Difference between revisions of "Fatima Dike"

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'''Fatima Royline Dike''' (“Fats”). (13 September 1948-) Actress, stage manager, storyteller and playwright.   
 
'''Fatima Royline Dike''' (“Fats”). (13 September 1948-) Actress, stage manager, storyteller and playwright.   
 
 
  
 
== Biography ==
 
== Biography ==
  
Born in Langa, Cape Town. Went to school at Rustenberg High in Cape Town. Started work in a bookshop in Langa belonging to her brother-in-law. Her friend [[Sue Clark]] introduced her to poetry as an art form and she began writing.
+
She was born in Langa, Cape Town and went to school at Rustenberg High. Started work in a bookshop in Langa belonging to her brother-in-law. Her friend [[Sue Clark]] introduced her to poetry as an art form and she began writing.
 
 
=== Youth ===
 
 
 
 
 
  
 
=== Training ===
 
=== Training ===
 +
Attended the Iowa Writer’s Workshop and spent some time in self-imposed exile in New York (1979-83).
  
 +
=== Career ===
 +
In 1972 she met [[Brian Astbury]] and joined the newly formed [[Space Theatre]], working as assistant stage manager and stage manager.
  
 +
Encouraged by [[Rob Amato]] she ventured into playwriting and produced ''[[The Sacrifice of Kreli]]'' and was made resident playwright at the [[Space Theatre|Space]].
  
=== Career ===
+
On her return from New York she first rejoined the bookshop, before [[Nomhle Nkonyeni]] drew her back to theatre.
 
 
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
In 1972 she met [[Brian Astbury]] and joined the newly formed [[Space Theatre]], working as assistant stage manager and stage manager on ''[[Die Laaste Middagmaal]]'', ''[[Fallen Angels]]'', ''[[It’s My Weekend, Too]]'', ''[[L’amante Anglaise]]'', ''[[Luv]]'', ''[[The Mind Mirror]]'' and ''[[My Family came over with the Normans]]''.  
+
She worked as stage manager on ''[[Die Laaste Middagmaal]]'', ''[[Fallen Angels]]'', ''[[It’s My Weekend, Too]]'', ''[[L’amante Anglaise]]'', ''[[Luv]]'', ''[[The Mind Mirror]]'' and ''[[My Family came over with the Normans]]''.  
  
As actress did ''[[Glass House]]'', ''[[Four Twins]]'' (by Copi) and ''[[Lysistrata S.A.]]'' for them.  
+
As actress she performed in ''[[Glass House]]'', ''[[Four Twins]]'' (by Copi) and ''[[Lysistrata S.A.]]'' for them. She had a role in ''[[Moeders en Dogters]]'' ([[CAPAB]] 1985).
 +
 +
She wrote the play ''[[The Sacrifice of Kreli]]'' which was staged at The [[Market Theatre]] in 1976. It was also her first published play. 
  
She wrote the play ''[[The Sacrifice of Kreli]]'' which was staged at The [[Market Theatre]] in 1976.  (See Astbury, 1979; Schwartz, 1988; ArtsLink 2008; Tucker, 1997) Fatima Dike has played a vital role in the South African theatre scene since the days of the [[Space Theatre]] in the 1970s. Her first published play was ''[[The Sacrifice of Kreli]]'' (1978). In 2009 ''[[The Return]]'' had a successful run at the [[Grahamstown Festival]], and the Black Theatre Festival in North Carolina, where Dike also received a Life-Long Achievement Award. Co founder with [[Roy Sargeant]] of the [[Siyasanga South African Theatre Company]] in 2006. **
+
Her other plays were ''[[The First South African]]'' (performed [[Space Theatre|Space]], 1977, published 1978), ''[[The Crafty Tortoise]]'', a children’s play (performed [[Space Theatre]], 1978), ''[[Glasshouse]]'' (performed [[Space Theatre|Space]], 1979, published 1999*?). She now wrote ''[[So What's New?]]'' (performed [[Market Theatre]], 1991, published 1996), ''[[Street Walking]]'' and ''[[Company Valet Service]]'' (performed [[Baxter Theatre]],??* 2000),
  
Encouraged by [[Rob Amato]] she now ventured into playwriting and produced ''[[The Sacrifice of Kreli]]'' (performed [[Space Theatre]], 1976, published 1978) and was made resident playwright at the [[Space Theatre|Space]]. Her other plays were ''[[The First South African]]''  (performed [[Space Theatre|Space]], 1977, published 1978), ''[[The Crafty Tortoise]]'', a children’s play (performed [[Space Theatre]], 1978), ''[[Glasshouse]]'' (performed [[Space Theatre|Space]], 1979, published 1999*?).  
+
In 2005 she participated in [[The Storytelling Festival]] at The [[Baxter Theatre Centre]] (in association with [[Sibikwa Community Theatre Project]]). Co-founder with [[Roy Sargeant]] of the [[Siyasanga South African Theatre Company]] in 2006.
  
Attended the Iowa Writer’s Workshop and some time in self-imposed exile in New York (1979-83). On her return she first rejoined the bookshop, before [[Nomhle Nkonyeni]] drew her back to theatre. She now wrote ''[[So What’s New?]]'' (performed [[Market Theatre]], 1991, published 1996), ''[[Street Walking]]'' and ''[[Company Valet Service]]'' (performed [[Baxter Theatre]],??* 2000), ''[[The Return]]'' (performed [[Artscape]], 2008).  
+
In 2008 ''[[The Return]]'' was performed at [[Artscape]] and had a successful run at the [[Grahamstown Festival]] in 2009, and the Black Theatre Festival [https://www.facebook.com/National-Black-Theatre-Festival-58443934540/] in North Carolina.
  
A new version of ''[[The Sacrifice of Kreli]]'' was written for and produced by [[New Africa Theatre]] in 2001, with whom she works in Cape Town as lecturer and director. In 2005 she participated in [[The Storytelling Festival]] at  The [[Baxter Theatre Centre]] (in association with [[Sibikwa Community Theatre Project]]).  
+
A new version of ''[[The Sacrifice of Kreli]]'' was written for and produced by [[New Africa Theatre]] in 2001, with whom she works in Cape Town as lecturer and director.
  
 +
She directed ''[[Nothing but the Truth]]'' (2012).
  
 
== Awards, etc ==
 
== Awards, etc ==
 +
At the Black Theatre Festival in North Carolina she received a Life-Long Achievement Award (2009).
 +
 
She won [[Naledi Award|Naledi]]'s Lifetime Achievement Award in 2014.
 
She won [[Naledi Award|Naledi]]'s Lifetime Achievement Award in 2014.
  
 
== Sources ==
 
== Sources ==
''The Cape Times'' 30 July 1998.
+
[[ESAT Bibliography Ar-Az|Astbury]] 1979.
 +
 
 +
[[ESAT Bibliography Schr-Schw|Pat Scwartz]] 1988.
 +
 
 +
[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
  
''Mail and Guardian'' 29 November 2001.
+
''[[Cape Times]]'' 30 July 1998.
 +
 
 +
''[[Mail and Guardian]]'' 29 November 2001.
  
 
''[[The Citizen]]'', 18 March 2014.
 
''[[The Citizen]]'', 18 March 2014.
 +
 +
See also ArtsLink 2008.
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]
 
 
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities  D]  
+
Return to [[ESAT Personalities  D]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Revision as of 12:15, 10 July 2017

Fatima Royline Dike (“Fats”). (13 September 1948-) Actress, stage manager, storyteller and playwright.

Biography

She was born in Langa, Cape Town and went to school at Rustenberg High. Started work in a bookshop in Langa belonging to her brother-in-law. Her friend Sue Clark introduced her to poetry as an art form and she began writing.

Training

Attended the Iowa Writer’s Workshop and spent some time in self-imposed exile in New York (1979-83).

Career

In 1972 she met Brian Astbury and joined the newly formed Space Theatre, working as assistant stage manager and stage manager.

Encouraged by Rob Amato she ventured into playwriting and produced The Sacrifice of Kreli and was made resident playwright at the Space.

On her return from New York she first rejoined the bookshop, before Nomhle Nkonyeni drew her back to theatre.

Contribution to SA theatre, film, media and/or performance

She worked as stage manager on Die Laaste Middagmaal, Fallen Angels, It’s My Weekend, Too, L’amante Anglaise, Luv, The Mind Mirror and My Family came over with the Normans.

As actress she performed in Glass House, Four Twins (by Copi) and Lysistrata S.A. for them. She had a role in Moeders en Dogters (CAPAB 1985).

She wrote the play The Sacrifice of Kreli which was staged at The Market Theatre in 1976. It was also her first published play.

Her other plays were The First South African (performed Space, 1977, published 1978), The Crafty Tortoise, a children’s play (performed Space Theatre, 1978), Glasshouse (performed Space, 1979, published 1999*?). She now wrote So What's New? (performed Market Theatre, 1991, published 1996), Street Walking and Company Valet Service (performed Baxter Theatre,??* 2000),

In 2005 she participated in The Storytelling Festival at The Baxter Theatre Centre (in association with Sibikwa Community Theatre Project). Co-founder with Roy Sargeant of the Siyasanga South African Theatre Company in 2006.

In 2008 The Return was performed at Artscape and had a successful run at the Grahamstown Festival in 2009, and the Black Theatre Festival [1] in North Carolina.

A new version of The Sacrifice of Kreli was written for and produced by New Africa Theatre in 2001, with whom she works in Cape Town as lecturer and director.

She directed Nothing but the Truth (2012).

Awards, etc

At the Black Theatre Festival in North Carolina she received a Life-Long Achievement Award (2009).

She won Naledi's Lifetime Achievement Award in 2014.

Sources

Astbury 1979.

Pat Scwartz 1988.

Tucker, 1997.

Cape Times 30 July 1998.

Mail and Guardian 29 November 2001.

The Citizen, 18 March 2014.

See also ArtsLink 2008.

Go to ESAT Bibliography

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Return to ESAT Personalities D

Return to South African Theatre Personalities

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