Miscegenation on stage

Over the years numerous books, plays, films and the like have dealt with interracial relationships or "miscegenation". Initially these works related to social custom - e.g. ** and ***. However, with the 1948 election vistory of the Nationalsit Party and the coming of Apartheid, a number of laws forbidding such relationships were promulgated. Among them are the Prohibition of Mixed Marriages Act first promulgated in 19** and had grown out of the ***** act of 19** . This act was one of the cornerstones of Apartheid and specifically forbade marriages between persons of different race groups. It was finally repealed in June 1985. The law was heavily enforced, particularly in terms of "European or white" and "non-European or non-white" marriages. This went hand in hand with the so called Immorality Act of 19**, which forbad all sexual encounters between race groups, legal or illicit, and was equally viciously applied. This was also repealed in ??June 1985??. The two acts were a widely used subject in South African writing after 195*, and the the subject of numerous plays on miscegenation over the years, notably in the period 1958 to 1961, as well as the protest plays of the nineteen-seventies and -eighties. Most notable plays of this nature from the earlier period are The Bloodknot, Kimberley Train,The Maimed and Try for White. The latter became the basis of perhaps the best known film on the subject: Katrina. In the 1970-1990 period attitudes towards miscegenous relationships became more complex and ambiguous, as one may see from plays such as *** EXPAND.

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