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| − | There are five references to a company using (variations of) this name.
| + | #REDIRECT[[Henry Harper]] |
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| − | == The [[Harper-Leffler Opera Company]] ==
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| − | [[Henry Harper]], miss [[Annette Hirst]] and [[Mrs J.H. Leffler]] from the Royal Opera House, London performed six concerts of opera selections in the [[Commercial Exchange]] and the [[Mutual Hall]], Cape Town from 5 August - 9 September 1868. They were sometimes billed as the [[Harper-Leffler-Hirst Company]].
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| − | ==The [[Miranda-Harper Company]]==
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| − | From December 1868 to January 1869 the [[Harper-Leffler Company]] was back for a new season, now with the addition of [[David Miranda]] (the husband of Miss Hirst ), hence the company became known as the '''[[Miranda-Harper Company]]'''. A full season of new concerts were performed during August 1869, making them not the first to perform opera in SA, but the first opera company to do so for an entire season. hey also performed in Grahamstown and Port Elizabeth.
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| − | Their repertoire for the 1869 season included performances in the [[Mutual Hall]], Cape Town, of ''[[La Somnambula]]'' (Belini), ''[[The Bohemian Girl]]'' (Balfe), ''[[Il Trovatore]]'' (Verdi), ''[[Maritana or Don Caesar de Bazan]]'' (Wallace), ''[[Lucrezia Borgia]]'' (Donizetti), ''The Messiah'' (Handel)[https://en.wikipedia.org/wiki/Messiah_(Handel)] and ''[[Martha]]'' (Flotow/Riese).
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| − | ==The [[Henry Harper Company]]==
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| − | In December 1883 [[Henry Harper]] took over the remnants of the [[Mabel Hayes]] company after she had decamped for Port Elizabeth, to put on a production of a Christmas pantomime ''[[Humpty Dumpty]]''. He had taken a lease on the new [[Theatre Royal]], Cape Town, and opened it on 18 June 1884 with a production of ''[[Faces in the Fire]]'' (Bayard & Laurencin/Buckingham) and ''[[The Two Gregories]]'' (Sewrin/Dibdin).
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| − | According to [[D.C. Boonzaier|Boonzaier]] (1923), the rest of his first season (1884-5) there consisted of plays such as: ''[[Meg's Diversion]]'' (Craven), ''[[Henry Dunbar]]'' (Taylor), ''[[My Uncle's Will]]'' (Theyre-Smith), ''[[Aladdin]]'' (Anon.), ''[[The Marquis and the Cobbler]]'' (d'Ennery/Dance), ''[[East Lynne]]'' (Wood), ''[[The Octoroon]]'' (Boucicault), ''[[The Field of the Cloth of Gold]]'' (), ''[[Nita's First]]'' (), ''[[Our Boys]]'' (), ''[[Society]]'' (), ''[[Guy Mannering]]'' (Terry and Bishop), ''[[Queen's Evidence]]'' (), ''[[Dead to the World]]'' (Conquest and Pettitt), ''[[Les Cloches de Corneville]]'' (Clairville and Gabet), ''[[Fedora]]'' (), ''[[The Bells]]'' (Erckmann-Chatrian), ''[[Sweethearts and Wives]]'' (), ''[[Proof]]'' (), ''[[The Wanderer's Return]]'' (), ''[[The Duke's Motto]]'' (), ''[[The Bohemian Girl]]'' (Bunn and Balfe), ''[[The Ticket-of-Leave Man]]'' (Brisebarre and Nus/Taylor), ''[[Dick Whittington and His Cat]]'' (Blanchard), and about six one act farces.
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| − | Besides Harper himself, the company included the performers [[H.C. Sidney]],
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| − | == The [[Harper-Leffler Repertory Company]], Kimberley ==
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| − | According to Du Toit (1988), a '''Harper-Leffler Company''' also performed as permanent ‘repertory’ company, and was active in Kimberley during the 1890s.
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| − | == Sources ==
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| − | Bosman, 1980: 248 – 249;
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| − | Du Toit, 1988
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| − | == Return to ==
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| − | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]
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| − | Return to [[The ESAT Entries]]
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| − | Return to [[Main Page]]
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