Difference between revisions of "Electric Theatres"
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Revision as of 06:25, 29 July 2019
Electric Theatres is can refer to a specific company, e.g. the British company Electric Theatres Ltd. (1908) or to a generic term deriving from the company name, referring to all cinemas offering a continuous show (sometimes called repertory cinemas in England, and known in South Africa as café-bioscope at one time).
Not to be confused with a number of other companies known by this name, e.g. The Electric Theatre [1], founded in an abandoned electricity works building in Guildford, Surrey, England, in 1997 or the Electric Theatre Company[2], a non-profit, regional, Equity theatre company located in Scranton, Pennsylvania.
History
The London based Electric Theatres company was founded in 1908 by Joseph Jay Bamberger, a New York City stockbroker who not only brought the name with him, but had financed the building of theatres in the USA through the Electric Theatre Company. One of the early directors of the company was variety theatre impresario, Frederick Mouillot (1864-1911).
Electric Theatres (1908) Ltd, in common with most of the London cinema circuits, did not restrict itself to the capital. By 1914, it managed three cinemas in Birmingham, and one each in Southend, Gloucester, Brighton, Norwich and Plymouth. It had established a subsidiary company, Provincial Electric Theatres, by the end of 1908.
Electric Theatres in South Africa
In 1909 the company expanded overseas by initiating the establishment of permanent cinemas in South Africa through Natal Electric Theatres Ltd., which opened the first Electric Theatre in South Africa in Durban on 29 July 1909. Frederick Mouillot went on to run the South African theatre chain and the company eventually had at least five bioscopes (or cinemas) in South Africa, including a Theatre de Luxe in Cape Town, and a cinema in Durban for "Coloured People Only" (primarily Indians).
Unfortunately badly advised short-term policies (such as the importing of films worn out through use on the English circuit), and possibly the death of Mouillot in 1911, led to the particular company’s demise by 1911.
Sources
https://lukemckernan.com/wp-content/uploads/unequal_pleasures.pdf
https://londonist.com/2011/02/cinefile-electric-cinemas-centenary
Thelma Gutsche, 1972. The History and Social Significance of Motion Pictures in South Africa 1895-1940. Cape Town: Howard Timmins: pp. 95-97.
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