Difference between revisions of "Pula"

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(Created page with "(“rain”) by Matsemela Manaka. A four-hander, but with twelve parts, the play comprises four movements, each revealing a different aspect of the demoralization of the blac...")
 
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(“rain”) by [[Matsemela Manaka]]. A four-hander, but with twelve parts, the play comprises four movements, each revealing a different aspect of the demoralization of the black man in South Africa, and uses dance, chanting and physical tableaux, as well as verbal elements. Pula was conceived and developed by Matsemela Manaka in collaboration with his theatre group, [[Soyikwa]]. This ensemble consists of Manaka,  
 
(“rain”) by [[Matsemela Manaka]]. A four-hander, but with twelve parts, the play comprises four movements, each revealing a different aspect of the demoralization of the black man in South Africa, and uses dance, chanting and physical tableaux, as well as verbal elements. Pula was conceived and developed by Matsemela Manaka in collaboration with his theatre group, [[Soyikwa]]. This ensemble consists of Manaka,  
 
[[Ronnie Mkwanazi]], [[Danny Moitse]], [[David Sebe]], and [[Makarious Sebe]].  
 
[[Ronnie Mkwanazi]], [[Danny Moitse]], [[David Sebe]], and [[Makarious Sebe]].  
From 1981 to 1984, various versions of Pula were presented in Johannesburg. Prior to its 1981 premiere at the Black Chain in Diepkloof, a Soweto neighborhood, Soyikwa rehearsed and improvised for a year and  
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From 1981 to 1984, various versions of Pula were presented in Johannesburg. Prior to its 1981 premiere at the Black Chain in Diepkloof, a Soweto neighborhood, Soyikwa rehearsed and improvised for a year and a half. The play won the [[Amstel Playwright of the Year Award]] (????***) in 198* and was first performed at the [[DOCC]] in 1982?*, directed by Manaka?* and featuring **, **. It opened at the [[Laager]] on 27 September 1982 under Manaka's direction. Later produced at the [[Nunnery Theatre]] at the University of the Witwatersrand with [[Makarious Sebe]], ** Published in ''[[Market Plays]]'' (ed [[Stephen Gray]]) by [[Ad Donker]],  in 1986. Performed by the [[Baxter Theatre]] in 200* , directed by ***. (See Gosher, 1988, **) Also published in/by** ''[[Skotaville]]''.  
a half. The play won the [[Amstel Playwright of the Year Award]] (????***) in 198*.and was first performed at the [[DOCC]] in 1982?*, directed by Manaka?* and featuring **, **. Later produced at the [[Nunnery Theatre]] at the University of the Witwatersrand with [[Makarious Sebe]], ** Published in ''[[Market Plays]]'' (ed [[Stephen Gray]]) by [[Ad Donker]],  in 1986. Performed by the [[Baxter Theatre]] in 200* , directed by ***. (See Gosher, 1988, **) Also published in/by** ''[[Skotaville]]''.  
 
  
  

Revision as of 09:28, 7 February 2015

(“rain”) by Matsemela Manaka. A four-hander, but with twelve parts, the play comprises four movements, each revealing a different aspect of the demoralization of the black man in South Africa, and uses dance, chanting and physical tableaux, as well as verbal elements. Pula was conceived and developed by Matsemela Manaka in collaboration with his theatre group, Soyikwa. This ensemble consists of Manaka, Ronnie Mkwanazi, Danny Moitse, David Sebe, and Makarious Sebe. From 1981 to 1984, various versions of Pula were presented in Johannesburg. Prior to its 1981 premiere at the Black Chain in Diepkloof, a Soweto neighborhood, Soyikwa rehearsed and improvised for a year and a half. The play won the Amstel Playwright of the Year Award (????***) in 198* and was first performed at the DOCC in 1982?*, directed by Manaka?* and featuring **, **. It opened at the Laager on 27 September 1982 under Manaka's direction. Later produced at the Nunnery Theatre at the University of the Witwatersrand with Makarious Sebe, ** Published in Market Plays (ed Stephen Gray) by Ad Donker, in 1986. Performed by the Baxter Theatre in 200* , directed by ***. (See Gosher, 1988, **) Also published in/by** Skotaville.


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