Difference between revisions of "Florence Calzado"

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== Biography ==
 
== Biography ==
  
According to the blog ''Out of the In Bottle''[http://outoftheinkbottle.blogspot.com/2009/06/calzado-who.html], virtually nothing seems to be known about either [[Florence Beverley]] or [[Florence Calzado]] (her stage name for a while - she is also referred to [[Floraette Blanche Beverley]] on at least one occasion). While in South Africa she was billed as a "serio-comic vocalist" and having linked up with him, apparently she became the "wife" of violinist [[Horace Poussard]], having had a child by him. She definitely toured with him and the [[Poussard-Bailey Opera Company]] during their "Grand Tour" in the late 1860s.
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According to the blog ''Out of the In Bottle''[http://outoftheinkbottle.blogspot.com/2009/06/calzado-who.html], virtually nothing seems to be known about either [[Florence Beverley]] or [[Florence Calzado]] (her stage name for a while - she is also referred to [[Floraette Blanche Beverley]] on at least one occasion). While in South Africa she was billed as a "serio-comic vocalist" and having linked up with him, apparently she became the "wife" of violinist [[Horace Poussard]], having had a child by him.  
 +
 
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She definitely joined forces with him,  the manager [[Robert Smythe]] and the latter's wife, the soprano [[Amelia Bailey]], to found the [[Poussard-Bailey Opera Company]] and undertake a 4-year "Grand Tour" of India and South Africa.  
  
 
The blog further mentions that she later listed herself as a widow, and goes on to marry a miner named Samuel Paynter Thomas Cornish in Hill End NSW. After that nothing more seems to be heard of her.   
 
The blog further mentions that she later listed herself as a widow, and goes on to marry a miner named Samuel Paynter Thomas Cornish in Hill End NSW. After that nothing more seems to be heard of her.   
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==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
  
Having joined forces with violinist [[Horace Poussard]],  the manager [[Robert Smythe]] and the latter's wife, the soprano [[Amelia Bailey]], to found the [[Poussard-Bailey Opera Company]] and undertake a 4-year tour of India and South Africa, she was billed as [[Florence Calzado]] and gave more than 150 performances in most of the major centres of the country.
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Coming to South Africa with the [[Poussard-Bailey Opera Company]] in 1867, she was billed as [[Florence Calzado]] and gave more than 150 performances in most of the major centres of the country, only returning to Australia in 1869.
  
 
== Sources ==
 
== Sources ==

Revision as of 06:46, 26 August 2021

Florence Calzado (fl circa 1860s)[1] is one of the professional names of the "serio-comic vocalist" Florence Beverley.

Biography

According to the blog Out of the In Bottle[2], virtually nothing seems to be known about either Florence Beverley or Florence Calzado (her stage name for a while - she is also referred to Floraette Blanche Beverley on at least one occasion). While in South Africa she was billed as a "serio-comic vocalist" and having linked up with him, apparently she became the "wife" of violinist Horace Poussard, having had a child by him.

She definitely joined forces with him, the manager Robert Smythe and the latter's wife, the soprano Amelia Bailey, to found the Poussard-Bailey Opera Company and undertake a 4-year "Grand Tour" of India and South Africa.

The blog further mentions that she later listed herself as a widow, and goes on to marry a miner named Samuel Paynter Thomas Cornish in Hill End NSW. After that nothing more seems to be heard of her.

Contribution to SA theatre, film, media and/or performance

Coming to South Africa with the Poussard-Bailey Opera Company in 1867, she was billed as Florence Calzado and gave more than 150 performances in most of the major centres of the country, only returning to Australia in 1869.

Sources

http://outoftheinkbottle.blogspot.com/2009/06/calzado-who.html

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 223, 243-6,

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