Difference between revisions of "Jane Taylor"

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[[Jane Taylor]] (1956-) is a lecturer, academic and playwright.
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[[Jane Taylor]] (1956-) is a writer, playwright and academic.
  
  
 
== Biography ==
 
== Biography ==
  
Born on 19 April 1956
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Born in South Africa on 19 April 1956
  
 
She obtained a Ph.D in English from Northwestern University, Chicago, with a study on Restoration theatre and the new commodity markets.  
 
She obtained a Ph.D in English from Northwestern University, Chicago, with a study on Restoration theatre and the new commodity markets.  
  
Professor Jane Taylor held the Skye Chair of Dramatic Art at the [[University of the Witwatersrand]]. Taylor teaches film studies, with a particular emphasis on the thriller and psychoanalytic theory.
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From 2000 to 2009 she was the Skye Chair of Dramatic Arts at the University of the Witwatersrand. In Fall 2011, she was Writer-in-Residence at Northwestern University. For several years she was a periodic Visiting Professor at the University of Chicago.held the Skye Chair of Dramatic Art at the [[University of the Witwatersrand]]. Taylor currently holds the Wole Soyinka Chair in Drama and Theatre Studies at the University of Leeds.  
  
 
She has won Rockefeller and Mellon Fellowships.  
 
She has won Rockefeller and Mellon Fellowships.  
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===As cultural researcher===
 
===As cultural researcher===
  
She has written widely on contemporary South African culture, and in 1987 she co-edited ''[[From South Africa]]'' with [[David Bunn]] (University of Chicago Press). In 1996 she curated "Fault Lines," an exhibition about issues of truth and reconciliation. In 1998, she curated "Holdings" Rethinking the Archive" (David Philip publishers, 2002). In 2009 she edited ''Handspring Puppet Company'' (David Krut Publications)
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She has written widely on contemporary South African culture, and in 1987 she co-edited ''[[From South Africa]]'' with [[David Bunn]] (University of Chicago Press).  
  
Author of an article called "Contemporary Collaborators I: Kentridge/Handspring/Taylor" in Middeke, Schnierer and Homann (2015).
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In 1996 she curated "Fault Lines," an exhibition about issues of truth and reconciliation.
 +
 
 +
In 1998, she curated "Holdings" Rethinking the Archive" (David Philip publishers, 2002).
 +
 
 +
In 2009 she edited ''[[Handspring Puppet Company]]'' (David Krut Publications), a substantial study of this world-renowned South African performance troupe.
 +
 
 +
In 2015 she wrote an article called "Contemporary Collaborators I: Kentridge/Handspring/Taylor" in Middeke, Schnierer and Homann (2015), an insider's view based on her work with [[William Kentridge]] and the [[Handspring Puppet Company']].
  
 
===As playwright and theatre maker===
 
===As playwright and theatre maker===
  
In 1996 she wrote the play ''[[Ubu and the Truth Commission]]'' for the [[Handspring Puppet Company]]. She has, with composer [[Kevin Volans]], written a new piece of music theatre based on the work of Italo Svevo. Directed by the artist [[William Kentridge]], the production was commissioned by DOKUMENTA, 2002. This piece opened at the KunstenFest in Brussels in 2001. In 1999, Taylor directed [[Puccini]]'s ''[[La Boheme]]'' for the [[Spier Theatre Festival]] in Cape Town.  
+
In 1996 she wrote the play ''[[Ubu and the Truth Commission]]'' for the [[Handspring Puppet Company]].  
 +
 
 +
In 1999, Taylor directed [[Puccini]]'s ''[[La Boheme]]'' for the [[Spier Theatre Festival]] in Cape Town.
 +
 
 +
In 2001 she wrote the libretto for ''[[The Confessions of Zeno]]'' for Kentridge and Handspring.
 +
 
 +
She has, with composer [[Kevin Volans]], written a new piece of music theatre based on the work of Italo Svevo. Directed by the artist [[William Kentridge]], the production was commissioned by DOKUMENTA, 2002. This piece opened at the KunstenFest in Brussels in 2001.  
 +
 
 +
== Awards ==
 +
 
 +
She has had fellowships from Mellon and Rockefeller, and has been a Visiting Professor at Oxford and at Cambridge.  
  
 
== Sources ==
 
== Sources ==

Revision as of 06:27, 23 May 2017

Jane Taylor (1956-) is a writer, playwright and academic.


Biography

Born in South Africa on 19 April 1956

She obtained a Ph.D in English from Northwestern University, Chicago, with a study on Restoration theatre and the new commodity markets.

From 2000 to 2009 she was the Skye Chair of Dramatic Arts at the University of the Witwatersrand. In Fall 2011, she was Writer-in-Residence at Northwestern University. For several years she was a periodic Visiting Professor at the University of Chicago.held the Skye Chair of Dramatic Art at the University of the Witwatersrand. Taylor currently holds the Wole Soyinka Chair in Drama and Theatre Studies at the University of Leeds.

She has won Rockefeller and Mellon Fellowships.

Contribution to South African theatre, film, media and performance

As cultural researcher

She has written widely on contemporary South African culture, and in 1987 she co-edited From South Africa with David Bunn (University of Chicago Press).

In 1996 she curated "Fault Lines," an exhibition about issues of truth and reconciliation.

In 1998, she curated "Holdings" Rethinking the Archive" (David Philip publishers, 2002).

In 2009 she edited Handspring Puppet Company (David Krut Publications), a substantial study of this world-renowned South African performance troupe.

In 2015 she wrote an article called "Contemporary Collaborators I: Kentridge/Handspring/Taylor" in Middeke, Schnierer and Homann (2015), an insider's view based on her work with William Kentridge and the Handspring Puppet Company'.

As playwright and theatre maker

In 1996 she wrote the play Ubu and the Truth Commission for the Handspring Puppet Company.

In 1999, Taylor directed Puccini's La Boheme for the Spier Theatre Festival in Cape Town.

In 2001 she wrote the libretto for The Confessions of Zeno for Kentridge and Handspring.

She has, with composer Kevin Volans, written a new piece of music theatre based on the work of Italo Svevo. Directed by the artist William Kentridge, the production was commissioned by DOKUMENTA, 2002. This piece opened at the KunstenFest in Brussels in 2001.

Awards

She has had fellowships from Mellon and Rockefeller, and has been a Visiting Professor at Oxford and at Cambridge.

Sources

https://en.wikipedia.org/wiki/Jane_Taylor_(writer)

Martin Middeke, Peter Paul Schnierer and Greg Homann (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.


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