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| − | The name '''[[Gaiety Company]]''' was often used for theatre companies performing musical comedy in South Africa during the late 19th and early 20th centuries.
| + | #REDIRECT [[Gaiety]] |
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| − | =The general use of term "Gaiety"=
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| − | [[Gaiety]] (or in some cases "Gayety") may refer to:
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| − | A specific kind of mood: i.e. the state of being happy, light-hearted or cheerful
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| − | A specific kind of activity: i.e. a lively celebration or set of festivities, performance activity, entertainments or amusements. Some sources refer to this as a dated use of the word.
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| − | ="[[Gaiety]]" as a theatre and performance form=
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| − | From the latter notion of [[Gaiety]] as a reference to a broad range of activities, comes the theatrical use of the term, especially in the late 19th century and early 20th centuries. In this case it usually referred to a specific type of light musical entertainment (often in [[vaudeville]] style), the people/companies that engage in such performance, and/or the venues used for such performances. Hence its use as the name given to [[Gaiety |Gaiety performances]], [[Gaiety|Gaiety Companies]], [[Gaiety|Gaiety Girls]], [[Gaiety|Gaiety Theatre]]s, etc. A number of such companies and theatres are still in existence today.
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| − | Several sources refer to the musical comedy '''''[[In Town]]''''' (Ross, Leader and Carr, 1892) as "the first Edwardian musical comedy" and even refer to it - along with '''''[[A Gaiety Girl]]''''' (Hall, 1893), which probably provided the name - as "the start of the [[Gaiety]] movement in theatre"[https://en.wikipedia.org/wiki/Edwardian_musical_comedy].
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| − | =Gaiety companies in South Africa=
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| − | [[Impressario]]s such as [[Frank de Jong]] and in particular the [[Wheeler Theatre Company]] were very prominent in the promotion of [[Gaiety]] entertainment in South Africa in the late 19th and early 20th centuries.
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| − | ==The "Original" Gaiety Company==
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| − | According to [[D.C. Boonzaier|Boonzaier]] (1923), the first [[Gaiety Company]] (he refers to it as the "original") made its appearance in Cape Town in 1894, setting a high standard for and beginning a popular trend in musical comedy that would become a feature of South African theatre at the start of the 20th century. He appears to be referring to a company led by [[Cairns James]] (and popularly referred to as the '''[[Cairns James Company]]'''), that appeared under the auspices of the [[Wheeler Theatre Company]]. The season predictably opened with a performance of ''[[In Town]]'' (Ross, Leader and Carr) on 9 June 1894, followed by ''[[Mam'zelle Nitouche]]'' (Meilhac and Millaud), ''[[Miss Decima]]'' (Burnand), ''[[A Gaiety Girl]]'' (Hall).
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| − | == Frank de Jongh's Gaiety companies ==
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| − | The name [[Gaiety Company]] was most notable in the case of theatrical companies brought to Cape Town by [[Frank de Jongh]], lessee of the [[Cape Town Opera House]] from 1896-1937. These companies consisted of well-known overseas performers and artistes, including [[Zena Dare]], [[Matheson Lang]], [[Sybil Thorndike]], [[Lewis Casson]], [[Irene Vanbrugh]] and [[Kate Vaughan]] in a variety of plays, operas and ballets.
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| − | ==The [[Edward Sass]] Gaiety Company==
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| − | On 1 June 1895 a new [[Gaiety Company]], led by [[Edward Sass]], performed a number of plays in the [[Opera House]], Cape Town, under the auspices of the [[Wheeler Theatre Company]]. Other company members included [[James Nelson]], [[J.H. Darnley]], [[J.B. Gordon]], [[Emma Glynne]] and [[Ada Logan]]. Their repertoire included ''[[The New Woman]]'' (Grundy), ''[[Doctor Bill]]'' (Carré /Aidé), ''[[The Case of Rebellious Susan]]'' (Jones), ''[[Liberty Hall]]'' (Dibdin), ''[[The Solicitor]]'' ([[J.H. Darnley|Darnley]]), ''[[The Masqueraders]]'' (Jones), ''[[The Second Mrs Tanqueray]]'' (Pinero) and ''[[The Bauble Shop]]'' (Jones). According to [[D.C. Boonzaier|Boonzaier]] (1923), Sass was an excellent manager and most punctilious about the ''mise-en-scène'' of his productions.
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| − | ==The Gaiety productions of the [[Wheeler Theatre Company]]==
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| − | From 1901 onwards, the [[Wheeler Theatre Company]] apparently began to concentrate more specifically on [[Gaiety]] musical comedies and light opera, using companies they set up themselves or imported [[Gaiety companies]]. From 1901 onwards they mostly used the [[Good Hope Theatre]] as their in Cape Town and hosted companies to put on a wide range of [[Gaiety]] shows there. Among the musical pieces seen there in the period 1901-1903 were ''[[San Toy]]'' (Morton), ''[[The Runaway Girl]]'' (Hicks and Nichols), ''[[Florodora]]'' (Hall), ''[[The Geisha]]'' (Hall), ''[[The Messenger Boy]]'' (Tanner and Murray), ''[[Kitty Grey]]'' (Pigott), ''[[The Shop Girl]]'' (Dam), ''[[Djin Djin]]'' (Royle and Williamson), ''[[The Gay Parisienne]]'' (Dance), ''[[The Casino Girl]]'' (Smith), ''[[]]'' (), ''[[]]'' (), ''[[]]'' (), ''[[]]'' (), .
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| − | = Sources =
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| − | https://en.wikipedia.org/wiki/Gaiety
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| − | https://en.wikipedia.org/wiki/Gaiety_Theatre
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| − | https://en.wikipedia.org/wiki/Edwardian_musical_comedy
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| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.398-427
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| − | = Return to =
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| − | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]
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| − | Return to [[The ESAT Entries]]
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| − | Return to [[Main Page]]
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