Difference between revisions of "Sam Mhangwane"

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(19**-) Playwright and director. *** Along with [[Gibson Kente]], the creator of the “township musical” style popular entertainment. His melodramatic tale entitled ''[[The Unfaithful Woman]]'', which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. ''[[Blame Yourself]]'' (1970) was another success. Mhangwane also ran courses in acting for young black performers in Johannesburg***. Mhangwane worked with [[SATO]], and his work was rejected as cheap escapist entertainment by [[SASO]] and the intellectuals of the [[BMC movement]]. **
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[[Sam Mhangwane]] (19**-) Playwright and director.
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Along with [[Gibson Kente]], he is the creator of the “township musical” style popular entertainment. His melodramatic tale entitled ''[[The Unfaithful Woman]]'', which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. ''[[Blame Yourself]]'' (1970) was another success.
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Mhangwane also ran courses in acting for young black performers in Johannesburg.  
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He worked with [[SATO]], and his work was rejected as cheap escapist entertainment by [[SASO]] and the intellectuals of the [[BMC movement]].
 +
 
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In the 2000s he ran Drakensberg Promotions, organisers of jazz festivals.
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Return to [[ESAT Personalities M]]
 
Return to [[ESAT Personalities M]]

Revision as of 10:43, 6 November 2017

Sam Mhangwane (19**-) Playwright and director.

Along with Gibson Kente, he is the creator of the “township musical” style popular entertainment. His melodramatic tale entitled The Unfaithful Woman, which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. Blame Yourself (1970) was another success.

Mhangwane also ran courses in acting for young black performers in Johannesburg.

He worked with SATO, and his work was rejected as cheap escapist entertainment by SASO and the intellectuals of the BMC movement.

In the 2000s he ran Drakensberg Promotions, organisers of jazz festivals.


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