Difference between revisions of "Naweekpos"
Line 17: | Line 17: | ||
Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | ||
− | Return to | + | Return to ESAT Bibliography |
− | Return to | + | Return to South African Journals and Newspapers |
+ | |||
+ | Return to South African Theatre Venues, Companies, Societies, etc | ||
+ | |||
+ | Return to The ESAT Entries | ||
+ | |||
+ | Return to Main Page |
Revision as of 11:42, 5 November 2022
Naweekpos ("Weekend Post") was a magazine.
Inspired by Norval Geldenhuys, Naweekpos, first appeared in 1954, with Jan Scarnell as its first editor, assisted by co-editors Berta Smit and Audrey Blignault. The magazine had a strong Christian ethos and published general articles on a range of matters, including literatrue and the performing arts. It lasted till 1970, at which point it was incorporated into Die Voorligter.
The magazine at one point also became involved in the film industry, inter alia funding the film Die Reën Kom Weer (1963) and distributing it under the banner of Naweekpos Films.
Sources
https://mediamense.com/tydskrifte-vir-gelowiges/
Go to ESAT Bibliography
Return to
Return to ESAT Venues N
Return to South African Theatre Venues, Companies, Societies, etc
Return to ESAT Bibliography
Return to South African Journals and Newspapers
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page