Difference between revisions of "Gail Reagon"
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| − | + | [[Gail Reagon]] (19*-). Academic, critic and journalist. | |
| − | [[Gail Reagon | ||
| − | + | == Biography == | |
| + | Born and educated in Cape Town, she started performing at the age of four, competing in eistedfods while at primary school. | ||
| + | === Training === | ||
| + | She studied at the [[University of the Western Cape]], doing a masters on South African drama?*. | ||
| − | == [[ | + | === Career === |
| + | Worked for [[The Space]]. She stayed in Gauteng for six years, performing as jazz singer with Nick Carter. | ||
| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| + | She performed in ''[[The Final Sting of the Dying Wasp]]'' ([[Space Theatre]], 1979). | ||
| − | + | In 1987 she was cast in [[David Kramer]] and [[Taliep Petersen]]’s ''[[District Six – The Musical]]'', after which followed a number of plays for the [[Baxter Theatre]] and [[CAPAB]], including ''[[Buckingham Palace, District Six]]'' and ''[[Dying Breed]]''. | |
| − | Return to [[ESAT Personalities R]] | + | Other productions include ''[[Juno and the Paycock]]'', ''[[Can't Pay? Won't Pay!]]'', ''[[True Confusions]]'' |
| + | |||
| + | In 1994 she moved to Gauteng, to perform in ''[[Fiela se Kind]]'' for [[PACT]], and on her return she did ''[[Kinkels innie Kabel]]'' for [[CAPAB]], ''[[Tarts]]'' and ''[[Glassroots]]'' for the [[Baxter Theatre]]. | ||
| + | |||
| + | She also performed in [[Adam Small]]’s ''[[Hey Smile Wit' Me]]'', [[Barney Simon]]’s ''[[Call Me Woman]]''. | ||
| + | |||
| + | == Awards, etc == | ||
| + | ''[[Dying Breed]]'' (for which she won a [[Fleur du Cap]] as best supporting actress for her dynamic performance) | ||
| + | |||
| + | ''[[Glassroots]]'' for the [[Baxter Theatre]] (winning a second [[Fleur du Cap]] as best supporting actress in 1999). | ||
| + | |||
| + | == Sources == | ||
| + | [[SACD]] 1980/81. | ||
| + | |||
| + | [[ESAT Bibliography Ar-Az|Astbury]] 1979. | ||
| + | |||
| + | ''[[Cape Times]]'', 14 March 1995. | ||
| + | |||
| + | [[NELM]] Literary Awards database. | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Personalities R]] | ||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 09:26, 23 September 2019
Gail Reagon (19*-). Academic, critic and journalist.
Contents
Biography
Born and educated in Cape Town, she started performing at the age of four, competing in eistedfods while at primary school.
Training
She studied at the University of the Western Cape, doing a masters on South African drama?*.
Career
Worked for The Space. She stayed in Gauteng for six years, performing as jazz singer with Nick Carter.
Contribution to SA theatre, film, media and/or performance
She performed in The Final Sting of the Dying Wasp (Space Theatre, 1979).
In 1987 she was cast in David Kramer and Taliep Petersen’s District Six – The Musical, after which followed a number of plays for the Baxter Theatre and CAPAB, including Buckingham Palace, District Six and Dying Breed.
Other productions include Juno and the Paycock, Can't Pay? Won't Pay!, True Confusions
In 1994 she moved to Gauteng, to perform in Fiela se Kind for PACT, and on her return she did Kinkels innie Kabel for CAPAB, Tarts and Glassroots for the Baxter Theatre.
She also performed in Adam Small’s Hey Smile Wit' Me, Barney Simon’s Call Me Woman.
Awards, etc
Dying Breed (for which she won a Fleur du Cap as best supporting actress for her dynamic performance)
Glassroots for the Baxter Theatre (winning a second Fleur du Cap as best supporting actress in 1999).
Sources
SACD 1980/81.
Astbury 1979.
Cape Times, 14 March 1995.
NELM Literary Awards database.
Go to ESAT Bibliography
Return to
Return to ESAT Personalities R
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
