Difference between revisions of "Ricky Arden"

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(19*-) Actor and professional director, who like many at the time also directed plays for amateur societies including the [[Johannesburg REPS]]  and the [[Bloemfontein Repertory Society]]. Productions include [[Neil Simon]]’s ''[[Come Blow Your Horn]]'' ([[Johannesburg REPS]] , 1962), ''[[Policy for Murder]]'' ([[Johannesburg REPS]] ,  1963) [[Anouilh]]’s ''[[Ring Round the Moon]]'' ([[PACT]], 1964), [[Bartho Smit]]’s ''[[Die Man Met ‘n Lyk om Sy Nek]]'' ([[PACT]], 1966), [[Frank Wedekind]]’s ''[[The Love Potion]]'' ([[PACT]], 1966), ''[[Travelling Light]]'' ([[PACT]], 1966),  ''[[According to the Evidence]]'' ([[PACT]], 1966). This was his last production before he accepted a teaching post at the University of San Diego in the USA, after his wife, the model Kay Dewdney, had committed suicide. Directed ''[[The Rainmaker]]'' and ''[[The Rape of the Belt]]'' in ???.
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(ARDEN, Ricky (19*-) Actor and professional director, who like many at the time also directed plays for amateur societies including the [[Johannesburg REPS]]  and the [[Bloemfontein Repertory Society]].
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== Biography ==
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He accepted a teaching post at the University of San Diego in the USA, after his wife, the model Kay Dewdney, had committed suicide.
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== Training ==
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== Career ==
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==Contribution to SA theatre, film, media and/or performance==
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Productions include [[Neil Simon]]'s ''[[Come Blow Your Horn]]'' ([[Johannesburg REPS]] , 1962), ''[[Policy for Murder]]'' ([[Johannesburg REPS]] ,  1963), [[Adam's Rib]] (a revue, 1963),  [[Jean Anouilh]]'s ''[[Ring Round the Moon]]'' ([[PACT]], 1964), [[Bartho Smit]]'s ''[[Man met 'n lyk om sy nek]]'' ([[PACT]], 1966), [[Frank Wedekind]]’s ''[[The Love Potion]]'' ([[PACT]], 1966), ''[[Travelling Light]]'' ([[PACT]], 1966), [[Don't stop the carnival]][[Adam's Apple]], ''[[According to the Evidence]]'' ([[PACT]], [[Alexander Theatre]], 1966). This was his last production before he left for the USA.  
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Directed ''[[The Rainmaker]]'' and ''[[The Rape of the Belt]]'' in ???, [[Barmy Days]], [[Travelling Light]],
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: presented by Adam Leslie Theatrical Productions at an unknown theatre, directed by Ricky Arden, 1966
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==Awards==
  
 
== Sources ==
 
== Sources ==
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[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
  
[[Percy Tucker|Tucker]], 1997
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Programme of a run of ''[[Adam's Rib]]'' by [[Adam Leslie]] in 1966.
  
Go to [[South African Theatre/Bibliography]]
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''AfricaWide'' database
  
Programme of a run of ''[[Adam's Rib]]'' by [[Adam Leslie]] in ???.
 
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities A]]
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Return to [[ESAT Personalities A]]  
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Revision as of 16:30, 18 March 2015

(ARDEN, Ricky (19*-) Actor and professional director, who like many at the time also directed plays for amateur societies including the Johannesburg REPS and the Bloemfontein Repertory Society.

Biography

He accepted a teaching post at the University of San Diego in the USA, after his wife, the model Kay Dewdney, had committed suicide.

Training

Career

Contribution to SA theatre, film, media and/or performance

Productions include Neil Simon's Come Blow Your Horn (Johannesburg REPS , 1962), Policy for Murder (Johannesburg REPS , 1963), Adam's Rib (a revue, 1963), Jean Anouilh's Ring Round the Moon (PACT, 1964), Bartho Smit's Man met 'n lyk om sy nek (PACT, 1966), Frank Wedekind’s The Love Potion (PACT, 1966), Travelling Light (PACT, 1966), Don't stop the carnival, Adam's Apple, According to the Evidence (PACT, Alexander Theatre, 1966). This was his last production before he left for the USA.

Directed The Rainmaker and The Rape of the Belt in ???, Barmy Days, Travelling Light,

presented by Adam Leslie Theatrical Productions at an unknown theatre, directed by Ricky Arden, 1966

Awards

Sources

Tucker, 1997.

Programme of a run of Adam's Rib by Adam Leslie in 1966.

AfricaWide database


Return to

Return to ESAT Personalities A

Return to South African Theatre Personalities

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