Difference between revisions of "Leonora Braham"

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==Contribution to South African theatre and performance==
 
==Contribution to South African theatre and performance==
  
She was the leading actress for the [[Lyric Company]] in Stephenson and Cellier’s musical ''[[ Dorothy]]'', when it opened Cape Town’s [[Opera House]] on 31 August 1893.  
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She visited South Africa in 1893-4 as the leading actress for [[Edgar Perkins]] and [[Arturo Bonamici]]'s [[Lyric Company]] while on tour in South Africa, including performances in the [[Opera House]], Cape Town.  
  
In 1893-4 she performed for the [[Lyric Opera Company]] under the management of [[Edgar Perkins]] and [[Arturo Bonamici]], while on tour in South Africa, including performances in the [[Opera House]], Cape Town.  
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She had the distinction of playing the leading role of "Dorothy" in a performance of Stephenson and Cellier’s musical ''[[ Dorothy]]'', the opening production of the new Cape Town [[Opera House]] on 31 August 1893.  
  
She had the distinction of playing the leading role in the opening production at the Cape Town [[Opera House]] on 31 August 1893, a performance of Stephenson and Cellier’s musical ''[[ Dorothy]]''.
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Besides ''[[Dorothy]]'', the company's repertoire also included ''[[La Cigale]]'' ( Meilhac and Halevy), ''[[The Old Guard]]'' (Boucicault),  ''[[La Mascotte]]'' (Audran, Duru and Chivot), ''[[Maritana]]'' (Wallace and Fitzball), ''[[Haddon Hall]]'' (Grundy and Sullivan), ''[[Rip van Winkle]]'' (Planquette and Farnie), ''[[Iolanthe]]'' (Gilbert and Sullivan), ''[[The Mikado]]'' (Gilbert and Sullivan) and ''[[Princess Ida]]'' (Gilbert and Sullivan).Other performances by the company included ''[[Faust]]'' (Gounod), ''[[La Traviata]]'' (Verdi), ''[[ I Pagliacci]]'' (Leoncavallo) and ''[[Cavalleria Rusticana]]'' (Mascagni) .
Besides ''[[Dorothy]]'', their repertoire of also included ''[[La Cigale]]'' ( Meilhac and Halevy), ''[[The Old Guard]]'' (Boucicault),  ''[[La Mascotte]]'' (Audran, Duru and Chivot), ''[[Maritana]]'' (Wallace and Fitzball), ''[[Haddon Hall]]'' (Grundy and Sullivan), ''[[Rip van Winkle]]'' (Planquette and Farnie), ''[[Iolanthe]]'' (Gilbert and Sullivan), ''[[The Mikado]]'' (Gilbert and Sullivan) and ''[[Princess Ida]]'' (Gilbert and Sullivan).Other performances by the company included ''[[Faust]]'' (Gounod), ''[[La Traviata]]'' (Verdi), ''[[ I Pagliacci]]'' (Leoncavallo) and ''[[Cavalleria Rusticana]]'' (Mascagni) .
 
  
 
== Sources ==
 
== Sources ==

Revision as of 06:43, 26 October 2021

Miss Leonora Braham (18**-19**) was a British singer and actress.

Not to be confused with L. Braham, a British Christy's style singer and performer, who visited the country in 1862.

Biography

The Prima Donna of London's Savoy Theatre, inter alia playing "Yum-Yum" in the original production of the The Mikado.

Contribution to South African theatre and performance

She visited South Africa in 1893-4 as the leading actress for Edgar Perkins and Arturo Bonamici's Lyric Company while on tour in South Africa, including performances in the Opera House, Cape Town.

She had the distinction of playing the leading role of "Dorothy" in a performance of Stephenson and Cellier’s musical Dorothy, the opening production of the new Cape Town Opera House on 31 August 1893.

Besides Dorothy, the company's repertoire also included La Cigale ( Meilhac and Halevy), The Old Guard (Boucicault), La Mascotte (Audran, Duru and Chivot), Maritana (Wallace and Fitzball), Haddon Hall (Grundy and Sullivan), Rip van Winkle (Planquette and Farnie), Iolanthe (Gilbert and Sullivan), The Mikado (Gilbert and Sullivan) and Princess Ida (Gilbert and Sullivan).Other performances by the company included Faust (Gounod), La Traviata (Verdi), I Pagliacci (Leoncavallo) and Cavalleria Rusticana (Mascagni) .

Sources

Fletcher, 1994

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 382, 390, 397-8, 400.

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