Difference between revisions of "Maishe Maponya"

From ESAT
Jump to navigation Jump to search
(5 intermediate revisions by the same user not shown)
Line 3: Line 3:
 
== Biography ==
 
== Biography ==
  
=== Training ===
+
Born [[Isaiah Maishe Maponya]], the son of a painter in Alexandra township. When Maishe was 11, the family was forcibly removed to Diepkloof under the Apartheid laws. He became an insurance clerk and began writing for the theatre in 1975.
  
He is a Leeds University masters graduate in Theatre Studies.
+
He completed a masters degree in Theatre Studies at Leeds University and became a lecturer at the University of the Witwatersrand Drama Department in 199*.
  
=== Career ===
+
In 2001 he was appointed Director of Arts and Culture, with the [[Department of Arts, Culture, Technology and Science]].
The son of a painter in Alexandra township, and when he was 11, they were forcibly removed to Diepkloof under the Apartheid laws. He became an insurance clerk and began writing for the theatre in 1975.
 
 
 
He became a lecturer at the University of the Witwatersrand Drama Department in 199*.
 
 
 
In 2001 he was appointed Director of Arts and Culture, with the Department of Arts, Culture, Technology and Science.
 
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
  
Founded the [[Bahumutsi Players|Bahumutsi Drama Group]] of Soweto, writing and producing his plays for them.
+
Maponya writes serious political theatre, and calls his plays “theatre of the dispossessed”, believing that theatre is one of the most dynamic ways of raising the consciousness of Black people in South Africa.  
 
 
He writes serious political theatre, and calls his plays “theatre of the dispossessed”, believing that theatre is one of the most dynamic ways of raising the consciousness of Black people in South Africa.  
 
  
His plays include ''[[The Cry]]'' (1975), ''[[Peace and Forgive]]'' (1977), ''[[The Hungry Earth]]'' (written  and produced 1979, pub 1981, 1984), ''[[Umongikazi:The Nurse]]'' (The Nurse) (1982), ''[[Dirty Work]]'' (1984, pub 1995), ''[[Gangsters]]'' (perf 1984, pub 1986), ''[[Busang Meropa]]'' (1986)  and ''[[Return the Drum]]'' (19**), ''[[Jika]]''.  
+
In 1975 he founded the [[Bahumutsi Players|Bahumutsi Drama Group]] of Soweto, thenceforth writing and producing his plays for them. During the 1980s the plays were also performed at the [[Market Theatre]], and in 1983 ''[[The Hungry Earth]]'' (now directed by [[Ian Steadman]]) played at the National Theatre in London as a platform performance , and subsequently toured Britain and Germany along with ''[[Umongikazi]]''. Harrassed and intimidated by security police during the Apartheid years, he was refused a passport in 1984 to accompany his plays abroad.
  
Also directed other plays, including ''[[Two Can Play]]'' (1992) and in 2008 ''[[Place of the Rock – How The Land Was Taken]]'' (a one man play, based on the writings of [[Sol T. Plaatje]]).  
+
His plays include ''[[The Cry]]'' (1975), ''[[Peace and Forgive]]'' (1977), ''[[The Hungry Earth]]'' (written  and produced 1979, pub 1981, 1984), ''[[Umongikazi: The Nurse]]'' (The Nurse) (1982), ''[[Dirty Work]]'' (1984, pub 1995), ''[[Gangsters]]'' (perf 1984, pub 1986), ''[[Busang Meropa]]'' (1986)  and ''[[Return the Drum]]'' (19**), ''[[Jika]]''.  
  
During the 1980s the plays were also performed at the [[Market Theatre]], and in 1983 ''[[The Hungry Earth]]'' played at the National Theatre in London as a platform performance (directed by [[Ian Steadman]]), and subsequently toured Britain and Germany along with ''[[Umongikazi]]''. Harrassed and intimidated by security police during the Apartheid years, he was refused a passport in 1984 to accompany his plays abroad.
+
Besides often directing his own work, he also directed plays by other writers, such as by Trevor Rhone's ''[[Two Can Play]]'' (1992) and in 2008 ''[[Place of the Rock – How The Land Was Taken]]'' (a one man play, based on the writings of [[Sol T. Plaatje]]).
  
 
== Awards, etc ==
 
== Awards, etc ==

Revision as of 06:21, 12 February 2019

Maishe Maponya (1951-). Playwright, poet, lecturer, actor and director.

Biography

Born Isaiah Maishe Maponya, the son of a painter in Alexandra township. When Maishe was 11, the family was forcibly removed to Diepkloof under the Apartheid laws. He became an insurance clerk and began writing for the theatre in 1975.

He completed a masters degree in Theatre Studies at Leeds University and became a lecturer at the University of the Witwatersrand Drama Department in 199*.

In 2001 he was appointed Director of Arts and Culture, with the Department of Arts, Culture, Technology and Science.

Contribution to SA theatre, film, media and/or performance

Maponya writes serious political theatre, and calls his plays “theatre of the dispossessed”, believing that theatre is one of the most dynamic ways of raising the consciousness of Black people in South Africa.

In 1975 he founded the Bahumutsi Drama Group of Soweto, thenceforth writing and producing his plays for them. During the 1980s the plays were also performed at the Market Theatre, and in 1983 The Hungry Earth (now directed by Ian Steadman) played at the National Theatre in London as a platform performance , and subsequently toured Britain and Germany along with Umongikazi. Harrassed and intimidated by security police during the Apartheid years, he was refused a passport in 1984 to accompany his plays abroad.

His plays include The Cry (1975), Peace and Forgive (1977), The Hungry Earth (written and produced 1979, pub 1981, 1984), Umongikazi: The Nurse (The Nurse) (1982), Dirty Work (1984, pub 1995), Gangsters (perf 1984, pub 1986), Busang Meropa (1986) and Return the Drum (19**), Jika.

Besides often directing his own work, he also directed plays by other writers, such as by Trevor Rhone's Two Can Play (1992) and in 2008 Place of the Rock – How The Land Was Taken (a one man play, based on the writings of Sol T. Plaatje).

Awards, etc

In 19** he was awarded a British Council scholarship and visited Britain to observe theatre, including a visit to the Edinburgh Festival.

In 1985 he won the Standard Bank Young Artist’s Award for Drama at the Standard Bank National Arts Festival

Sources

Gosher, 1988; Steadman, 19**, Hauptfleisch and Steadman, 1994, Kruger, 1997, et al

New Nation, 25-31 May 1990.

Various entries in the NELM catalogue.

Go to South African Theatre/Bibliography

Return to

Return to ESAT Personalities M

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page