Difference between revisions of "Edward Sass"
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[[Edward Sass]] (1858-1916) was an actor-manager | [[Edward Sass]] (1858-1916) was an actor-manager | ||
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== Biography == | == Biography == | ||
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | In 1895 he brought the [[Edward Sass Gaiety Company]] to South Africa to perform a number of plays under the auspices of the [[Wheeler Theatre Company]], inter alia opening at the [[Opera House]], Cape Town, on 1 June. | + | In 1895 he brought the [[Edward Sass Gaiety Company]] to South Africa to perform a number of plays under the auspices of the [[Wheeler Theatre Company]], inter alia opening at the [[Opera House]], Cape Town, on 1 June. Other company members, besides Sass himself, included [[James Nelson]], [[J.H. Darnley]], [[J.B. Gordon]], [[Emma Glynne]] and [[Ada Logan]]. Their repertoire included ''[[The New Woman]]'' (Grundy), ''[[Doctor Bill]]'' (Carré /Aidé), ''[[The Case of Rebellious Susan]]'' (Jones), ''[[Liberty Hall]]'' (Dibdin), ''[[The Solicitor]]'' ([[J.H. Darnley|Darnley]]), ''[[The Masqueraders]]'' (Jones), ''[[The Second Mrs Tanqueray]]'' (Pinero) and ''[[The Bauble Shop]]'' (Jones). |
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| + | According to [[D.C. Boonzaier|Boonzaier]] (1923), Sass was an admirable actor and excellent manager, most punctilious about the ''mise-en-scène'' of his productions, one "who afterwards played a prominent part in several South African theatrical enterprises". | ||
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| + | He would later play what Boon | ||
Revision as of 11:07, 14 July 2020
Edward Sass (1858-1916) was an actor-manager
Contents
Biography
Contribution to SA theatre, film, media and/or performance
In 1895 he brought the Edward Sass Gaiety Company to South Africa to perform a number of plays under the auspices of the Wheeler Theatre Company, inter alia opening at the Opera House, Cape Town, on 1 June. Other company members, besides Sass himself, included James Nelson, J.H. Darnley, J.B. Gordon, Emma Glynne and Ada Logan. Their repertoire included The New Woman (Grundy), Doctor Bill (Carré /Aidé), The Case of Rebellious Susan (Jones), Liberty Hall (Dibdin), The Solicitor (Darnley), The Masqueraders (Jones), The Second Mrs Tanqueray (Pinero) and The Bauble Shop (Jones).
According to Boonzaier (1923), Sass was an admirable actor and excellent manager, most punctilious about the mise-en-scène of his productions, one "who afterwards played a prominent part in several South African theatrical enterprises".
He would later play what Boon
Sources
https://www.npg.org.uk/collections/search/person/mp83827/edward-sass
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.
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