Physical theatre

Physical theatre is the name given to specific form theatrical performance that emphasizes the use of physical movement, as in dance and mime, for expression and the telling of stories.

Physical theatre as a form

Key figures in the evolution of modern versions of the form have been Jacques Lecoq, playwright/performer Steven Berkoff

Physical theatre in South Africa

The form has really taken hold in South Africa since the 1980s, partly because of its vast potential for intercultural communication.

Numerous platforms have been created to show the work, notably the Grahamstown Festival and the annual Dance Umbrella.

Initially, as its prevalence as a form grew, a number of debates arose about what actually constitutes the difference between physical theatre and theatre or performance in general, but gradually the term was recognized and accepted by most critics, to such an extent that many plays now are termed "physical theatre" simply because they employ certain kinetic elements, even though they may not actually have been conceived withing the physical theatre framework.

This is perhaps why Gary Gordon, has coined the rather useful term danceplay to refer to the forms used by himself and the First Physical Theatre Company. By the same token, some creative artists working in the field prefer to eschew any specific reference to physical theatre, beyond recognizing it as a style or approach to theatre making.

Courses

While it is generally believed to have been initiated at Rhodes University under the guidance of Gary Gordon, physical theatre is now taught as a form in most Drama Departments in the country.

South African Exponents

The form is part of the training of most of the younger generation of performers, but among the many specialists are Gary Gordon, Andrew Buckland, Lionel Newton, Lara Foot, Christopher Goetsch, Ilona Frege, Juanita Finestone, Samantha Pienaar, Ellis Pearson, Bheki Mkhwane, Jaco Bouwer,

South African companies

First Physical Theatre Company, Jazzart Dance Theatre, Magnet Theatre

Plays and performances

Gary Gordon has coined the term danceplay, to refer to the forms used by himself and the First Physical Theatre Company. Some creative artists working in the field prefer to eschew any specific reference to physical theatre, beyond recognizing it as a style or approach to theatre making. Since the term has been recognized and accepted by critics, many plays now are termed "physical theatre" simply because they employ certain kinetic elements, even though they may not have been conceived withing the Physical theatre framework.

The Ugly Noo Noo; The Well Being; The Anatomical Journey of a Settler Man; Daddy I've Seen This Piece Six Times and I Still Can't Know Why They Are Hurting Each Other; They include: Dialogue (1994);The Unspeakable Story (1995); Dead: A Slight History of One Called Ivan (1996); Lilith (1998); Bessie’s Head (2000); De Wet’s On The Lake (2001)and Gordon and Finetone-Praeg’s Lake – beneath the Surface (2001); and Drifting (2013).

Sources

https://en.wikipedia.org/wiki/Physical_theatre

Robyn Sassen. 20165. "Physical Theatre" in Martin Middeke and Peter Paul Schnierer (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.

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