Difference between revisions of "Irish Justice"
| Line 5: | Line 5: | ||
==The original text== | ==The original text== | ||
| − | The text is ascribed to a "Charles Morton" in U.S. Government Printing Office's 1914. ''Catalogue of Copyright Entries''[] | + | The mimeographed text of a sketch in once scene is ascribed to a "Charles Morton" in U.S. Government Printing Office's 1914. ''Catalogue of Copyright Entries''[]. This is most likely to be a reference to the famous [[Music Hall]] impresario Charles Morton, (1819–1904)[https://en.wikipedia.org/wiki/Charles_Morton_(impresario)], in whose collection held in the "Charles Morton Agency Collection of American Popular Drama 1842-1950", a copy of the text has been found and published in Alex. Byer's library of tabloid plays (1914). |
| − | + | As Morton is not known as a playwright himself, but as very successful impresario, it is more likely that this an anonymous text created by a performer appearing in one of the vaudeville shows put on Morton's New Canterbury theatre (a music hall venue) in the early 1860s (The date based on the fact that it was first performed in South Africa in 1866), and ascribed to him by the compilers of the library material in veiwe of the provenance. | |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 05:56, 30 April 2020
Irish Justice is a comedy sketch in one act ascribed to Charles Morton
Contents
The original text
The mimeographed text of a sketch in once scene is ascribed to a "Charles Morton" in U.S. Government Printing Office's 1914. Catalogue of Copyright Entries[]. This is most likely to be a reference to the famous Music Hall impresario Charles Morton, (1819–1904)[1], in whose collection held in the "Charles Morton Agency Collection of American Popular Drama 1842-1950", a copy of the text has been found and published in Alex. Byer's library of tabloid plays (1914).
As Morton is not known as a playwright himself, but as very successful impresario, it is more likely that this an anonymous text created by a performer appearing in one of the vaudeville shows put on Morton's New Canterbury theatre (a music hall venue) in the early 1860s (The date based on the fact that it was first performed in South Africa in 1866), and ascribed to him by the compilers of the library material in veiwe of the provenance.
Translations and adaptations
Performance history in South Africa
1866: Performed by the Wheeler Company in the Theatre Royal in Burg Street, Cape Town, with The Private Secretary (Von Moser/Hawtrey) in May. It was their opening production there, and Frank Wheeler played the leading roles in both plays ("Peter Mulvaney" and "Reverend Spalding").
Sources
U.S. Government Printing Office, 1914. Catalogue of Copyright Entries: Pamphlets, leaflets, contributions to newspapers or periodicals, etc.; lectures, sermons, addresses for oral delivery; dramatic compositions; maps; motion pictures (Volume 11, Issue 2): p. [2]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.381
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
