Difference between revisions of "Gail Reagon"

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== Awards, etc ==
 
== Awards, etc ==
''[[The Dying Breed]]'' (for which she won a [[Fleur du Cap]] as best supporting actress for her dynamic performance)
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''[[Dying Breed]]'' (for which she won a [[Fleur du Cap]] as best supporting actress for her dynamic performance)
  
 
''[[Glassroots]]'' for the [[Baxter Theatre]] (winning a second [[Fleur du Cap]] as best supporting actress in 1999).
 
''[[Glassroots]]'' for the [[Baxter Theatre]] (winning a second [[Fleur du Cap]] as best supporting actress in 1999).

Revision as of 16:28, 5 September 2019

Reagon, Gail (19*-) Academic, critic and journalist. ***

Biography

Born and educated in Cape Town, she started performing at the age of four, competing in eistedfods while at primary school.

Training

Studied at the University of the Western Cape, doing a masters on South African drama?*.

Career

Worked for The Space. She stayed in Gauteng for six years, performing as jazz singer with Nick Carter.

Contribution to SA theatre, film, media and/or performance

The Final Sting of the Dying Wasp (197*, directed by Mavis Taylor).

In 1987 she was cast in David Kramer and Taliep Petersen’s District Six – The Musical, after which followed a number of plays for the Baxter Theatre and CAPAB, including Buckingham Palace, District Six and Dying Breed.

Other productions include Juno and the Paycock, Can't Pay? Won't Pay!, True Confusions

In 1994 she moved to Gauteng, to perform in Fiela se Kind for PACT, and on her return she did Kinkels innie Kabel for CAPAB, Tarts and Glassroots for the Baxter Theatre.

She also performed in Adam Small’s Hey Smile Wit' Me, Barney Simon’s Call Me Woman.

Awards, etc

Dying Breed (for which she won a Fleur du Cap as best supporting actress for her dynamic performance)

Glassroots for the Baxter Theatre (winning a second Fleur du Cap as best supporting actress in 1999).

Sources

SACD 1980/81.


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