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| − | [[Market Theatre Laboratory]] (also known as the [[Market Lab]] or simply [[The Lab]]), is a theatre training project. | + | #REDIRECT[[Market Theatre]] |
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| − | =History=
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| − | Originally founded in 1989 by [[Barney Simon]], [[John Kani]] (associate artistic director) and [[Vanessa Cooke]] (director) as a training facility for performer and community theatre practitioners. It was attached to the [[Market Theatre]] as its educational arm, as a response to the needs of the community theatre sector for high quality training, and to provide a seedbed for the creation of new South African plays. Deeply embedded in the ethos of the Laboratory is its commitment to providing opportunities to talented youth from disadvantaged backgrounds who would not otherwise be able to pursue their passion for the arts.
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| − | The Lab received funds from the Rockefeller Foundation, and substantial funding later from the Swedish International Development Agency (SIDA) through the Stockholms Statsteater. [[Mark Fleishman]] was the first administrator. Other administrators have been [[Tale Motsepe]], [[Vanessa Cooke]] (?-2008), [[Motloung Motjamela]] (2008-2011), [[Dan Robbertse]] (2011-2013) and [[Clare Vaughn]] (2013-).
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| − | The Lab opened in October 1989 in a small warehouse under the highway in Goch Street (now [[Henry Nxumalo]] Street), Newtown, where professional tutors ran practical as well as theoretical courses for aspiring actors. The Lab quickly became a platform for young artists to meet and engage creatively and collaboratively, first in apartheid South Africa and later in the new democracy. Gradually the success of the Drama School led to other programmes initiated by the Laboratory, including the community theatre programmes which have resulted in the annual [[Community Theatre Festival]] and [[Zwakala Festival]], which showcase performances from around the country and which have unearthed hidden theatrical talents.
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| − | The Lab employed “scouts” to work with community based drama groups and to help them develop their plays. The Lab also offered a programme to train township theatre groups. Once a year, these groups were invited to perform at the [[Zwakala Festival]].
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| − | For a while, the [[Market Theatre Laboratory]] was based in [[The Bus Factory]] – 3 Helen Joseph Street (formerly President Street), Newtown. Since 2017, it has been based at [[Market Theatre Foundation|Market Square]], 138 Lilian Ngoyi St, Newtown. It has developed into one of the premiere training facilities of its kind in Southern Africa. It has trained exceptional performers and theatre-makers including Olive Schreiner Award winner [[Phillip Dikotla]], three [[Standard Bank Young Artist of the Year]] winners, [[Monageng Motshabi]] (2016), [[Prince Lamla]] (2013), and [[Mncedisi Shabangu]] (2014), and [[SAFTA]] award winners [[Harriet Manamela]], [[Warren Masemola]] and [[Lindiwe Ndlovu]]. In addition, the Lab has been recognised on multiple platforms for creating excellent theatre that engages with human rights issues.
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| − | = Programmes=
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| − | Founded as an extension of the [[Market Theatre]]. It is also responsible for The [[Community Theatre Festival|Market Lab Annual Community Theatre Festival]], a project intended to prepare and present the work of 50 community theatre groups and present a showcase of these in a semi-professional setting.
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| − | == The [[Market Theatre Laboratory Drama School]]/[[Ramolao Makhene]] Drama School ==
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| − | The school offered an intensive practical two year course in basic theatre and performance skills for marginalised aspirant actors.
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| − | The school used professional theatre practitioners as tutors as they would impart not only the theoretical background but also give of their practical work experience. It soon became a platform for young artists to meet, interact, engage and discuss issues affecting the arts industry and creative processes.
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| − | In 2012, the school was renamed the [[Ramolao Makhene]] Drama School after the passing of the renowned actor, though the title does not seem to be used much. Their theatre, the [[Ramolao Makhene Theatre]] (seating 172), was also named after him.
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| − | == The National Fieldwork Programme ==
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| − | This programme has worked with hundreds of community groups over the years and its success is evident in the annual Community Theatre Festivals and Zwakala Festivals.
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| − | == The Writing Programme ==
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| − | With the assistance of [[Zakes Mda]] the lab started a writing workshop, which led to the development of a number of new South African plays.
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| − | ==The Barney Simon Residency Project==
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| − | With the support of the [[Barney Simon Trust]], the [[Market Theatre Laboratory]] also offers one residency a year to provide a space for theatre-makers to develop a new work, investigate artistic process, and take creative risks. The intention of this project, which provides a theatre-maker every year with funding; space; support and resources to develop a concept, is to support the development of new work, investigate artistic process, and take creative risks.
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| − | Source: https://www.newslink.co.za/the-barney-simon-residency-project/
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| − | == Fieldworkers Festival/Market Laboratory Community Theatre Festival ==
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| − | Starting out as a project initiated [[Tale Motsepe]], it was intially called the [[Fieldworkers Festival]], the name later changed to the [[Community Theatre Festival]] or the [[Market Lab Annual Community Theatre Festival]].
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| − | The project is intended to prepare and present the work of 50 community theatre groups and present a showcase of these in a semi-professional setting and soon became an annual event with groups coming from all the provinces.
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| − | == The [[Zwakala Festival]] ==
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| − | The Zwakala Festival is a festival of new writing which was founded by the Market Lab in 1991.
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| − | For more information, see [[Zwakala Festival]].
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| − | ==The [[Theatre Think Tank]]==
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| − | Founded in 2021 and funded by the [[National Institute for the Humanities and Social Sciences]] ([[NIHSS]]), the [[Theatre Think Tank]] project is intended to serve as an exploration and reflection on the wealth of knowledge enacted, embodied and performed by practitioners in the arts and culture field, specifically with the intention of gathering and organising this knowledge in a way that draws on the knowledge of local communities, and makes this accessible to the greater community.
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| − | Source: https://www.newslink.co.za/where-are-your-papers/
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| − | = Sources =
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| − | [[Pat Schwartz]], 1988;
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| − | [[Percy Tucker]], 1997;
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| − | [[Loren Kruger]], 1999)
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| − | http://markettheatre.co.za/
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| − | https://www.marketlab.co.za
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| − | http://markettheatre.co.za/view/laboratory/about-the-lab-and-drama-school
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| − | http://www.historicalpapers.wits.ac.za/inventory/AG3005.php
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| − | Feature written by Helen Grange, ''[[The Star]]'', 20 September 2001.
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| − | ''[[Creative Feel]]'', 20 June 2016.
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| − | 'A monument to theatrical excellence', ''[[The Star]]'' Late Edition, 27 February 2017.
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| − | https://www.newslink.co.za/the-barney-simon-residency-project/
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| − | https://www.newslink.co.za/where-are-your-papers/
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| − | [[Andile Xaba]]. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis.
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| − | Go to [[ESAT Bibliography]]
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| − | == Return to ==
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| − | Return to [[South_African_Films]]
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| − | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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| − | Return to [[PLAYS I: Original SA plays]]
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| − | Return to [[PLAYS II: Foreign plays]]
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| − | Return to [[PLAYS III: Collections]]
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| − | Return to [[PLAYS IV: Pageants and public performances]]
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| − | Return to [[South_African_Festivals|South African Festivals and Competitions]]
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| − | Return to [[South_African_Radio/Plays|South African Radio Plays and Serials]]
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| − | Return to [[South_African_Television/Plays|South African Television Plays and Series]]
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| − | Return to [[South_African_Venues,_Companies,_Societies,_etc]]
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| − | Return to [[Main Page]]
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