at the Intimate Theatre was in 1982, namely the Baxter Theatre production of Robert Kirby’s It's a Boy!.
See Toerien-Firth Company for more information about their productions.
449: She produced Neil Simon’s Brighton Beach Memoirs directed by Louis Burke at the André Huguenet Theatre in February 1986.
She returned briefly to the management scene when she presented Barry Creyton’s Double Act at the Windybrow Theatre in 1988.
Awards, etc
Sources
Tucker, 1997.
Various entries in the NELM catalogue.
Go to ESAT Bibliography
Return to
Return to ESAT Personalities F
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
