Difference between revisions of "Ricky Arden"
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| − | , | + | He started acting circa 1950 and from about 1960 established himself as one of South Africa's foremost directors, also directing plays for amateur societies including the [[Johannesburg REPS]] and the [[Bloemfontein Repertory Society]]. |
| − | Ricky has about 30 productions to his credit, including his first major production, ''[[The Lower Depths]]'' (1959), ''[[See How They Run]]'' (1960), ''[[Come Blow Your Horn]]'' ([[Johannesburg REPS]] , 1962), ''[[Policy for Murder]]'' ([[Johannesburg REPS]] , 1963), ''[[Dear Me, The Sky is Falling]]'' (1963), ''[[Adam's Rib]]'' (a revue, 1963), [[Jean Anouilh]]'s ''[[Ring Round the Moon]]'' ([[PACT]], 1964), [[Bartho Smit]]'s ''[[Man met 'n lyk om sy nek]]'' ([[PACT]], 1966), [[Frank Wedekind]]’s ''[[The Love Potion]]'' ([[PACT]], 1966), ''[[Travelling Light]]'' ([[PACT]], 1966), ''[[Don't Stop the Carnival]]'', ''[[Adam's Apple]]'', ''[[The Rainmaker]]'' and ''[[The Rape of the Belt]]'' in ???, ''[[Barmy Days]]'', ''[[Travelling Light]]'' ([[Alexander Theatre]], 1966). | + | As a director Ricky has about 30 productions to his credit, including his first major production, ''[[The Lower Depths]]'' (1959), ''[[See How They Run]]'' (1960), ''[[Come Blow Your Horn]]'' ([[Johannesburg REPS]] , 1962), ''[[Policy for Murder]]'' ([[Johannesburg REPS]] , 1963), ''[[Dear Me, The Sky is Falling]]'' (1963), ''[[Adam's Rib]]'' (a revue, 1963), [[Jean Anouilh]]'s ''[[Ring Round the Moon]]'' ([[PACT]], 1964), [[Bartho Smit]]'s ''[[Man met 'n lyk om sy nek]]'' ([[PACT]], 1966), [[Frank Wedekind]]’s ''[[The Love Potion]]'' ([[PACT]], 1966), ''[[Travelling Light]]'' ([[PACT]], 1966), ''[[Don't Stop the Carnival]]'', ''[[Adam's Apple]]'', ''[[The Rainmaker]]'' and ''[[The Rape of the Belt]]'' in ???, ''[[Barmy Days]]'', ''[[Travelling Light]]'' ([[Alexander Theatre]], 1966). |
| − | A number of his | + | A number of his productions appear the name under his own company, [[Ricky Arden Productions]]. |
His last production before he left for the USA was ''[[According to the Evidence]]'' ([[PACT]], [[Alexander Theatre]], 1966). | His last production before he left for the USA was ''[[According to the Evidence]]'' ([[PACT]], [[Alexander Theatre]], 1966). | ||
Revision as of 17:20, 13 February 2018
Ricky Arden (19*-) was an actor and professional director
Contents
Biography
In 1966 he accepted a teaching post at the University of San Diego in the USA, after his wife, the model Kay Dewdney, had committed suicide.
Contribution to SA theatre, film, media and/or performance
He started acting circa 1950 and from about 1960 established himself as one of South Africa's foremost directors, also directing plays for amateur societies including the Johannesburg REPS and the Bloemfontein Repertory Society.
As a director Ricky has about 30 productions to his credit, including his first major production, The Lower Depths (1959), See How They Run (1960), Come Blow Your Horn (Johannesburg REPS , 1962), Policy for Murder (Johannesburg REPS , 1963), Dear Me, The Sky is Falling (1963), Adam's Rib (a revue, 1963), Jean Anouilh's Ring Round the Moon (PACT, 1964), Bartho Smit's Man met 'n lyk om sy nek (PACT, 1966), Frank Wedekind’s The Love Potion (PACT, 1966), Travelling Light (PACT, 1966), Don't Stop the Carnival, Adam's Apple, The Rainmaker and The Rape of the Belt in ???, Barmy Days, Travelling Light (Alexander Theatre, 1966).
A number of his productions appear the name under his own company, Ricky Arden Productions.
His last production before he left for the USA was According to the Evidence (PACT, Alexander Theatre, 1966).
Awards
Sources
Tucker, 1997.
Programme of a run of Adam's Rib by Adam Leslie in 1966.
Ring Round the Moon programme notes, 1964.
Various entries in the NELM catalogue.
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