Difference between revisions of "H. Lane Bayliff"

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(b. Kensington, London, 06/04/1872 – d. Katoomba, New South Wales, **/**/1937). British-born actor. Though he started his working life in a position with the Bank of England, Henry William Lane Bayliff (usually credited either as H. Lane Bayliff or W. Lane Bayliff) , soon turned to the stage and between 1895 and 1914 he appeared in the provinces as well as on London’s West End in a wide range of plays. It looks as though he made his first visit to South Africa as early as 1902.  Between 1911 and 1918 he was also very active as a producer, notably at the Liverpool Playhouse. He appeared in at least two films in England before coming out to South Africa for a theatrical engagement in 1920, possibly joining [[Gertrude Elliott]] (Lady Forbes Robertson), who came to the country in 1921 and again in 1922. In 1923 he took the role of Captain John Lant in [[The Reef of Stars]], the [[Joseph Albrecht]] version of the novel by [[H. De Vere Stacpoole]]. By the following year he was in Australia, where he settled and resumed his theatrical career. Once again he travelled the country and, for some time, he was the business manager of the Allan Wilkie Shakespearean Company, which toured Australia for eight years. He also did radio work for the Australian Broadcasting Company/Commission. In 1934 he was the adjudicator of the Australian Women’s Weekly Screen Personality contest and between 1933 and 1937 he appeared in five films, three of them directed by Ken G. Hall.
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'''H. Lane Bayliff''' (b. Kensington, London, 06/04/1872 – d. Katoomba, New South Wales, 21/09/1937) was a British-born actor/producer/manager, later in Australia.  
  
(Notes There is some uncertainty about his date of birth. The International Motion Picture Almanac 1937-38 gives it as 6 April 1870, but FreeBMD, which transcribes official records, gives it as 1872. Also, while IMDb gives his year of death as 1938, a New South Wales Government website gives it as 1937.) (FO)
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== Biography ==
  
  == Sources ==
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Henry William Lane Bayliff (usually credited as H. Lane Bayliff) was the son of William Entwistle Bayliff and his wife, Mary Beatrice Ann Hodges.  At the time of Henry’s birth his father was in the civil service and for a while it looked as though the son would also settle for an office job because according to the Census of 1891 Henry was a clerk with the Bank of England.  However, that same year he began presenting entertainments at the local parish hall in Acton, London.  Not long afterwards he appeared on the professional stage, acting in popular plays of that time, including ''The Second Mrs Tanqueray'' for Fred G. Latham, a play which he later produced while touring the provinces.  In March 1902, he made his first visit to South Africa and joined first ''[[Edward Terry]]''’s company and then the [[Wheeler-Edwardes]] [[Gaiety Company]].  Plays in which he appeared during this time include ''[[The Hour of Temptation]]'', ''[[The Passport]]'', ''[[A Country Girl]]'', ''[[Three Little Maids]]'' and ''[[The Toreador]]''.
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Upon his return to England he appeared in the provinces as well as in London’s West End in a wide range of plays, from ''Lady Windermere’s Fan'' to ''Milestones'', frequently acting with George Arliss.  Between 1911 and 1918 he was also very active as a producer, notably at the Liverpool Playhouse. He appeared in at least one film in England (''The Shadow Between''/1920), before he came out to South Africa for the second time in July 1920 as the producer of the [[New London Dramatic Company]], opening with ''[[De Luxe Annie]]'' at [[His Majesty’s Theatre]] on 30 August, followed by ''[[Tilly of Bloomsbury]]'', ''[[Eyes of Youth]]'', ''[[French Leave]]'' and ''[[The Man Who Came Back]]''.  Subsequently he joined [[Gertrude Elliott]] ([[Lady Forbes Robertson]]), becoming manager of her touring company and acting in ''[[Paddy the Next Best Thing]]'' (1921) and ''[[Lightnin’]]'' at [[His Majesty’s Theatre]].  He also acted as manager on behalf of [[African Theatres]] with the [[Horace Hodges]] company when they visited South Africa.  It was during this time that he took the role of Captain John Lant in ''[[The Reef of Stars]]'' (1923), the [[Joseph Albrecht]] film version of the novel by [[H. De Vere Stacpoole]], which was released in South Africa after he had left for Australia with [[Lady Forbes Robertson]] in February 1923.
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He appeared in numerous plays across the country and in New Zealand.  He became the business manager of the Allan Wilkie Shakespearean Company, of which his second wife was also a member, and toured Australia for eight years. He also did radio work for the Australian Broadcasting Company/Commission. In 1934 he was the adjudicator of the Australian Women’s Weekly Screen Personality contest and between 1933 and 1937 he appeared in five films, three of them directed by Ken G. Hall, including the popular ''The Squatter’s Daughter'' (1933) and ''The Silence of Dean Maitland'' (1934).  He was first married to Eliza Lillie Mills, whom he married in Cape Town in 1904, and later to Betsy Ritchie Scott in 1925. The couple settled in Australia, where he died in 1937. (FO)
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== Sources ==  
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South African Pictorial, 7 August 1920
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Auckland Star, 3 June 1933
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The Katoomba Daily, 21 September 1937
  
 
International Motion Picture Almanac 1937-38
 
International Motion Picture Almanac 1937-38
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Parsons, Neil - Black and white bioscope: making movies in Africa 1899 to 1925
  
 
Pike, Andrew & Cooper, Ross - Australian film 1900-1977: a guide to feature film production
 
Pike, Andrew & Cooper, Ross - Australian film 1900-1977: a guide to feature film production

Latest revision as of 09:56, 27 June 2019

H. Lane Bayliff (b. Kensington, London, 06/04/1872 – d. Katoomba, New South Wales, 21/09/1937) was a British-born actor/producer/manager, later in Australia.

Biography

Henry William Lane Bayliff (usually credited as H. Lane Bayliff) was the son of William Entwistle Bayliff and his wife, Mary Beatrice Ann Hodges. At the time of Henry’s birth his father was in the civil service and for a while it looked as though the son would also settle for an office job because according to the Census of 1891 Henry was a clerk with the Bank of England. However, that same year he began presenting entertainments at the local parish hall in Acton, London. Not long afterwards he appeared on the professional stage, acting in popular plays of that time, including The Second Mrs Tanqueray for Fred G. Latham, a play which he later produced while touring the provinces. In March 1902, he made his first visit to South Africa and joined first Edward Terry’s company and then the Wheeler-Edwardes Gaiety Company. Plays in which he appeared during this time include The Hour of Temptation, The Passport, A Country Girl, Three Little Maids and The Toreador.

Upon his return to England he appeared in the provinces as well as in London’s West End in a wide range of plays, from Lady Windermere’s Fan to Milestones, frequently acting with George Arliss. Between 1911 and 1918 he was also very active as a producer, notably at the Liverpool Playhouse. He appeared in at least one film in England (The Shadow Between/1920), before he came out to South Africa for the second time in July 1920 as the producer of the New London Dramatic Company, opening with De Luxe Annie at His Majesty’s Theatre on 30 August, followed by Tilly of Bloomsbury, Eyes of Youth, French Leave and The Man Who Came Back. Subsequently he joined Gertrude Elliott (Lady Forbes Robertson), becoming manager of her touring company and acting in Paddy the Next Best Thing (1921) and Lightnin’ at His Majesty’s Theatre. He also acted as manager on behalf of African Theatres with the Horace Hodges company when they visited South Africa. It was during this time that he took the role of Captain John Lant in The Reef of Stars (1923), the Joseph Albrecht film version of the novel by H. De Vere Stacpoole, which was released in South Africa after he had left for Australia with Lady Forbes Robertson in February 1923.

He appeared in numerous plays across the country and in New Zealand. He became the business manager of the Allan Wilkie Shakespearean Company, of which his second wife was also a member, and toured Australia for eight years. He also did radio work for the Australian Broadcasting Company/Commission. In 1934 he was the adjudicator of the Australian Women’s Weekly Screen Personality contest and between 1933 and 1937 he appeared in five films, three of them directed by Ken G. Hall, including the popular The Squatter’s Daughter (1933) and The Silence of Dean Maitland (1934). He was first married to Eliza Lillie Mills, whom he married in Cape Town in 1904, and later to Betsy Ritchie Scott in 1925. The couple settled in Australia, where he died in 1937. (FO)

Sources

South African Pictorial, 7 August 1920

Auckland Star, 3 June 1933

The Katoomba Daily, 21 September 1937

International Motion Picture Almanac 1937-38

Parsons, Neil - Black and white bioscope: making movies in Africa 1899 to 1925

Pike, Andrew & Cooper, Ross - Australian film 1900-1977: a guide to feature film production

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