Difference between revisions of "Gibson Kente"

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(19**-2004) Playwright, actor, teacher, musician and entrepreneur. Fondly known to many as “Bra Gib” – widely recognised to be the foremost black playwright and one of the leading cultural icons of his time. His prolific musical productions, staged between the mid-1960s and 2004, were enthusiastically received by township audiences throughout South Africa. Kente’s touring township shows (referred to as the "[[Township Musical]]") came to define South African township theatre and provided the base from which much black – and other – South African theatre was later to flourish. His work to date has been poorly documented and the records of all but one of his plays were lost in a fire.
 
(19**-2004) Playwright, actor, teacher, musician and entrepreneur. Fondly known to many as “Bra Gib” – widely recognised to be the foremost black playwright and one of the leading cultural icons of his time. His prolific musical productions, staged between the mid-1960s and 2004, were enthusiastically received by township audiences throughout South Africa. Kente’s touring township shows (referred to as the "[[Township Musical]]") came to define South African township theatre and provided the base from which much black – and other – South African theatre was later to flourish. His work to date has been poorly documented and the records of all but one of his plays were lost in a fire.
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== Sources ==
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[[Rolf Solberg|Solberg]], 2011
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Go to [[South African Theatre/Bibliography]]
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== Return to ==
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Return to [[ESAT Personalities B]]
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Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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Return to [[The ESAT Entries]]
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Return to [[Main Page]]

Revision as of 16:37, 18 June 2012

(19**-2004) Playwright, actor, teacher, musician and entrepreneur. Fondly known to many as “Bra Gib” – widely recognised to be the foremost black playwright and one of the leading cultural icons of his time. His prolific musical productions, staged between the mid-1960s and 2004, were enthusiastically received by township audiences throughout South Africa. Kente’s touring township shows (referred to as the "Township Musical") came to define South African township theatre and provided the base from which much black – and other – South African theatre was later to flourish. His work to date has been poorly documented and the records of all but one of his plays were lost in a fire.


Sources

Solberg, 2011

Go to South African Theatre/Bibliography

Return to

Return to ESAT Personalities B

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page