Difference between revisions of "Louis de Vriendt"

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DE VRIENDT, Louis. (18**-19**) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife [[Mignon Sorel]] there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Elckerlijc]]'', ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own.  * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *
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'''Louis de Vriendt'''. (18**-19**) Actor and manager. ,  
  
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== Biography ==
 +
He was the son of a Flemish sculptor. 
  
Return to [[ESAT Personalities D]]
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=== Training ===
 +
De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck.
 +
 
 +
=== Career ===
 +
He travelled widely also in eastern Europe, and apparently met his wife [[Mignon Sorel]] there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization.
 +
 
 +
In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927.
 +
 
 +
==Contribution to SA theatre, film, media and/or performance==
 +
He came to Cape Town in 1927 with [[Anton Verheyen]] to tour with their pieces, including ''[[Elckerlijc]]'', ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own.
 +
 
 +
In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]].
 +
 
 +
== Awards, etc ==
 +
 
 +
 
 +
== Sources ==
 +
 
 +
 
 +
Go to [[ESAT Bibliography]]
 +
 
 +
== Return to ==
 +
 
 +
Return to [[ESAT Personalities D]  
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 +
 +
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Revision as of 16:03, 20 June 2017

Louis de Vriendt. (18**-19**) Actor and manager. ,

Biography

He was the son of a Flemish sculptor.

Training

De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck.

Career

He travelled widely also in eastern Europe, and apparently met his wife Mignon Sorel there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed Die Niksnuts ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization.

In the 1922-23 season they joined Anton Verheyen on his tour of India and returned with him to Cape Town in 1927.

Contribution to SA theatre, film, media and/or performance

He came to Cape Town in 1927 with Anton Verheyen to tour with their pieces, including Elckerlijc, Bietje ("Little"), De Brandstichter ("The Pyromaniac", De Gebroken Spiegel ("The Broken Mirror"), Niksnuts ("Worthless Man") and De Zonden van het Verleden ("The sins of the past" or Het Kind der Zonde = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own.

In 1938 he directed Sepp'l, a Flemish operetta he had co-written with Emil Hullebroeck, for Volksteater.

Awards, etc

Sources

Go to ESAT Bibliography

Return to

Return to [[ESAT Personalities D]

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page