Difference between revisions of "Madame Pearmain"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | According to Boonzaier (1923), her company was referred to as [[Madame Pearmain's Company]], while [[Myles Holloway]] (1997), writing about theatre in Johannesburg, mentions the popular [[melodrama]]s of a company known as [[Madame Pearmain's Diplomacy Company]] appearing at the [[Theatre Royal]] in Johannesburg in 1887. | + | According to Boonzaier (1923), her company was referred to as [[Madame Pearmain's Company]], while [[Myles Holloway]] (1997), writing about theatre in Johannesburg, mentions the popular [[melodrama]]s of a company known as [[Madame Pearmain's Diplomacy Company]] appearing at the [[Theatre Royal]] in Johannesburg in 1887. (This is apparently not to be confused with [[The Diplomacy Company]] of [[Mr Elton]]) |
In 1886 [[Madame Pearmain]] brought a number of newly recruited performers from England to form a company made up of both British and local performers, including as [[Emily Levettez]], [[Adolphus Ellis]] and [[W.H. Thorne]]. | In 1886 [[Madame Pearmain]] brought a number of newly recruited performers from England to form a company made up of both British and local performers, including as [[Emily Levettez]], [[Adolphus Ellis]] and [[W.H. Thorne]]. | ||
Revision as of 09:14, 3 January 2021
Madame Pearmain (fl.1880s) was a South African theatrical manager.
According to Boonzaier (1923) she "was always styled" "Madam" or "Madam Pearmain" in Cape Town.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
According to Boonzaier (1923), her company was referred to as Madame Pearmain's Company, while Myles Holloway (1997), writing about theatre in Johannesburg, mentions the popular melodramas of a company known as Madame Pearmain's Diplomacy Company appearing at the Theatre Royal in Johannesburg in 1887. (This is apparently not to be confused with The Diplomacy Company of Mr Elton)
In 1886 Madame Pearmain brought a number of newly recruited performers from England to form a company made up of both British and local performers, including as Emily Levettez, Adolphus Ellis and W.H. Thorne.
On her arrival they opened a short season at the Theatre Royal, Cape Town, on 22 November, putting on a season ov eleven plays consisting of The Jilt (Boucicault), The Money Spinner (Pinero), Jim the Penman (Young), Diplomacy (Sardou), The Magistrate (Pinero), Turned Up (Melford), Blackberries (Melford), The Ironmaster (Ohnet) , School (Robertson) , The Queen's Shilling (Godfrey), Dandy Dick (Pinero) and Nita's First (Warren).
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: p.383
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