Difference between revisions of "Ron Fenton"

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Born [[Ronald Fenton]] in Hounslow, Middlesex UK, in 1935.  As a child during the 2nd World War, Ron admits he found it an exciting time, fighter planes, air warden drills, and Soldiers in his village.  He also said he remembers riding his bike over the Heath, before it became Heathrow Airport.  And it was when watching his parents act during the war, that inspired Ron to act himself.
 
Born [[Ronald Fenton]] in Hounslow, Middlesex UK, in 1935.  As a child during the 2nd World War, Ron admits he found it an exciting time, fighter planes, air warden drills, and Soldiers in his village.  He also said he remembers riding his bike over the Heath, before it became Heathrow Airport.  And it was when watching his parents act during the war, that inspired Ron to act himself.
  
Ron joined the Merchant Navy in 1956.  Thus given him the opportunity to travel to far and exotic countries. He also took part in Merchant Navy Training videos. He left the Merchant Navy in 1961.
+
Ron joined the Merchant Navy in 1956.  Thus given him the opportunity to travel to far and exotic countries. He also took part in Merchant Navy Training videos. He left the Merchant Navy in 1961, settling in Cape Town.
 +
 
 +
The family went back to England in 1980, where he got a job in planning, and generally lived a normal life. Initially he did not participate in theatrical activities for two years, but then he started writing again and participating in local drama groups, though never again to the extend he had done in South Africa.  
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
  
 
He began his acting career in South Africa in 1966, and worked extensively with the [[Maynardville]] Open-air Shakespeare Theatre, Cape Town (1966 -1975), the [[Masque Theatre]], Muizenberg (1972 - 1979, [[Bergvliet Dramatic Society]] (1975), and the [[Space Theatre]], Cape Town (1972 - 1979).
 
He began his acting career in South Africa in 1966, and worked extensively with the [[Maynardville]] Open-air Shakespeare Theatre, Cape Town (1966 -1975), the [[Masque Theatre]], Muizenberg (1972 - 1979, [[Bergvliet Dramatic Society]] (1975), and the [[Space Theatre]], Cape Town (1972 - 1979).
 
  
 
=== As actor: ===
 
=== As actor: ===
 
  
 
His roles for the [[Maynardville]] open-air theatre included "Cornwall's servant" (''[[King Lear]]'' 1966); "Sergeant" (''[[Macbeth]]'', 1967), "Pistol" ''[[Merry Wives of Windsor]]'', 1969), "Senators, Offices, Messenger and Attendents" (''[[Othello]]'', 1970), "Messenger" (''[[Antony and Cleopatra]]'', 1972), "First Gravedigger" (''[[Hamlet]]'',”   
 
His roles for the [[Maynardville]] open-air theatre included "Cornwall's servant" (''[[King Lear]]'' 1966); "Sergeant" (''[[Macbeth]]'', 1967), "Pistol" ''[[Merry Wives of Windsor]]'', 1969), "Senators, Offices, Messenger and Attendents" (''[[Othello]]'', 1970), "Messenger" (''[[Antony and Cleopatra]]'', 1972), "First Gravedigger" (''[[Hamlet]]'',”   
  
For the [[Masque Theatre]] he appeared as "Martin Eppingham" in ''[[My Giddy Aunt]]'' (Cooney and Chapman, 1972), "George Riley" in ''[[Enter a Free Man]]'' (Stoppard, 1973),  
+
For the [[Masque Theatre]] he appeared as "Martin Eppingham" in ''[[My Giddy Aunt]]'' (Cooney and Chapman, 1972), "George Riley" in ''[[Enter a Free Man]]'' (Stoppard, 1973), "Edward Robinson" in ''[[Naked in the Fountain]]'' ([[Ron Fenton]], 1976), "Phil Hogan" in ''[[A Moon for the Misbegotten]]'' (Eugene O’Neill, for [[The Sons of England Dramatic Society]], 1977), "Basher Bates" in ''[[Don't Utter A Note]]'' (Anton Delmar, 1979).
  
For the [[Space Theatre]] he had roles in ''[[The Slab Boys]]'', ''[[Three Thoroughly Offensive Plays for Mother Grundies]]'' and ''[[In Two Minds]]'' (all three at [[Space Theatre|The Space]] in the 1970s).
+
For the [[Space Theatre]] he had roles in ''[[The Slab Boys]]'' (John Byrne, 1979), ''[[Three Thoroughly Offensive Plays for Mother Grundies]]'' (1979), ''[[In Two Minds]]'' (David Mercerat, 1979)  
  
 
For the [[Bergvliet Dramatic Society]] he played the "Burgomaster" in ''[[Laughing Dandino]]'' (1975),   
 
For the [[Bergvliet Dramatic Society]] he played the "Burgomaster" in ''[[Laughing Dandino]]'' (1975),   
  
 +
For [[Imps Drama]] he played the lead in their first production, ''[As Long As Forever Is]]'' ([[Henry Goodman]], [[Glynn Day]] and [[Lynn Banner]], 1976)
  
 +
At [[Fish Hoek Drama Festival]] he presented two of his plays, performing in them as well:  ''[[The Invalid]]'' (1974),  ''[[The Hostage Voluntary]]'' (1976).
  
 +
For [[Glynn Day Productions]] he played "Harry Rabinowitz" in ''[[Mr McConkey’s Suitcase]]'' (Geraldine Aron, 1977), "Bill J Mortimer" in ''[[The Chess Mistress]]'' (Tony Robinson, 1978)
 +
 
=== As director ===
 
=== As director ===
 
  
 
Directed ''inter alia'' his own play  ''[[The Invalid]]'' ([[Fish Hoek Drama Festival]], 1974),
 
Directed ''inter alia'' his own play  ''[[The Invalid]]'' ([[Fish Hoek Drama Festival]], 1974),
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=== As playwright ===
 
=== As playwright ===
  
 
+
He wrote the plays ''[[Naked in the Fountain]]'',  ''[[The Invalid]]'' (1974), and ''[[The Hostage Voluntary]]'' (1976).
 
 
He wrote the plays ''[[Naked in the Fountain]]'',  ''[[The Invalid]]'',  .
 
 
 
 
 
 
 
 
 
 
 
January 1967, Ron played Sergeant in “Macbeth” directed by Leslie French at the Maynardville Open-air Shakespeare Theatre. 5
 
 
 
January 1969, Ron played Pistol in “Merry Wives of Windsor” directed by Leslie French at the Maynardville Open-air Shakespeare Theatre.6
 
 
 
January 1970, Ron played Senators, Offices, Messenger and Attendents in “Othello” directed by Leonard Schach7 (http://esat.sun.ac.za/index.php/Leonard_Schach) at the Maynardville Open-air Shakespeare Theatre.8
 
 
 
January 1972, Ron played Messenger to Cleopatra in “Antony & Cleopatra” At the Maynardville Open-air Shakespeare Theatre.9
 
 
 
October-November 1972, Ron played Martin Eppingham in "[[My Giddy Aunt]]" by Ray Cooney and John Champman at the Masque Theatre, Muizenburg.10
 
 
 
April 1973, Ron played George Riley in ''[[Enter a Free Man]]'' by Tom Stoppard. A review of his performance was printed in the Cape Times.11
 
 
 
May 1974, Ron wrote and directed his one act play "The Invilad" at the Fish Hoek Drama Festival 1974.12
 
 
 
September 1974 - January 1975, Ron played First Gravedigger in “Hamlet” At the Maynardville Open-air Shakespeare Theatre.13  (A production to mark the twentieth anniversary of the founding of the Maynardville Open-air Shakespeare Theatre)14 15
 
 
 
December 1975, Ron played Burgomaster in “Laughing Dandino”16 Produced by [[Jill Fletcher]], an adaption by Fletcher from ''The Story of the Laughing Dandino'' by Ursula Moray Williams, for The [[Bergvliet Dramatic Society]].
 
 
 
March 1976 Ron played the leading roll in “As Long As Forever Is”18. A production devised by Henry Goodman19, Glynn Day and Lynn Banner, the first production by Imps Drama.20
 
 
 
July 1976, Ron wrote and performed in "The Hostage Voluntary" at the Fish Hoek Drama Festival 1976, directed by Jill Fletcher.21
 
 
 
September - October 1976, Ron Fenton played Edward Robinson the leading roll in "Naked in the Fountain" also written By Ron Fenton. Directed by Glynn Day at the Masque Theatre, Muizenberg.22
 
 
 
September - October 1977, Ron played Phil Hogan in “A Moon for the Misbegotton” By Eugene O’Neill, for The Sons of England Dramatic Society, at the Masque Theatre, Muizenberg 10 23
 
 
 
October - 1977 Ron played Harry Rabinowitz in “Mr McConkey’s Suitcase” By Geraldine Aron, for Glynn Day (http://esat.sun.ac.za/index.php/Glynn_Day) Productions.[20] 24
 
 
 
April 1978, Ron played Bill J Mortimer in “The Chess Mistress” By Tony Robinson, for Glynn Day Productions. 25  26
 
 
 
1979 Ron Acted in "In two minds" by English dramatist David Mercerat the Space Theatre, Cape Town, South Africa.27
 
http://esat.sun.ac.za/index.php/In_Two_Minds
 
 
 
1979 Ron Acted in the “Slab Boys” by John Byrne at the Space Theatre, Cape Town, South Africa.28
 
http://esat.sun.ac.za/index.php/The_Slab_Boys
 
 
 
1979 Ron acted in “Three Thoroughly Offensive Plays for Mother Grundies” at the Space Theatre, Cape Town.29
 
 
 
September 1979, Ron played the lead Basher Bates in "Don't Utter A Note" by Anton Delmar at the Masque Theatre, Muizenberg.
 
  
 
== Awards, accolades, etc ==
 
== Awards, accolades, etc ==
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== Sources ==
 
== Sources ==
 +
 +
Correspondence with Frazer Fenton (12-14 April, 2016)
  
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_king-lear_66.php
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_king-lear_66.php
Line 100: Line 59:
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_antony-&-cleopatra_72.php
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_antony-&-cleopatra_72.php
  
The Masque Theatre having burnt down in 1997, lost previous records to productions prior this date. 
+
[[Jill Fletcher]]. 1973. Review of ''[[Enter a Free Man]]'', [[Cape Times]], April 1973.
 
 
Jill Fletcher. 1973. Review written for The [[Cape Times]], April 1973 "Ron Fenton as the Free man was excellent. Apart from having to learn a monumental part, (he was hardly ever off the stage) he touched the heart of everyone who has leapt off this dry and dusty earth, missed the stars and crashed back to earth again".
 
  
[[Geoffrey Tansley]]. 1974. Review of The 1974 [[Fish Hoek Drama Festival]] for The [[Cape Times]] newspaper, "Written and produced by [[Ron Fenton]]. Theatre indigenous offering of "[[The Invalid]]" was non-competitive owing to the author's having suffered an accident to his foot. They therefore, presented it as a spoken broadcast play, which the adjudicator said was an ingenious way of not letting the festival down.
+
[[Geoffrey Tansley]]. 1974. Review of the 1974 [[Fish Hoek Drama Festival]], [[Cape Times]].
  
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/hamlet_75.php
 
http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/hamlet_75.php
  
[[Fiona Chisholm]] 1975. Review of The [[Maynardville]] production of ''[[Hamlet]]'' for The [[Cape Times]] of 8th January 1975.
+
[[Fiona Chisholm]] 1975. Review of the [[Maynardville]] production of ''[[Hamlet]]'', the [[Cape Times]], 8th January.
  
Owen Williams. 1975. Review of The [[Maynardville]] production of ''[[Hamlet]]'' for  [[The Argus]] of 8th January 1975.
+
[[Owen Williams]]. 1975. Review of the [[Maynardville]] production of ''[[Hamlet]]'', [[The Argus]], 8th January.
  
  

Revision as of 20:51, 14 April 2016

Ron Fenton (1935-) is an actor, playwright and theatre personality, best known for his contribution to South African theatre.

Biography

Born Ronald Fenton in Hounslow, Middlesex UK, in 1935. As a child during the 2nd World War, Ron admits he found it an exciting time, fighter planes, air warden drills, and Soldiers in his village. He also said he remembers riding his bike over the Heath, before it became Heathrow Airport. And it was when watching his parents act during the war, that inspired Ron to act himself.

Ron joined the Merchant Navy in 1956. Thus given him the opportunity to travel to far and exotic countries. He also took part in Merchant Navy Training videos. He left the Merchant Navy in 1961, settling in Cape Town.

The family went back to England in 1980, where he got a job in planning, and generally lived a normal life. Initially he did not participate in theatrical activities for two years, but then he started writing again and participating in local drama groups, though never again to the extend he had done in South Africa.

Contribution to SA theatre, film, media and/or performance

He began his acting career in South Africa in 1966, and worked extensively with the Maynardville Open-air Shakespeare Theatre, Cape Town (1966 -1975), the Masque Theatre, Muizenberg (1972 - 1979, Bergvliet Dramatic Society (1975), and the Space Theatre, Cape Town (1972 - 1979).

As actor:

His roles for the Maynardville open-air theatre included "Cornwall's servant" (King Lear 1966); "Sergeant" (Macbeth, 1967), "Pistol" Merry Wives of Windsor, 1969), "Senators, Offices, Messenger and Attendents" (Othello, 1970), "Messenger" (Antony and Cleopatra, 1972), "First Gravedigger" (Hamlet,”

For the Masque Theatre he appeared as "Martin Eppingham" in My Giddy Aunt (Cooney and Chapman, 1972), "George Riley" in Enter a Free Man (Stoppard, 1973), "Edward Robinson" in Naked in the Fountain (Ron Fenton, 1976), "Phil Hogan" in A Moon for the Misbegotten (Eugene O’Neill, for The Sons of England Dramatic Society, 1977), "Basher Bates" in Don't Utter A Note (Anton Delmar, 1979).

For the Space Theatre he had roles in The Slab Boys (John Byrne, 1979), Three Thoroughly Offensive Plays for Mother Grundies (1979), In Two Minds (David Mercerat, 1979)

For the Bergvliet Dramatic Society he played the "Burgomaster" in Laughing Dandino (1975),

For Imps Drama he played the lead in their first production, [As Long As Forever Is]] (Henry Goodman, Glynn Day and Lynn Banner, 1976)

At Fish Hoek Drama Festival he presented two of his plays, performing in them as well: The Invalid (1974), The Hostage Voluntary (1976).

For Glynn Day Productions he played "Harry Rabinowitz" in Mr McConkey’s Suitcase (Geraldine Aron, 1977), "Bill J Mortimer" in The Chess Mistress (Tony Robinson, 1978)

As director

Directed inter alia his own play The Invalid (Fish Hoek Drama Festival, 1974),

As playwright

He wrote the plays Naked in the Fountain, The Invalid (1974), and The Hostage Voluntary (1976).

Awards, accolades, etc

His acting in Stoppard's Enter a Free Man received high accolades from critic Jill Fletcher (1973): "Ron Fenton as the Free man was excellent. Apart from having to learn a monumental part, (he was hardly ever off the stage) he touched the heart of everyone who has leapt off this dry and dusty earth, missed the stars and crashed back to earth again".

Sources

Correspondence with Frazer Fenton (12-14 April, 2016)

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_king-lear_66.php

http://esat.sun.ac.za/index.php/King_Lear

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_macbeth_67.php

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_the-merry-wives-of-windsor_69.php

http://esat.sun.ac.za/index.php/Leonard_Schach

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_othello_70.php

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/productions_antony-&-cleopatra_72.php

Jill Fletcher. 1973. Review of Enter a Free Man, Cape Times, April 1973.

Geoffrey Tansley. 1974. Review of the 1974 Fish Hoek Drama Festival, Cape Times.

http://archive-za.com/page/3229593/2013-11-25/http://www.maynardville.co.za/archive-productions/hamlet_75.php

Fiona Chisholm 1975. Review of the Maynardville production of Hamlet, the Cape Times, 8th January.

Owen Williams. 1975. Review of the Maynardville production of Hamlet, The Argus, 8th January.


17 http://esat.sun.ac.za/index.php/Jill_Fletcher

18 Programme of songs, poems and prose by Dylan Thomas

19 https://en.wikipedia.org/wiki/Henry_Goodman

20 Production is reviewed in The Cape Times by Geoffery Tansley (March 1976).

http://esat.sun.ac.za/index.php/Glynn_Day 21 The Hostage Voluntary was reviewed in The Fish Hoek Echo newspaper (Page 7), "Hostage Voluntary" written by Ron Fenton, who also took the leading part...packed with action, suspense and gripping drama, centering round riot torn Ireland. To my mind a tremendous achievement and well deserving of a special award." (And on Page 9) Another waste in my opinion was that of an absolute master of his craft, Ron Fenton. How many of you realise that, besides taking the leading part in that spine - chilling Irish drama "Hostage" he had also written it. The only truly topical play we had, a play that simply shouted with action and suspense! While the clever denouement left us all clutching our seats, Surely Ron Fenton deserved a special award"


22 Play is reviewed in the Cape Times by Geoffery Tansley, "Naked in the Fountain by Ron Fenton, is a well thought out comedy in two scenes in which two husbands are at first outraged by the conduct of their wives, who, on impulse in the one case and in order to assert herself in the other, exhibit more of their charms than their spouses think right and proper. Later the men are forced to take a more modern view.

23 Reviewed by Geoffery Tansley for the Cape Times (September-October 1977).

24 Production reviewed by Owen Williams for The Argus newspaper (26th October 1977).

25 Reviewed by Elaine Durbach for The Argus (21st April 1978, page 7.)

26 Reviewed in the Cape Times (5th April 1978) Reviewer unknown

27 http://esat.sun.ac.za/index.php/In_Two_Minds


28 http://esat.sun.ac.za/index.php/The_Slab_Boys

29 http://esat.sun.ac.za/index.php/Three_Thoroughly_Offensive_Plays_for_Mother_Grundies






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Ron Fenton (19**-) Actor.

He had roles in King Lear (1966); The Slab Boys, Three Thoroughly Offensive Plays for Mother Grundies and In Two Minds (all three at The Space in the 1970s).

He wrote the play Naked in the Fountain.


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