Difference between revisions of "Pass book"

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The "[[Pass book|pass book]]" (also known simply as a "'''pass'''" or a "'''dompas'''" [lit "stupid (person's) pass"] ) was issued to every African by the **??Population Registration?? offices and which had to be carried at all times and shown on demand. This was an identity document which contained a record of employment as well as stamped permission to be in the particular (“European” or “ white”) area, and was thus a key tool of the Group Areas Act. Problems with getting a pass, getting the necessary permission and stamps, and the often violent and unreasonable police action in terms of this provision formed the basis of a great deal of the anger of the resistance movement. Inevitably scenes involving pass violations occur in many works (e.g. it forms a central feature of plays such as Hamba Dompas, Siswe Bansi is Dead and Poppie Nongena). With the repeal of the Group Areas Act in 1991 **??, the dompas was replaced by a general identity document for all South Africans. **?? (See***)
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== Pass book ==
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The "[[Pass book|pass book]]" (also known simply as a "'''pass'''" or a "'''dompas'''" [lit "stupid (person's) pass"] ) was issued to every non-European (African) by the **??Population Registration?? offices and which had to be carried at all times and shown on demand. This was an identity document which contained a record of employment as well as stamped permission to be in the particular (“European” or “ white”) area, and was thus a key tool of the [[Group Areas Act]]. Problems with getting a pass, getting the necessary permission and stamps, and the often violent and unreasonable police action in terms of this provision formed the basis of a great deal of the anger of the resistance movement. Inevitably scenes involving pass violations occur in many works (e.g. it forms a central feature of plays such as Hamba Dompas, Woza Albert, Asinamali, Siswe Bansi is Dead, Poppie Nongena, Sophiatown, *). With the repeal of the Group Areas Act in 1991 **??, the dompas was replaced by a general identity document for all South Africans. **?? (See***)
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== The "pass laws" ==
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== The Population Registration Act of 1950 ==
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One of a series of acts passed by the Nationalist Party government (1948-1990?) to regulate racial interaction and relationships in South Africa, and formed the basis of the political philosophy of separate development or what came to be known as “Apartheid” and stipulated that ***..  Its primary tool was the pass system which stipulated that every African had to carry a “pass” (also known as the hated “dompas”) which was both an identity document and used as a passport to indicate whether the person had permission to be in the particular (“European” or “ white”) area. It was amended ** times, in 19**, 19**. Repealed in 19**. (See Boonzaier and Sharp1988, Brits, 1995; ***) .)
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Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]]
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Return to [[Main Page]]
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Latest revision as of 07:38, 14 September 2010

Pass book

The "pass book" (also known simply as a "pass" or a "dompas" [lit "stupid (person's) pass"] ) was issued to every non-European (African) by the **??Population Registration?? offices and which had to be carried at all times and shown on demand. This was an identity document which contained a record of employment as well as stamped permission to be in the particular (“European” or “ white”) area, and was thus a key tool of the Group Areas Act. Problems with getting a pass, getting the necessary permission and stamps, and the often violent and unreasonable police action in terms of this provision formed the basis of a great deal of the anger of the resistance movement. Inevitably scenes involving pass violations occur in many works (e.g. it forms a central feature of plays such as Hamba Dompas, Woza Albert, Asinamali, Siswe Bansi is Dead, Poppie Nongena, Sophiatown, *). With the repeal of the Group Areas Act in 1991 **??, the dompas was replaced by a general identity document for all South Africans. **?? (See***)


The "pass laws"

The Population Registration Act of 1950

One of a series of acts passed by the Nationalist Party government (1948-1990?) to regulate racial interaction and relationships in South Africa, and formed the basis of the political philosophy of separate development or what came to be known as “Apartheid” and stipulated that ***.. Its primary tool was the pass system which stipulated that every African had to carry a “pass” (also known as the hated “dompas”) which was both an identity document and used as a passport to indicate whether the person had permission to be in the particular (“European” or “ white”) area. It was amended ** times, in 19**, 19**. Repealed in 19**. (See Boonzaier and Sharp1988, Brits, 1995; ***) .)



Return to South African Theatre Terminology and Thematic Entries

Return to Main Page



Return to South African Theatre Terminology and Thematic Entries

Return to Main Page