Difference between revisions of "Mr Cuerton"

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He was apparently a chief organizer of productions for the [[Garrison Players]] in the [[African Theatre]] during this period, not only creating, directing and participating in productions, but also at times being responsible for the sale of tickets from his quarters at number 8 Lely Street, later at number 8 Berg Street.
 
He was apparently a chief organizer of productions for the [[Garrison Players]] in the [[African Theatre]] during this period, not only creating, directing and participating in productions, but also at times being responsible for the sale of tickets from his quarters at number 8 Lely Street, later at number 8 Berg Street.
  
He seems to have been a singer, whistler and dancer himself, often performing in this capacity in interludes between plays, and clearly had a strong interest in the pantomime, according to [[F.C.L. Bosman|Bosman]] (1928: p.144-5) influencing the early work of [[Charles Etienne Boniface]].  
+
He seems to have been a singer, whistler and dancer himself, often performing in this capacity in interludes between plays, and clearly had a strong interest in the pantomime, most likely being the creator of a number of such works (usually distinguished by the words harlequin and/or pantomime) performed in these years (see below). According to [[F.C.L. Bosman|Bosman]] (1928: p.144-5), his work clearly had an influence on [[Charles Etienne Boniface]].  
  
 
Among the productions where we find him specifically mentioned are -
 
Among the productions where we find him specifically mentioned are -
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'''In 1813''': a ''[[Harlequin Pantomime]]'', presented on 17 June as a benefit performance "for the widows and orphans of the troops in the Garrison", and including a military concert; on 17 July with ''[[The Village Lawyer]]'' (Macready) and on 14 August with a shortened version of Shakespeare's ''[[King Lear]]''.  On 23 October he is responsible for an evening of song and dance, as accompaniment to ''[[The Village Lawyer]]'' and ''[[Robinson Crusoe, or Harlequin Friday]]'' (Sheridan), and on 6 November a repeat of the Sheridan pantomime,  with a whistling performance folk songs by Cuerton himself.
 
'''In 1813''': a ''[[Harlequin Pantomime]]'', presented on 17 June as a benefit performance "for the widows and orphans of the troops in the Garrison", and including a military concert; on 17 July with ''[[The Village Lawyer]]'' (Macready) and on 14 August with a shortened version of Shakespeare's ''[[King Lear]]''.  On 23 October he is responsible for an evening of song and dance, as accompaniment to ''[[The Village Lawyer]]'' and ''[[Robinson Crusoe, or Harlequin Friday]]'' (Sheridan), and on 6 November a repeat of the Sheridan pantomime,  with a whistling performance folk songs by Cuerton himself.
  
'''In 1814''': On 16 April a pantomime called ''[[Three Witches, or Harlequin Reanimated]]'' was done along with a "grand ballet" called ''[[Don Juan, or The Libertine Destroyed]]'' (Shadwell),; on 10 June (and repeated on 28 June),  a ''[[Harlequinesque Pantomime]]'' once more, with ''[[Whistle for It, or The Banditti Destroyed]]'' (Lambe); and on 13 August a repeat of ''[[Don Juan, or The Libertine Destroyed]]'' with a ''[[Pantomime Farce]]'' featuring [[Mr Arnot]] as "Harlequin" and [[Mr Cuerton]] as "Clown".  
+
'''In 1814''': On 16 April a pantomime called ''[[Three Witches, or Harlequin Reanimated]]'' was done along with a "grand ballet" called ''[[Don Juan, or The Libertine Destroyed]]'' (Shadwell),; on 10 June (and repeated on 28 June),  a ''[[Harlequinesque Pantomime]]'' once more, with ''[[Whistle for It, or The Banditti Destroyed]]'' (Lambe); and on 13 August a repeat of ''[[Don Juan, or The Libertine Destroyed]]'' with a ''[[Pantomime Farce]]'' featuring [[Mr Arnot]] as "Harlequin" and [[Mr Cuerton]] as "Clown".
  
 
== Awards, etc ==
 
== Awards, etc ==

Revision as of 06:48, 23 May 2016

Mr Cuerton (17**-18**) was probably a former professional thespian attached to or used by the at the amateurs of the British garrison at the Cape from about 1813 till 1815.

Contribution to SA theatre, film, media and/or performance

He was apparently a chief organizer of productions for the Garrison Players in the African Theatre during this period, not only creating, directing and participating in productions, but also at times being responsible for the sale of tickets from his quarters at number 8 Lely Street, later at number 8 Berg Street.

He seems to have been a singer, whistler and dancer himself, often performing in this capacity in interludes between plays, and clearly had a strong interest in the pantomime, most likely being the creator of a number of such works (usually distinguished by the words harlequin and/or pantomime) performed in these years (see below). According to Bosman (1928: p.144-5), his work clearly had an influence on Charles Etienne Boniface.

Among the productions where we find him specifically mentioned are -

In 1813: a Harlequin Pantomime, presented on 17 June as a benefit performance "for the widows and orphans of the troops in the Garrison", and including a military concert; on 17 July with The Village Lawyer (Macready) and on 14 August with a shortened version of Shakespeare's King Lear. On 23 October he is responsible for an evening of song and dance, as accompaniment to The Village Lawyer and Robinson Crusoe, or Harlequin Friday (Sheridan), and on 6 November a repeat of the Sheridan pantomime, with a whistling performance folk songs by Cuerton himself.

In 1814: On 16 April a pantomime called Three Witches, or Harlequin Reanimated was done along with a "grand ballet" called Don Juan, or The Libertine Destroyed (Shadwell),; on 10 June (and repeated on 28 June), a Harlequinesque Pantomime once more, with Whistle for It, or The Banditti Destroyed (Lambe); and on 13 August a repeat of Don Juan, or The Libertine Destroyed with a Pantomime Farce featuring Mr Arnot as "Harlequin" and Mr Cuerton as "Clown".

Awards, etc

Sources

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 143-146, 159-177.

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