Difference between revisions of "Nat"

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2016:  Staged by [[Rust Co-Operative]] in the [[Artscape]] and [[Rosebank Theatre]]s in Cape Town and at the [[KKNK]], directed by [[Penelope Youngleson]], with [[Iman Isaacs]] and [[Richard September]].
 
2016:  Staged by [[Rust Co-Operative]] in the [[Artscape]] and [[Rosebank Theatre]]s in Cape Town and at the [[KKNK]], directed by [[Penelope Youngleson]], with [[Iman Isaacs]] and [[Richard September]].
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=''[[Nat]]'' by [[Henque]]=
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== The original text ==
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This is a one man performance text, one of two of the four opening pieces written for and performed as part of ''[[DEURnis]]''; South Africa’s first one-on-one site specific theatre production. 
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==Translations and adaptations==
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== Performance history in South Africa ==
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2017: ''[[Nat]]'' was performed by [[Stephanie Gericke]] and directed by [[Aneshree Paul]] at the [[Aardklop Kunstefees]] in 2016 and in Centurion (February 2017).
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'''See also the entry on ''[[DEURnis]]'''''
  
 
= Sources =
 
= Sources =

Revision as of 09:54, 14 June 2019

There are two South African plays by this name:

Nat by Penelope Youngleson

The original text

This is a 2016 multilingual (Afrikaans, English, isiXhosa) two-hander.

Translations and adaptations

Performance history in South Africa

2016: Staged by Rust Co-Operative in the Artscape and Rosebank Theatres in Cape Town and at the KKNK, directed by Penelope Youngleson, with Iman Isaacs and Richard September.

Nat by Henque

The original text

This is a one man performance text, one of two of the four opening pieces written for and performed as part of DEURnis; South Africa’s first one-on-one site specific theatre production.

Translations and adaptations

Performance history in South Africa

2017: Nat was performed by Stephanie Gericke and directed by Aneshree Paul at the Aardklop Kunstefees in 2016 and in Centurion (February 2017).

See also the entry on DEURnis

Sources

Rust Co-Operative website [1]

Go to ESAT Bibliography

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Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

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