Difference between revisions of "Pietro Nolte"

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(Created page with "(****-****). Actor, producer, director. Trained at the Central School of Drama in London. Performed in Antigone, Man of Destiny, Episode on an Autumn Evening, A Swan Song and ...")
 
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(****-****).  Actor, producer, director.  Trained at the Central School of Drama in London.  Performed in Antigone, Man of Destiny, Episode on an Autumn Evening, A Swan Song and Three Cheers for President Charlie for CAPAB.  Directed The Daughter-in-Law, Under Milk Wood, The Big Shots and Liota.  (SACD 1973) (SACD 1974) (SACD 1975/76)  
 
(****-****).  Actor, producer, director.  Trained at the Central School of Drama in London.  Performed in Antigone, Man of Destiny, Episode on an Autumn Evening, A Swan Song and Three Cheers for President Charlie for CAPAB.  Directed The Daughter-in-Law, Under Milk Wood, The Big Shots and Liota.  (SACD 1973) (SACD 1974) (SACD 1975/76)  
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(19*-) Actor and director. **, He worked for the [[National Theatre Organisation]], i.a. in **, ''[[Die Vonkel in haar oë!]]'' ([[Beukes]], 1960),* In the 1970s he acted in ''[[Fallen Angels]]'', ''[[My Broer]]'' and ''[[Occupations]]'' at [[The Space]]. * NOLTE, Petro, ''[[Mirandolina]]'' olv Petro Nolte (1957) vir [[Cape Town Theatre Company]]. ''[[The Fall]]'' van [[Anthony Delius]], met [[John Boulter]], 1960
  
 
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Revision as of 17:04, 8 January 2011

(****-****). Actor, producer, director. Trained at the Central School of Drama in London. Performed in Antigone, Man of Destiny, Episode on an Autumn Evening, A Swan Song and Three Cheers for President Charlie for CAPAB. Directed The Daughter-in-Law, Under Milk Wood, The Big Shots and Liota. (SACD 1973) (SACD 1974) (SACD 1975/76)

(19*-) Actor and director. **, He worked for the National Theatre Organisation, i.a. in **, Die Vonkel in haar oë! (Beukes, 1960),* In the 1970s he acted in Fallen Angels, My Broer and Occupations at The Space. * NOLTE, Petro, Mirandolina olv Petro Nolte (1957) vir Cape Town Theatre Company. The Fall van Anthony Delius, met John Boulter, 1960

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