Difference between revisions of "Henrik Ibsen"

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The Norwegian playwright [[Henrik Ibsen]] (1828-1906)[https://en.wikipedia.org/wiki/Henrik_Ibsen]  
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[[Henrik Ibsen]] (1828-1906)[https://en.wikipedia.org/wiki/Henrik_Ibsen] was a Norwegian playwright, theatre director and poet, who was not only a pivotal figure in world theatre, but was - like [[Anton Chekhov]] - also very influential in South Africa, particularly in [[Afrikaans]] translation. His work influenced the writing of many [[Afrikaans]] playwrights for much of the 20th century, since they tended to work in a tradition that favoured his kind of issue-driven, slightly sensationalist style of social-realism.
was not only a pivotal figure in world theatre, but was - like [[Anton Chekhov]] - also very influential in South Africa, particularly in [[Afrikaans]] translation. His work influenced the writing of many [[Afrikaans]] playwrights for much of the 20th century, since they tended to work in a tradition that favoured his kind of issue-driven, slightly sensationalist style of social-realism.
 
  
 
Ibsen plays performed in South Africa include:
 
Ibsen plays performed in South Africa include:
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https://en.wikipedia.org/wiki/Henrik_Ibsen
 
https://en.wikipedia.org/wiki/Henrik_Ibsen
  
[[Temple Hauptfleisch]] and [[Hilda de Lill]], 2011  
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[[Temple Hauptfleisch]] and [[Hilda van Lill]], 2011  
  
  

Latest revision as of 07:39, 13 April 2016

Henrik Ibsen (1828-1906)[1] was a Norwegian playwright, theatre director and poet, who was not only a pivotal figure in world theatre, but was - like Anton Chekhov - also very influential in South Africa, particularly in Afrikaans translation. His work influenced the writing of many Afrikaans playwrights for much of the 20th century, since they tended to work in a tradition that favoured his kind of issue-driven, slightly sensationalist style of social-realism.

Ibsen plays performed in South Africa include:

A Doll House

The Master Builder

Ghosts


Sources

https://en.wikipedia.org/wiki/Henrik_Ibsen

Temple Hauptfleisch and Hilda van Lill, 2011


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