Difference between revisions of "Faustus in Africa"

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by [[William Kentridge]] and the [[Handspring Puppet Company]], first performed at the [[Grahamstown Festival]], 1995. See '''''[[Faust]]''''' in Plays II.  
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by [[William Kentridge]] and the [[Handspring Puppet Company]]. See ''[[Faust]]''.
  
  
Return to [[ESAT Plays 1 F|F]]
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== The original text ==
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The legend of Faust is based on the story of the sixteenth-century learned scholar who squandered his fortune and then sold his soul to the devil in exchange for additional time to search for the meaning of existence through travel and indulgences. After making his pact with the devil, Handspring’s Faustus goes on a safari. Indulging in elaborate feasts and buying sprees, Faustus attempts to consume all that Africa has to offer. Transposed to Africa his desires become those of the archetypal greedy colonialist – his victims the African people and their land. [http://www.handspringpuppet.co.za/handspring-productions/faustus-in-africa/]
  
Return to [[South_African_Theatre/Plays]]
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==Translations and adaptations==
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== Performance history in South Africa ==
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 +
 
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== Sources ==
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Revision as of 09:26, 4 July 2014

by William Kentridge and the Handspring Puppet Company. See Faust.


The original text

The legend of Faust is based on the story of the sixteenth-century learned scholar who squandered his fortune and then sold his soul to the devil in exchange for additional time to search for the meaning of existence through travel and indulgences. After making his pact with the devil, Handspring’s Faustus goes on a safari. Indulging in elaborate feasts and buying sprees, Faustus attempts to consume all that Africa has to offer. Transposed to Africa his desires become those of the archetypal greedy colonialist – his victims the African people and their land. [1]

Translations and adaptations

Performance history in South Africa

Sources

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page