Difference between revisions of "Getrouw tot in den Dood"

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A Dutch two-act comedy, including a dance, by [[M. Westerman]]. Performed by [[Door Yver Vruchtbaar]] on 22nd August 1826 in Cape Town, as an afterpiece to ''[[Het Schandmerk, of De Twee Galeiboeven]]''. Later repeated by [[Hoop en Trouw]] in the [[Hope Street Theatre]] on 8th May 1849 (as afterpiece to ''[[De Onechte Dochter]]'') and again on 23rd July of the same year (as afterpiece to ''[[Claudine]]'').  
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A Dutch two-act comedy, including a dance, by [[M. Westerman]].  
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1826: Performed by [[Door Yver Vruchtbaar]] on 22nd August in Cape Town, as an afterpiece to ''[[Het Schandmerk, of De Twee Galeiboeven]]''.  
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1849: Performed by [[Hoop en Trouw]] in the [[African Theatre]], Cape Town on 8 May , as afterpiece to ''[[Getrouw tot in den Dood ]]'' (Westerman).
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1849: Performed by  [[Hoop en Trouw]] in the [[Hope Street Theatre]] on 23rd July of the same year (as afterpiece to ''[[Claudine]]'' (Van der Willigen).  
  
 
== Sources ==
 
== Sources ==

Revision as of 09:16, 26 June 2014

A Dutch two-act comedy, including a dance, by M. Westerman.


1826: Performed by Door Yver Vruchtbaar on 22nd August in Cape Town, as an afterpiece to Het Schandmerk, of De Twee Galeiboeven.

1849: Performed by Hoop en Trouw in the African Theatre, Cape Town on 8 May , as afterpiece to Getrouw tot in den Dood (Westerman).

1849: Performed by Hoop en Trouw in the Hope Street Theatre on 23rd July of the same year (as afterpiece to Claudine (Van der Willigen).

Sources

Bosman, 1928: 251;453-4;

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