Difference between revisions of "Geraldine Aron"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | Her short, poignant verse dialogue ''[[Bar and Ger]]'' (1975) was successfully staged at the [[Space Theatre]], Cape Town with [[Yvonne Bryceland]] and [[Wilson Dunster]] (1978). She followed this with a number of plays, ranging from five one-acters (''[[Bar and Ger]]'', ''[[Mr. McConkey’s Suitcase]]'', ''[[Mickey Kannis caught my Eye]]'', ''[[Joggers]]'' and ''[[A Galway Girl]]'') to two full-length plays (''[[ | + | Her short, poignant verse dialogue ''[[Bar and Ger]]'' (1975) was successfully staged at the [[Space Theatre]], Cape Town with [[Yvonne Bryceland]] and [[Wilson Dunster]] (1978). She followed this with a number of plays, ranging from five one-acters (''[[Bar and Ger]]'', ''[[Mr. McConkey’s Suitcase]]'', ''[[Mickey Kannis caught my Eye]]'', ''[[Joggers]]'' and ''[[A Galway Girl]]'') to two full-length plays (''[[Spider]]'' and ''[[The Spare Room]]'', ''[[The Stone Room]]'') and four monologues (''[[On the Blue Train – Constantia Gable]]'', ''[[On the Blue Train – Joe Harris]]'', ''[[On the Blue Train – Kathy]]'' and ''[[The Shrinking of Alby Chapman]]''). |
| − | While at [[The Space]] she also wrote ''[[Zombie]]'', based on a storyline conceived by [[Brian Astbury]] and also helped with the writing of ''[[The Disguise of the Ashes that arose out of the Karnaval at Scarborough to prove that Leonardo was Right – an investigation of guilt]]'' and ''[[The Final Sting of the Dying Wasp]]'' for [[The Space]]. A number of the South African plays were collected in ''[[Seven Plays and Four Monologues]]'' ([[David Philip]], 1985), while some plays appeared in other collections. Most of her earlier works were performed at [[The Space]]. After the closing of the Space she wrote for [[CAPAB]] and other companies, works including ''[[Brenda]]'' (1983), the children’s play ''[[Why Strelitzias Can’t Fly]]'', **. In 1987 she returned to London, and has continued writing plays there. Her work since includes **, ** and ** (which was performed at the [[Baxter Theatre]] in 200*). Two of her works were adapted and filmed for television, namely ''Bar and Ger'' (Ashley Lazarus, 19**) and ''Mickey Kannis Caught my Eye''. | + | While at [[The Space]] she also wrote ''[[Zombie]]'', based on a storyline conceived by [[Brian Astbury]] and also helped with the writing of ''[[The Disguise of the Ashes that arose out of the Karnaval at Scarborough to prove that Leonardo was Right – an investigation of guilt]]'' and ''[[The Final Sting of the Dying Wasp]]'' for [[The Space]]. A number of the South African plays were collected in ''[[Seven Plays and Four Monologues]]'' ([[David Philip]], 1985), while some plays appeared in other collections. Most of her earlier works were performed at [[The Space]]. After the closing of the Space she wrote for [[CAPAB]] and other companies, works including ''[[Brenda]]'' (1983), the children’s play ''[[Why Strelitzias Can’t Fly]]'', **. In 1987 she returned to London, and has continued writing plays there. Her work since includes **, ** and ** (which was performed at the [[Baxter Theatre]] in 200*). Two of her works were adapted and filmed for television, namely ''Bar and Ger'' (Ashley Lazarus, 19**) and ''Mickey Kannis Caught my Eye''. |
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== Awards, etc == | == Awards, etc == | ||
Revision as of 07:03, 20 December 2014
(1941-) Dramatist, poet, copywriter.
Contents
Biography
Born in Galway, the Republic of Ireland, but came to South Arica as a young married woman and lived in Cape Town between 1967 and 1986, where she continued her career in advertising by managing a freelance copy bureau. During this time she became a naturalized South African citizen, and her initial dramatic output was produced while resident in South Africa. She returned to England in 1987.
Contribution to SA theatre, film, media and/or performance
Her short, poignant verse dialogue Bar and Ger (1975) was successfully staged at the Space Theatre, Cape Town with Yvonne Bryceland and Wilson Dunster (1978). She followed this with a number of plays, ranging from five one-acters (Bar and Ger, Mr. McConkey’s Suitcase, Mickey Kannis caught my Eye, Joggers and A Galway Girl) to two full-length plays (Spider and The Spare Room, The Stone Room) and four monologues (On the Blue Train – Constantia Gable, On the Blue Train – Joe Harris, On the Blue Train – Kathy and The Shrinking of Alby Chapman).
While at The Space she also wrote Zombie, based on a storyline conceived by Brian Astbury and also helped with the writing of The Disguise of the Ashes that arose out of the Karnaval at Scarborough to prove that Leonardo was Right – an investigation of guilt and The Final Sting of the Dying Wasp for The Space. A number of the South African plays were collected in Seven Plays and Four Monologues (David Philip, 1985), while some plays appeared in other collections. Most of her earlier works were performed at The Space. After the closing of the Space she wrote for CAPAB and other companies, works including Brenda (1983), the children’s play Why Strelitzias Can’t Fly, **. In 1987 she returned to London, and has continued writing plays there. Her work since includes **, ** and ** (which was performed at the Baxter Theatre in 200*). Two of her works were adapted and filmed for television, namely Bar and Ger (Ashley Lazarus, 19**) and Mickey Kannis Caught my Eye.
Awards, etc
Sources
Aron, Geraldine. 1985. Seven Plays and Four Monologues Cape Town: David Philip. (Foreword by Ian Feruson) A collections of plays and monologues by Geraldine Aron. Contains: Bar and Ger, Joggers, A Galway Girl, Mickey Kannis Caught my Eye, Mr McConcey's Suitcase, Spider, The Spare Room, The Shrinking of Alby Chapman, On The Blue Train - Kathy, On The Blue Train - Constantia Gable, On The Blue Train - Joe Harris.)
Astbury, 1979
De Beer, 1995
Gosher, 1988
Joyce, 1999
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