Difference between revisions of "Jim the Penman"

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''[[Jim the Penman]]'' is a [[melodrama]] in four acts by Charles Lawrence Young (1839-1887)[]
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''[[Jim the Penman]]'' is a [[melodrama]] in four acts by Charles Lawrence Young (1839-1887)[http://www.tolliss.com/webtrees/individual.php?pid=I2091&ged=Tolliss]
  
 
Also found as '''''[[Jim, the Penman]]'''''.
 
Also found as '''''[[Jim, the Penman]]'''''.
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Called "a romance of modern society", it is a play about an attractive forger in Victorian Britain, who is eventually unmasked by a wife he had deceived.
 
Called "a romance of modern society", it is a play about an attractive forger in Victorian Britain, who is eventually unmasked by a wife he had deceived.
  
Although it was originally believed that the subject of the play had been suggested by the case of the notorious forger James Townsend Saward, known to the public as "Jim the Penman", and convicted at the Old Bailey in 1857 of forging a cheque upon Messrs. Hankey and Company, there is strong internal evidence that play was in fact based on ''[[Der Advokat]]'' a German drama in five acts, by Felix Philippi ()[].   
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Although it was originally believed that the subject of the play had been suggested by the case of the notorious forger James Townsend Saward, known to the public as "Jim the Penman", and convicted at the Old Bailey in 1857 of forging a cheque upon Messrs. Hankey and Company, according to a review in ''The Sydney Morning Herald'' of Thursday 2 Dec 1886[https://trove.nla.gov.au/newspaper/article/13621775], there is strong internal evidence that play was in fact based on '''''[[Der Advokat]]''''' (1885?), a German drama in five acts, by Felix Philippi (1851-1921)[https://de.wikipedia.org/wiki/Felix_Philippi].
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The same review mentions that the English play was apparently submitted to, and refused by, every manager in London, until it was eventually produced at a matinee with a scratch company and every manager in London realised his mistake. It was then performed at the Theatre Royal Haymarket, London, in April of 1886 and went on to become a great success, playing in the English provinces, in the United States, in Australia and South Africa.
  
The English play was apparently submitted to, and refused by, every manager in London, until it was eventually produced at a matinee with a scratch company and every manager in London realised his mistake. It was then performed at the Theatre Royal, London, in 1884 and afterwards became a great success, playing at the Haymarket Theatre, in the English provinces, in the United States, in Australia and South Africa.
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Presented by A.M. Palmer at the Madison Square Theatre in 1886 and in Sydney at the New Opera
 
 
Presented by A.M. Palmer at the Madison Square Theatre in 1886.  First performed in Sydney at the New Opera
 
 
House on 4 December 1886.   
 
House on 4 December 1886.   
  
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== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
1886: Performed in the [[Theatre Royal]], Burg Street, Cape Town by [[Madame Pearmain]]'s company, featuring [[Adolphus Ellis]] as "Baron Hartfeld" and [[Emily Levettez]] as "the wife".   
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1886: Performed as ''[[Jim the Penman]]'' in the [[Theatre Royal]], Burg Street, Cape Town by [[Madame Pearmain]]'s company, featuring [[Adolphus Ellis]] as "Baron Hartfeld" and [[Emily Levettez]] as "the wife".   
  
 
1900: Performed by [[Herbert Flemming]] and his company, probably featuring [[Lionel B. Stent]], as part of an extended season in the [[Opera House]], Cape Town.
 
1900: Performed by [[Herbert Flemming]] and his company, probably featuring [[Lionel B. Stent]], as part of an extended season in the [[Opera House]], Cape Town.
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1914: Performed by the [[London Dramatic Company]], based at the [[Palladium Theatre]], Johannesburg, and featuring [[Dick Cruikshanks]].
  
 
== Sources ==
 
== Sources ==
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https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100020775
 
https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100020775
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http://www.tolliss.com/webtrees/individual.php?pid=I2091&ged=Tolliss
  
 
https://digital.nls.uk/74553986
 
https://digital.nls.uk/74553986
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https://en.wikipedia.org/wiki/Jim_the_Penman_(1921_film)
 
https://en.wikipedia.org/wiki/Jim_the_Penman_(1921_film)
 
Allardyce Nicoll. 1975. ''A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900'' Cambridge University Press (pp.336-7)[https://books.google.co.za/books?id=u9s8AAAAIAAJ&pg=PA365&lpg=PA365&dq=The+plays+of+J.H.+Darnley&source=bl&ots=j0d8olL2uB&sig=ACfU3U1nEZYooLjwWd8So1AbQQCfVisMeQ&hl=en&sa=X&ved=2ahUKEwiW5dX_tfXlAhUOTRUIHUjNDMYQ6AEwAHoECAsQAQ#v=onepage&q=The%20plays%20of%20J.H.%20Darnley&f=false]
 
 
J.P. Wearing. 2013. ''The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel''. (p. 5). Scarecrow Press, Google E-book[https://books.google.co.za/books?id=o5JWAgAAQBAJ&pg=PA5&lpg=PA5&dq=Facing+the+Music+a+farcical+comedy+by+J.H.+Darnley&source=bl&ots=1PQGLR2ziP&sig=ACfU3U2VQyrnoDelpahjkcmYpTOAh4Z6oQ&hl=en&sa=X&ved=2ahUKEwjj-6H1sfXlAhUuTxUIHVXzDZk4ChDoATACegQICRAB#v=onepage&q=Facing%20the%20Music%20a%20farcical%20comedy%20by%20J.H.%20Darnley&f=false]
 
  
 
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
 
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)

Revision as of 09:29, 26 December 2019

Jim the Penman is a melodrama in four acts by Charles Lawrence Young (1839-1887)[1]

Also found as Jim, the Penman.

The original text

Called "a romance of modern society", it is a play about an attractive forger in Victorian Britain, who is eventually unmasked by a wife he had deceived.

Although it was originally believed that the subject of the play had been suggested by the case of the notorious forger James Townsend Saward, known to the public as "Jim the Penman", and convicted at the Old Bailey in 1857 of forging a cheque upon Messrs. Hankey and Company, according to a review in The Sydney Morning Herald of Thursday 2 Dec 1886[2], there is strong internal evidence that play was in fact based on Der Advokat (1885?), a German drama in five acts, by Felix Philippi (1851-1921)[3].

The same review mentions that the English play was apparently submitted to, and refused by, every manager in London, until it was eventually produced at a matinee with a scratch company and every manager in London realised his mistake. It was then performed at the Theatre Royal Haymarket, London, in April of 1886 and went on to become a great success, playing in the English provinces, in the United States, in Australia and South Africa.

Presented by A.M. Palmer at the Madison Square Theatre in 1886 and in Sydney at the New Opera House on 4 December 1886.

The Promptbook - interleaved with unnumbered pages of manuscript notes - was the first version printed by Samuel French in 188*, "

Published by the Comedy Theatre in 1912.

Translations and adaptations

Twice made into a silent film, in 1915[4] by Edwin S. Porter and in 1921[5] by Kenneth Webb with Lionel Barrymore.

Performance history in South Africa

1886: Performed as Jim the Penman in the Theatre Royal, Burg Street, Cape Town by Madame Pearmain's company, featuring Adolphus Ellis as "Baron Hartfeld" and Emily Levettez as "the wife".

1900: Performed by Herbert Flemming and his company, probably featuring Lionel B. Stent, as part of an extended season in the Opera House, Cape Town.

1914: Performed by the London Dramatic Company, based at the Palladium Theatre, Johannesburg, and featuring Dick Cruikshanks.

Sources

The Sydney Morning Herald, Thursday 2 Dec 1886[6]

https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100020775

http://www.tolliss.com/webtrees/individual.php?pid=I2091&ged=Tolliss

https://digital.nls.uk/74553986

https://en.wikipedia.org/wiki/Jim_the_Penman_(1915_film)

https://en.wikipedia.org/wiki/Jim_the_Penman_(1921_film)

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 383, 408

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