Difference between revisions of "Florence Calzado"
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== Biography == | == Biography == | ||
− | According to the blog , virtually nothing seems to be known about either [[Florence Beverley]] or [[Florence Calzado]] (her stage name for a while) | + | According to the blog ''Out of the In Bottle''[http://outoftheinkbottle.blogspot.com/2009/06/calzado-who.html], virtually nothing seems to be known about either [[Florence Beverley]] or [[Florence Calzado]] (her stage name for a while - she is also referred to [[Floraette Blanche Beverley]] on at least one occasion). While in South Africa she was billed as a "serio-comic vocalist" and having linked up with him, apparently she became the "wife" of violinist [[Horace Poussard]], having had a child by him. She definitely toured with him and the [[Poussard-Bailey Opera Company]] during their "Grand Tour" in the late 1860s. |
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== |
Revision as of 06:35, 26 August 2021
Florence Calzado (fl circa 1860s)[1] is the professional name of the "serio-comic vocalist" Florence Beverley.
Contents
Biography
According to the blog Out of the In Bottle[2], virtually nothing seems to be known about either Florence Beverley or Florence Calzado (her stage name for a while - she is also referred to Floraette Blanche Beverley on at least one occasion). While in South Africa she was billed as a "serio-comic vocalist" and having linked up with him, apparently she became the "wife" of violinist Horace Poussard, having had a child by him. She definitely toured with him and the Poussard-Bailey Opera Company during their "Grand Tour" in the late 1860s.
Contribution to SA theatre, film, media and/or performance
She joined forces with violinist Horace Poussard, the manager Robert Smythe and the latter's wife, the soprano Amelia Bailey, to found the Poussard-Bailey Opera Company, with which they undertook a 4-year tour of India and South Africa, giving more than 300 performances.
Sources
http://outoftheinkbottle.blogspot.com/2009/06/calzado-who.html
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 223, 243-6,
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