Difference between revisions of "Josephine, the Child of the Regiment, or The Fortune of War"

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The play was first performed as ''[[Josephine, the Child of the Regiment]]'' at Theatre Royal, Haymarket and first published in London by [[Thomas Hailes Lacy]] in 1856.
 
The play was first performed as ''[[Josephine, the Child of the Regiment]]'' at Theatre Royal, Haymarket and first published in London by [[Thomas Hailes Lacy]] in 1856.
  
It was later renamed - somewhat confusingly - ''[[The Daughter of the Regiment]]'' by some companies, (for example it was played with this title on August 19, 1872, by the Rotunda Vaudeville Company in Liverpool, and in South Africa during the 1880s).
+
It was - somewhat confusingly - sometimes called ''[[The Daughter of the Regiment]]'' by some companies, (for example it was played with this title on August 19, 1872, by the Rotunda Vaudeville Company in Liverpool, and in South Africa during the 1880s).
  
 
==Translations and adaptations==
 
==Translations and adaptations==

Revision as of 06:48, 13 June 2019

Josephine, the Child of the Regiment, or The Fortune of War is a musical comedy, in two acts, by John Baldwin Buckstone (1802-1879)[1]

Also found with the titles Josephine, the Child of the Regiment ; The Child of the Regiment and The Daughter of the Regiment.


The original text

An adaptation from La Fille du Regiment[2] (La Figlia del Reggimento), an opera in two acts by Gaetano Donizetti (1797-1848), with a French libretto by Jules Henry Vernoy de Saint-Georges, ‎Jean François Alfred Bayard. It was first performed in French on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse.

Buckstone based his work on the French version, but may have seen it in the English version at the Surrey Theatre, London, on 21 December, 1847. (The Italian version had been played at Her Majesty's Theatre, London, on 27 May, 1847).

The play was first performed as Josephine, the Child of the Regiment at Theatre Royal, Haymarket and first published in London by Thomas Hailes Lacy in 1856.

It was - somewhat confusingly - sometimes called The Daughter of the Regiment by some companies, (for example it was played with this title on August 19, 1872, by the Rotunda Vaudeville Company in Liverpool, and in South Africa during the 1880s).

Translations and adaptations

W.S. Gilbert wrote a burlesque adaptation of the Donizetti opera, called La Vivandière, in 1867.

Performances in South Africa

Sources

Performance history in South Africa

1860: Performed early in the year as The Child of the Regiment in the Cabinet Theatre, Cape Town, by the company brought together by Charles Fraser, with Annie Rowlands as one of the cast.

1885: Performed as The Daughter of the Regiment in the Theatre Royal, Cape Town, produced by Mr H.C. Sidney and partner Mr H.J. Fiedler during the course of the year.

Sources

Facsimile version of the 1856 text, The Internet Archive[3]

Leonard R.N. Ashley. 1983. "Buckstone, John Baldwin" in The Victorian Period: Excluding the Novel. Macmillan International Higher Education: pp.62-5[4]

https://en.wikipedia.org/wiki/John_Baldwin_Buckstone

The London Illustrated News, 9 March 1844, p. 155[5]

Gaetano Donizetti. Donizetti's Opera, "La Fille du Regiment", Italian and English texts, O. Ditson & Company, 1859 [6]

https://en.wikipedia.org/wiki/La_fille_du_r%C3%A9giment

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 127-8,

https://en.wikipedia.org/wiki/La_fille_du_r%C3%A9giment

https://en.wikipedia.org/wiki/Op%C3%A9ra_comique

Facsimile version of Lacy's 1856 text, The Internet Archive[7] D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

https://www.npr.org/templates/story/story.php?storyId=10352199

Facsimile version of the "Monthly Critic and Miscellany" (p.52) in The Court magazine and belle assemblée [afterw.] and monthly critic and the Lady's magazine and museum, (Volume 24), Google E-book[8]

R.J. Broadbent. 1969. Annals of the Liverpool Stage, from the Earliest Period to the Present Time. B. Blom: p.295 [9] By

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.381.

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