Difference between revisions of "Saartjie Botha"

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(1972 -) Journalist, theatre producer and playwright. Born  Susara Susanna Botha in  Bloemfontein, the daughter of Louisa and Louis Botha, went to school at [[Oranje Meisies Hoër]]. She studied at the [[Stellenbosch University]]. She owned and ran a coffee shop opposite the [[Stellenbosch University]] Drama Department, when she began to dabble in theatre. In 2001 she turned to theatre on a full-time basis.  As a playwright she has been both influential and prolific. Plays include **, *''[[Spanner]]'' (2002), ** 1975 (200*), **, ''[[Tip]]'', ([[Woordfees]], 2003),
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'''Saartjie Botha''' (1972 -) Journalist, theatre producer and playwright.   
, **, ''[[Balle]]'' (200*),  ''[[Die Goue Seun]]'',  ''[[1975]]'', ''[[Smelt]]''In 2002 [[Barrie Hough]] rated Saartjie Botha as the most important voice in [[Afrikaans]] theatre since [[Deon Opperman]] and [[Reza de Wet]]. 
 
  
In 2002 she, [[Marthinus Basson]] and [[Jaco Bouwer]] founded the company [[Vleis, Rys en Aartappels]] to produce independent [[Afrikaans]] work. Their first production was Botha’s own ''[[Spanner]]'' (2002) and ''[[Aars!]]'' by [[Peter Verhelst]], followed by more than 60 productions and theatre projects, including  [[Tom Lanoye]]'s ''[[ Mamma Medea]]'', [[Astor Piazzolla]]'s tango-operetta ''[[Maria de Buenos Aires]]'', ''[[Romeo en Julia]]'', ''[[Altyd Jonker]]'', ''[[Verkeer]]'', ''[[Smag]]'',  ''[[Skrapnel]]'' and a magnificent  Afrikaans version of ''[[Long Day's Journey into Night]]'' (called ''[[’n Lang dagreis na die nag]]''). 
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== Biography ==
  
She has written for the journals [[Insig]] and [[LitNet]], been organiser of theatre for festivals such as the [[KKNK]] and the [[Woordfees]]. Also involved with community theatre work on the farms around Stellenbosch over the years.  
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=== Youth ===
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Born  Susara Susanna Botha in  Bloemfontein, the daughter of Louisa and Louis Botha, attending and matriculating from the [[Hoër Meisieskool Oranje]][http://www.oranjemeisies.co.za/] ("Oranje Girl's High School").
  
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=== Training ===
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She studied at the [[Stellenbosch University]].
 +
 +
=== Career ===
 +
She owned and ran a coffee shop opposite the [[Stellenbosch University]] Drama Department, when she began to dabble in theatre. In 2001 she turned to theatre on a full-time basis. In 2002 [[Barrie Hough]] rated [[Saartjie Botha|Botha]] as the most important voice in [[Afrikaans]] theatre since [[Deon Opperman]] and [[Reza de Wet]]. 
 +
 +
In 2002 she, [[Marthinus Basson]] and [[Jaco Bouwer]] founded the company [[Vleis, Rys en Aartappels]] to produce independent [[Afrikaans]] work. Their first production was Botha’s own ''[[Spanner]]'' (2002) and ''[[Aars!]]'' by [[Peter Verhelst]], followed by more than 60 productions and theatre projects.
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==Contribution to SA theatre, film, media and/or performance==
 +
As a playwright she has been both influential and prolific. Plays include **, ''[[Wat Meisies wil Eet]]''(???) *''[[Vuilspel]]'', ''[[Skeer op Richmond]]'',  ''[[Spanner]]'' (2002), ** 1975 (200*), **, ''[[Tip]]'', ([[Woordfees]], 2003), , **, ''[[Balle]]'' (2004),  ''[[Die Goue Seun]]'',  ''[[1975]]'', ''[[Smelt]]'', ''[[Verkeer]]''.
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Productions include  [[Tom Lanoye]]'s ''[[ Mamma Medea]]'', Astor Piazzolla's tango-operetta ''[[Maria de Buenos Aires]]'', ''[[Romeo en Julia]]'', ''[[Altyd Jonker]]'', ''[[Verkeer]]'', ''[[Smag]]'',  ''[[Skrapnel]]'' and a magnificent  Afrikaans version of ''[[Long Day's Journey into Night]]'' (called ''[[Lang Dagreis na die Nag]]''). 
 +
 +
She has written for the journals ''[[Insig]]'' and [[LitNet]], been organiser of theatre for festivals such as the [[KKNK]] and the [[Woordfees]]. In 2015 she became caretaker Director of the Stellenbosch [[Woordfees]] on the retirement of [[Dorothea van Zyl]].  Also involved with community theatre work on the farms around Stellenbosch over the years.
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== Awards, etc ==
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She was awarded the [[Fleur du Cap]] in the category Best New Indiginous Script for ''[[Altyd Jonker]]'', 2007.
  
 
== Sources ==
 
== Sources ==
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Go to [[South African Theatre/Bibliography]]
 
Go to [[South African Theatre/Bibliography]]
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== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities B]]
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Return to [[ESAT Personalities B]]  
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Latest revision as of 10:02, 1 July 2018

Saartjie Botha (1972 -) Journalist, theatre producer and playwright.

Biography

Youth

Born Susara Susanna Botha in Bloemfontein, the daughter of Louisa and Louis Botha, attending and matriculating from the Hoër Meisieskool Oranje[1] ("Oranje Girl's High School").

Training

She studied at the Stellenbosch University.

Career

She owned and ran a coffee shop opposite the Stellenbosch University Drama Department, when she began to dabble in theatre. In 2001 she turned to theatre on a full-time basis. In 2002 Barrie Hough rated Botha as the most important voice in Afrikaans theatre since Deon Opperman and Reza de Wet.

In 2002 she, Marthinus Basson and Jaco Bouwer founded the company Vleis, Rys en Aartappels to produce independent Afrikaans work. Their first production was Botha’s own Spanner (2002) and Aars! by Peter Verhelst, followed by more than 60 productions and theatre projects.

Contribution to SA theatre, film, media and/or performance

As a playwright she has been both influential and prolific. Plays include **, Wat Meisies wil Eet(???) *Vuilspel, Skeer op Richmond, Spanner (2002), ** 1975 (200*), **, Tip, (Woordfees, 2003), , **, Balle (2004), Die Goue Seun, 1975, Smelt, Verkeer.

Productions include Tom Lanoye's Mamma Medea, Astor Piazzolla's tango-operetta Maria de Buenos Aires, Romeo en Julia, Altyd Jonker, Verkeer, Smag, Skrapnel and a magnificent Afrikaans version of Long Day's Journey into Night (called Lang Dagreis na die Nag).

She has written for the journals Insig and LitNet, been organiser of theatre for festivals such as the KKNK and the Woordfees. In 2015 she became caretaker Director of the Stellenbosch Woordfees on the retirement of Dorothea van Zyl. Also involved with community theatre work on the farms around Stellenbosch over the years.

Awards, etc

She was awarded the Fleur du Cap in the category Best New Indiginous Script for Altyd Jonker, 2007.

Sources

http://www.dieburger.com/Rubrieke/MurrayLaVita/Oop-Kaarte-Saartjie-het-weer-woorde-20120309

Go to South African Theatre/Bibliography


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