Difference between revisions of "Fuente Sagrada"
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A fine play indicting the brutality of war. Set in the Spanish Civil War, the title comes from the name of a holy well of the same name, and deals with the triumph of human dignity amidst the dehumanization brought about by war in the tale of the salvation of his central character, Marais. | A fine play indicting the brutality of war. Set in the Spanish Civil War, the title comes from the name of a holy well of the same name, and deals with the triumph of human dignity amidst the dehumanization brought about by war in the tale of the salvation of his central character, Marais. | ||
| − | First published in [[Afrikaans]] in ''[[ | + | First published in [[Afrikaans]] in ''[[Alle Paaie gaan na Rome]]'' by [[Unie-Volkspers]] in 1949 and later in ''[[Die Wit Muur en Ander Eenbedrywe]]'' by [[J.L. van Schaik]] in 1983. Also included in other collections over the years. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 06:55, 20 March 2023
by Uys Krige. Fuente Sagrada is the title of an Afrikaans one-act play by Uys Krige ().
Contents
The original text
A fine play indicting the brutality of war. Set in the Spanish Civil War, the title comes from the name of a holy well of the same name, and deals with the triumph of human dignity amidst the dehumanization brought about by war in the tale of the salvation of his central character, Marais.
First published in Afrikaans in Alle Paaie gaan na Rome by Unie-Volkspers in 1949 and later in Die Wit Muur en Ander Eenbedrywe by J.L. van Schaik in 1983. Also included in other collections over the years.
Translations and adaptations
Translated into English by the author himself, using the same title, and published in The Sniper and other one-act plays by HAUM in 1964.
Published in Afrikaans in Alle Paaie gaan na Rome by Unie-Volkspers in 1949, then later in English translation in The Sniper and other one-act plays by HAUM in 1964.
Performance history in South Africa
Sources
Ludwig Binge, 1969
Gosher, 1988
Go to ESAT Bibliography
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Return to PLAYS IV: Pageants and public performances
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