Difference between revisions of "Mannie Manim"

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1941-) Lighting designer and theatre administrator.  
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[[Mannie Manim]] (born 1941). Lighting designer and theatre administrator.  
  
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= TO BE EXPANDED AND EDITED =
  
= TO BE EDITED =
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Co-founder of the [[Market Theatre]], Trustee of the Market Theatre Foundation, a member of the Executive Committee of the South African Association of Theatre Managements, on the Drama Committee for the [[Standard Bank National Arts Festival]], founder member of the Executive committee of Committed Artists and a Governor of the FUBA Academy. 1980 received the Shirley Moss Award for the Greatest Practical and Technical Contribution to Theatre in South Africa, in 1981 the South African Institute of Theatre Technology Award for Outstanding Achievement as a Theatre Technician, Administrator and Lighting designer, and in 1985 the first Vita Award for the most Enterprising producer. In December 1990 he was made ''Chevalier des Artes et des Lettres'' by the French government. Was director of the Performing Arts Administration at Witwatersrand University.
  
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== Biography ==
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Born [[Manuel Manim]] in Cape Town, he began in theatre as an usher in the [[Brian Brooke Theatre]] at 15, went into stage management with [[Leonard Schach]] at the [[Hofmeyr]] in Cape Town, then managed the [[Playhouse]] for [[Leonard Rayne]] and returned to the [[Brooke Theatre]] as stage director.
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== Theatre Management ==
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After working for a few other companies in Johannesburg, including [[Theatre International]], he joined [[PACT]] at the age of 26, as the technical organizer for drama at of the state funded  [[Performing Arts Council of the Transvaal]] (PACT), went on to become production manager and ultimately manager of drama,  with [[Francois Swart]] as Artistic Director. Did a brilliant job in a period still considered the golden era of [[Afrikaans]] theatre and one of the best periods in the history of the [[Performing Arts Councils]]. 
  
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A dynamic yet meticulous planner, with a visionary view of South African theatre, he in 1973 joined with [[Barney Simon]] to found [[The Company]]  and in 1976 they opened the [[Market Theatre]]. He was also one of the Trustees of the [[Market Theatre Foundation]]. Manim effectively ran the Market Theatre from then till he left in 1991 to found his own company ([[Mannie Manim Productions]]) (1991-) and to take up the post of Director [[Performing Arts Administration at the University of the Witwatersrand]], effectively running the [[Wits Theatre Complex]] (1991-2000). In 2000 he became CEO and Director of the [[Baxter Theatre]] in Cape Town and also the Chairman of the [[Standard Bank National Arts Festival]] Board. He retired from this position in 2009, to be replaced by [[Lara Foot-Newton]]. Then appointed Executive Director of the new [[Fugard Theatre]] in Harrington Street (2010-2012).
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He was also a co-founder and board member of the [[South African Institute for Theatre Technology]] ([[SAITT]]) in 1969 and the [[South African Association of Theatre Managements]] ([[SAATM]])?*, ***.
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== Lighting design and stage management==
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Throughout his career he did freelance work (usually as lighting designer), e.g. lighting the first production staged at [[The Space]] in 1972, namely [[Athol Fugard]]’s ''[[Statements After an Arrest Under the Immorality Act]]''. In fact, beginning at the [[Alexander Theatre]] in the 1970s, he has lit every one of [[Athol Fugard]]’s plays produced in South Africa for the past three decades. And, despite the many management positions, Manim remained a prolific and higly regarded lighting designer in South Africa and elsewhere, working all over South Africa and in places like Los Angeles, New York, Toronto, London and Stockholm over the years.
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He was production and company manager for [[Stephen Sondheim]]’s musical ''[[A Funny Thing Happened on the Way to the Forum]]'' (the [[Johannesburg Civic]], 1964); With [[John Hussey]] he co-directed [[The Company]]’s production of [[Alan Ayckbourn]]’s ''[[Absurd Person Singular]]'' (the [[Market Theatre]], November 1977); produced ''[[Sly Fox]]'' ([[The Company]] at the [[Market Theatre]], 1979), ''[[Death of a Salesman]]'', (2001);  ''[[Sorrows and Rejoicings]]'' ([[Baxter]], 2001); ''[[Race]]'' (Mamet, [[Grahamstown Festival]], 2012 & 2013)''[[Die Laaste Karretjiegraf]]'' ([[Fugard Theatre]], 2013), ''[[The Shadow of the Hummingbird]]'' ([[Fugard Theatre]], 2014).
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Lighting design for ''[[Playland]]'' in 1992.
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== Awards ==
  
== Biography ==
 
  
 +
His numerous national and international awards over the years for his lighting designs and his management skills. The South African awards include the [[Shirley Moss Award]] (1980), the [[SATI Award]] (1981), 10 [[Vita Awards]] for lighting, numerous [[Fleur du Cap Awards]], the [[Akademie vir Wetenskap en Kuns]] Goue Medalje ("Gold medal", 1996) and the [[Naledi Award]] of the [[SA Association of Theatre Managers]] (2004). International awards include In 1990 the French Government conferred the Chevalier des Artes et Lettres on him.
  
Born [[Manuel Manim]] in Johannesburg, he began in theatre as an usher in the [[Brian Brooke Theatre]] at 15, went into stage management with [[Leonard Schach]] at the [[Hofmeyr]] in Cape Town, then managed the [[Playhouse]] for [[Leonard Rayne]] and returned to the [[Brooke Theatre]] as stage director. After working for a few other companies in Johannesburg [[Theatre International]], he joined [[PACT]] at the age of 26, as the technical organizer for drama at of the state funded  [[Performing Arts Council of the Transvaal]] (PACT), went on to become production manager and ultimately manager of drama,  with [[Francois Swart]] as Artistic Director. Did a brilliant job in a period still considered the golden era of Afrikaans theatre and one of the best periods in the history of the [[Performing Arts Councils]]. Also did freelance work, e.g. lighting the first production staged at [[The Space]] in 1972, namely [[Athol Fugard]]’s ''[[Statements After an Arrest Under the Immorality Act]]''. In fact, beginning at the [[Alexander Theatre]] in the 1970s, he has lit every one of [[Athol Fugard]]’s plays produced in South Africa for the past three decades. A dynamic yet meticulous planner, with a visionary view of South African theatre, he in 1973 joined with [[Barney Simon]] to found [[The Company]]  and in 1976 they opened the [[Market Theatre]]. He was also one of the Trustees of the [[Market Theatre Foundation]]. Manim effectively ran the Market Theatre from then till he left in 1991 to found his own company ([[Mannie Manim Productions]]) and to take up the post of Director [[Performing Arts Administration at the University of the Witwatersrand]], effectively running the [[Wits Theatre Complex]]. In 2000 he became CEO and Director of the [[Baxter Theatre]] in Cape Town and also the Chairman of the [[Standard Bank National Arts Festival]] Board. He retired from this position in 2009, to be replaced by [[Lara Foot-Newton]]. Then appointed manager of the new [[Fugard Theatre]] in Harrington Street [*?]. He was also a co-founder and board member of the [[South African Institute for Theatre Technology]] (SAITT) in 1969 and the [[South African Association of Theatre Managements]] (SAATM)?*, ***. Despite the management positions, Manim remained a prolific and higly regarded lighting designer in South Africa and elsewhere, working all over South Africa and in places like Los Angeles, New York, Toronto, London and Stockholm over the years. Has won His numerous national and international awards over the years for his lighting designs and his management skills. The South African awards include the [[Shirley Moss Award]] (1980), the [[SATI Award]] (1981), 10 [[Vita Awards]] for lighting, numerous [[Fleur du Cap Awards]], the [[Akademie vir Wetenskap en Kuns]] Goue Medalje ("Gold medal", 1996) and the [[Naledi Award]] of the [[SA Association of Theatre Managers]] (2004). International awards include In 1990 the French Government conferred the Chevalier des Artes et Lettres on him. He was production and company manager for [[Stephen Sondheim]]’s musical ''[[A Funny Thing Happened on the Way to the Forum]]'', which was staged at the [[Civic]] in 1964 by [[Theatre International]], who’s general manager was [[Aubrey Louw]]. [[Christopher Hewett] directed this play starring [[Jack Harrold]], [[Joseph Corby]], [[William Le Messena]], [[Fran Stevens]] and [[Emory Bass]]. Together with [[Barney Simon]] as artistic director he formed [[The Company]] as administrative director within the [[Arena Theatre]]. It had a core company of actors – [[Aletta Bezuidenhout]], [[Vanessa Cooke]], [[Leonie Hofmeyr]], [[David Eppel]], [[Judith Cornell]], [[Janice Honeyman]], [[Sue Kiel]], [[Danny Keogh]], [[Lindsay Reardon]] and [[John Oakley-Smith]]. Together with [[John Hussey]] he co-directed [[The Company]]’s production of [[Alan Ayckbourn]]’s ''[[Absurd Person Singular]]'', designed by [[Anthony Farmer]] and starring [[Diane Appleby]], [[Graham Armitage]], [[Naomi Buch]], [[Wilson Dunster]], [[Kerry Jordan]] and [[Gay Lambert]] at the [[Market Theatre]] in November 1977. He staged [[Larry Gelbart]]’s ''[[Sly Fox]]'' for [[The Company]] at the [[Market]] in 1979. It was directed by [[Pieter-Dirk Uys]] and starred [[Patrick Mynhardt]], [[Graham Armitage]] and [[Peter J. Elliott]]. He resigned from the [[Market]] in March 1991 to become the director of the [[Performing Arts Administration at Wits University]]. In 200*. ''[[Death of a Salesman]]'', [[Arthur Miller]], Director: [[Bobby Heaney]] ,2001. [[Bill Flynn]], [[Frantz Dubrowsky]], [[Dale Cutts]], [[Martin le Maitre]], [[Gideon Emery]], [[Langley Kirkwood]], [[Michelle Maxwell]], [[Joda Silva]], [[Justin Strydom]], [[Nathalie G’Mure]] & [[Leona Loseby]]. Lighting design:  [[Mannie Manim]].  Music: [[Janine Neethling]],  Set design: [[Stan Knight]]. [[Baxter Theatre]]. ''[[Sorrows and Rejoicings]]'', [[Athol Fugard]], [[Baxter]], 2001. [[Marius Weyers]], [[Denise Newman]], [[Jennifer Steyn]] & [[Amrain Ismail-Essop]]. Mederegie saam met [[Athol Fugard]], [[Susan Hilferty]]. Lighting:  [[Mannie Manim]]. ''[[Die Laaste Karretjiegraf]]'' (2013).  
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Vita Award presented to Mannie Manim for his contribution to the success of ''[[The War at Home]]''. ([[NELM]]:[Collection: MANIM, Mannie]: 2010. 38. 13. 4. 1. 2.).
  
 
== Sources ==
 
== Sources ==
Line 15: Line 38:
 
Programme, ''[[Die Laaste Karretjiegraf]]'' (2013)
 
Programme, ''[[Die Laaste Karretjiegraf]]'' (2013)
  
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''[[Playland]]'' programme notes, 1992.
  
Tucker, 1997
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http://www.sahistory.org.za/people/mannie-manim
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http://www.theatrearchive.co.za/interviews_theatre_lighting_archive.php
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[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
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Go to [[South African Theatre/Bibliography]]
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== Return to ==
  
 
Return to [[ESAT Personalities M]]
 
Return to [[ESAT Personalities M]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 +
 +
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Revision as of 08:16, 18 June 2018

Mannie Manim (born 1941). Lighting designer and theatre administrator.

TO BE EXPANDED AND EDITED

Co-founder of the Market Theatre, Trustee of the Market Theatre Foundation, a member of the Executive Committee of the South African Association of Theatre Managements, on the Drama Committee for the Standard Bank National Arts Festival, founder member of the Executive committee of Committed Artists and a Governor of the FUBA Academy. 1980 received the Shirley Moss Award for the Greatest Practical and Technical Contribution to Theatre in South Africa, in 1981 the South African Institute of Theatre Technology Award for Outstanding Achievement as a Theatre Technician, Administrator and Lighting designer, and in 1985 the first Vita Award for the most Enterprising producer. In December 1990 he was made Chevalier des Artes et des Lettres by the French government. Was director of the Performing Arts Administration at Witwatersrand University.

Biography

Born Manuel Manim in Cape Town, he began in theatre as an usher in the Brian Brooke Theatre at 15, went into stage management with Leonard Schach at the Hofmeyr in Cape Town, then managed the Playhouse for Leonard Rayne and returned to the Brooke Theatre as stage director.


Theatre Management

After working for a few other companies in Johannesburg, including Theatre International, he joined PACT at the age of 26, as the technical organizer for drama at of the state funded Performing Arts Council of the Transvaal (PACT), went on to become production manager and ultimately manager of drama, with Francois Swart as Artistic Director. Did a brilliant job in a period still considered the golden era of Afrikaans theatre and one of the best periods in the history of the Performing Arts Councils.

A dynamic yet meticulous planner, with a visionary view of South African theatre, he in 1973 joined with Barney Simon to found The Company and in 1976 they opened the Market Theatre. He was also one of the Trustees of the Market Theatre Foundation. Manim effectively ran the Market Theatre from then till he left in 1991 to found his own company (Mannie Manim Productions) (1991-) and to take up the post of Director Performing Arts Administration at the University of the Witwatersrand, effectively running the Wits Theatre Complex (1991-2000). In 2000 he became CEO and Director of the Baxter Theatre in Cape Town and also the Chairman of the Standard Bank National Arts Festival Board. He retired from this position in 2009, to be replaced by Lara Foot-Newton. Then appointed Executive Director of the new Fugard Theatre in Harrington Street (2010-2012).

He was also a co-founder and board member of the South African Institute for Theatre Technology (SAITT) in 1969 and the South African Association of Theatre Managements (SAATM)?*, ***.

Lighting design and stage management

Throughout his career he did freelance work (usually as lighting designer), e.g. lighting the first production staged at The Space in 1972, namely Athol Fugard’s Statements After an Arrest Under the Immorality Act. In fact, beginning at the Alexander Theatre in the 1970s, he has lit every one of Athol Fugard’s plays produced in South Africa for the past three decades. And, despite the many management positions, Manim remained a prolific and higly regarded lighting designer in South Africa and elsewhere, working all over South Africa and in places like Los Angeles, New York, Toronto, London and Stockholm over the years.

He was production and company manager for Stephen Sondheim’s musical A Funny Thing Happened on the Way to the Forum (the Johannesburg Civic, 1964); With John Hussey he co-directed The Company’s production of Alan Ayckbourn’s Absurd Person Singular (the Market Theatre, November 1977); produced Sly Fox (The Company at the Market Theatre, 1979), Death of a Salesman, (2001); Sorrows and Rejoicings (Baxter, 2001); Race (Mamet, Grahamstown Festival, 2012 & 2013)Die Laaste Karretjiegraf (Fugard Theatre, 2013), The Shadow of the Hummingbird (Fugard Theatre, 2014).

Lighting design for Playland in 1992.

Awards

His numerous national and international awards over the years for his lighting designs and his management skills. The South African awards include the Shirley Moss Award (1980), the SATI Award (1981), 10 Vita Awards for lighting, numerous Fleur du Cap Awards, the Akademie vir Wetenskap en Kuns Goue Medalje ("Gold medal", 1996) and the Naledi Award of the SA Association of Theatre Managers (2004). International awards include In 1990 the French Government conferred the Chevalier des Artes et Lettres on him.

Vita Award presented to Mannie Manim for his contribution to the success of The War at Home. (NELM:[Collection: MANIM, Mannie]: 2010. 38. 13. 4. 1. 2.).

Sources

Programme, Die Laaste Karretjiegraf (2013)

Playland programme notes, 1992.

http://www.sahistory.org.za/people/mannie-manim

http://www.theatrearchive.co.za/interviews_theatre_lighting_archive.php

Tucker, 1997.


Go to South African Theatre/Bibliography

Return to

Return to ESAT Personalities M

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page