Difference between revisions of "Jannie Gildenhuys"
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Became a lecturer at a teacher's training college, and - on a study tour of Europe came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed [[National Theatre Organisation]]'s [[National Youth Theatre|NTO Youth Theatre]] group, with former teachers [[Cobus Rossouw]] and [[Leonora Nel]]. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal ([[PACT]]) drama company. Gildenhuys now performed and directed for the PAC's , doing * In 1970*? He became the head of the Performing Arts Council of the Orange Free State ([[PACOFS]]) experimental theatre group in the [[Old Presidency Theatre]], undertaking significant work as director/actor, including the first professional production of ''[[Kanna, hy kô Hystoe]]'' ([[Adam Small]]), and immensely creative productions of ''[[Cry, The Beloved Country]]'' ([[Alan Paton]]), ''[[Becket]]'' (Anouilh), ** and ''[[Medea]]'' (1973)**. He later moved to Cape Town?* to work for [[CAPAB]]?* | Became a lecturer at a teacher's training college, and - on a study tour of Europe came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed [[National Theatre Organisation]]'s [[National Youth Theatre|NTO Youth Theatre]] group, with former teachers [[Cobus Rossouw]] and [[Leonora Nel]]. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal ([[PACT]]) drama company. Gildenhuys now performed and directed for the PAC's , doing * In 1970*? He became the head of the Performing Arts Council of the Orange Free State ([[PACOFS]]) experimental theatre group in the [[Old Presidency Theatre]], undertaking significant work as director/actor, including the first professional production of ''[[Kanna, hy kô Hystoe]]'' ([[Adam Small]]), and immensely creative productions of ''[[Cry, The Beloved Country]]'' ([[Alan Paton]]), ''[[Becket]]'' (Anouilh), ** and ''[[Medea]]'' (1973)**. He later moved to Cape Town?* to work for [[CAPAB]]?* | ||
| − | In the 1980s he toured the country with a number of popular one-man shows, based on books of the | + | In the 1980s he toured the country with a number of popular one-man shows, based on books of the Bible, ''Die Boodskap''. This was followed up in the early 1990s with a sequel, ''Die boodskap 2'' |
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | + | He worked on more or less two hundred productions as director or actor ramging from ''[[Hups in die Hydro]]'' to Hugo Claus's adaptation of Seneca's ''[[Oedipus]]''. ''[[Antigone]]'' | |
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| − | + | He directed ''[[Die Jakkalsstreke van Scapino]]'', also ''[[Dieselfde Pad]]''. | |
== Awards, etc == | == Awards, etc == | ||
Revision as of 08:58, 5 May 2016
GILDENHUYS, Jannie. (1929-1999) Bilingual radio, stage and film actor and stage director.
Contents
Biography
Born in **, trained at the University of Stellenbosch??****. Renowned for his incredibly resonant voice and vocal abilities, and his creative direction.
He died in August 1999.
Youth
Training
Career
Became a lecturer at a teacher's training college, and - on a study tour of Europe came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed National Theatre Organisation's NTO Youth Theatre group, with former teachers Cobus Rossouw and Leonora Nel. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal (PACT) drama company. Gildenhuys now performed and directed for the PAC's , doing * In 1970*? He became the head of the Performing Arts Council of the Orange Free State (PACOFS) experimental theatre group in the Old Presidency Theatre, undertaking significant work as director/actor, including the first professional production of Kanna, hy kô Hystoe (Adam Small), and immensely creative productions of Cry, The Beloved Country (Alan Paton), Becket (Anouilh), ** and Medea (1973)**. He later moved to Cape Town?* to work for CAPAB?*
In the 1980s he toured the country with a number of popular one-man shows, based on books of the Bible, Die Boodskap. This was followed up in the early 1990s with a sequel, Die boodskap 2
Contribution to SA theatre, film, media and/or performance
He worked on more or less two hundred productions as director or actor ramging from Hups in die Hydro to Hugo Claus's adaptation of Seneca's Oedipus. Antigone
He directed Die Jakkalsstreke van Scapino, also Dieselfde Pad.
Awards, etc
In 1992 won a Fleur du Cap Best Director Award with Die Rebellie van Lafras Verwey (Chris Barnard).
In 1998 he received the Fleur du Cap Lifetime Award for his contribution to the industry.
Sources
Obituary Beeld 24 August 1999.
Go to ESAT Bibliography
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