Difference between revisions of "ESAT Plays 1 A"
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| − | + | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | |
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| − | Return to [[ | + | Return to [[PLAYS IV: Pageants and public performances]] |
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
| Line 7: | Line 13: | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
| + | = Please Note = | ||
| − | + | '''''English titles beginning with the articles "a" and "an" are listed under the following noun, according to normal bibliographic usage. However, for all other indigenous South African languages, such as Sotho, Venda, Xhosa, Zulu so on, the title is given as it is written and listed under "A".''''' | |
| − | |||
| − | [[A | + | |
| + | == The list == | ||
| + | |||
| + | |||
| + | [[A! Ndluyamandla!]] ([[B.S.G. Faku]]) | ||
| + | |||
| + | [[A-a-a! Jongumsobomvu!]] | ||
| + | |||
| + | [[A hi vuloyi!]] ([[T.M. Rikhotso]]) | ||
| + | |||
| + | [[A hu bebiwi mbilu]] | ||
[[A swi to yini?]] | [[A swi to yini?]] | ||
| Line 22: | Line 38: | ||
[[Aandblom van die Witsenberge]] | [[Aandblom van die Witsenberge]] | ||
| − | [[ | + | [['n Aandjie by die Vernes|Aandjie by die Vernes, 'n]] |
[[Die Aangenome Dogter|Aangenome Dogter, Die]] | [[Die Aangenome Dogter|Aangenome Dogter, Die]] | ||
| Line 37: | Line 53: | ||
[[Ababemi]] | [[Ababemi]] | ||
| + | |||
| + | [[Ababhemi!]] | ||
[[Aballino Jr.]] | [[Aballino Jr.]] | ||
| Line 44: | Line 62: | ||
[[Abaddon]] | [[Abaddon]] | ||
| − | [[The Abbess|Abbess, The]] | + | [[The Abbess|Abbess, The]] (Fugard) |
[[Abdoltjie]] | [[Abdoltjie]] | ||
| Line 52: | Line 70: | ||
[[Abel]] | [[Abel]] | ||
| − | [[Abimelech]] | + | [[Abimelech]] (Malherbe) |
| + | |||
| + | [[Abjater Wat So Lag]] | ||
[[Abnormal Load]] | [[Abnormal Load]] | ||
| + | |||
| + | [[Abnormal Loads]] | ||
[[Die Abnormale Familie Retief|Abnormale Familie Retief, Die]] | [[Die Abnormale Familie Retief|Abnormale Familie Retief, Die]] | ||
[[Abnormale Vrag]] | [[Abnormale Vrag]] | ||
| + | |||
| + | [[Abraham My Love]] | ||
[[Academy of Love]] | [[Academy of Love]] | ||
[[Academy Rewards]] | [[Academy Rewards]] | ||
| + | |||
| + | [[Achter de Schermen]] (Viljoen) | ||
| + | |||
| + | [[Acropolis Cafe]] | ||
[[The Act|Act, The]] | [[The Act|Act, The]] | ||
| Line 97: | Line 125: | ||
[[The Adventures of Ntini the Small Otter| Adventures of Ntini the Small Otter, The]] | [[The Adventures of Ntini the Small Otter| Adventures of Ntini the Small Otter, The]] | ||
| + | |||
| + | [[The Adventures of the Black Girl in Her Search for God]] | ||
| + | |||
| + | [[De Advokaat en De Barbier, of Hoe Men Pro Deo Wordt Geschoren|Advokaat, De en De Barbier, of Hoe Men Pro Deo Wordt Geschoren]] (Boniface) | ||
[[Advokaat Markus Antonius spring Riem!]] | [[Advokaat Markus Antonius spring Riem!]] | ||
| Line 125: | Line 157: | ||
[[An African Millionaire|African Millionaire, An]] | [[An African Millionaire|African Millionaire, An]] | ||
| + | |||
| + | [[African Odyssey]] | ||
[[African Star! - The Will Schreiner Story]] | [[African Star! - The Will Schreiner Story]] | ||
| Line 153: | Line 187: | ||
[[Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla]] | [[Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla]] | ||
| + | |||
| + | [[Aggie's Pitch]] | ||
[[Die Agtdertig na Mafeking| Agtdertig na Mafeking, Die]] | [[Die Agtdertig na Mafeking| Agtdertig na Mafeking, Die]] | ||
| Line 165: | Line 201: | ||
[[Ahimsa Ubuntu]] | [[Ahimsa Ubuntu]] | ||
| + | |||
| + | [[Ahintirho wa yona]] | ||
[[Ahura Mazda]] | [[Ahura Mazda]] | ||
| Line 185: | Line 223: | ||
[[Ain't We Got Fun]] | [[Ain't We Got Fun]] | ||
| + | |||
| + | [[Het Akelige Slot van Madacrestan, Vryheer van Gierenburg|Akelige Slot van Madacrestan, Vryheer van Gierenburg, Het]] (Boniface) | ||
[[Aku Vang 'n Ster]] | [[Aku Vang 'n Ster]] | ||
| Line 233: | Line 273: | ||
[[Along Came a Spider]] | [[Along Came a Spider]] | ||
| + | |||
| + | [[Altyd Jonker]] | ||
[[Altyd maar Glimlag]] | [[Altyd maar Glimlag]] | ||
| Line 242: | Line 284: | ||
[[Amaciko]] | [[Amaciko]] | ||
| − | [[Amadoda la afunani ezintsaneni]] | + | [[Amadoda la afunani ezintsaneni?]] |
[[Amahl en die Nagbesoekers]] | [[Amahl en die Nagbesoekers]] | ||
| + | |||
| + | [[Amajuba]] | ||
| + | |||
| + | [[Amajuba: Like Doves We Rise]] | ||
| + | |||
| + | [[Amandla Mr Fassbinder]] | ||
[[amaQueerKwere]] (Acty Tang) | [[amaQueerKwere]] (Acty Tang) | ||
| Line 266: | Line 314: | ||
[[Amazwi Omoya]] | [[Amazwi Omoya]] | ||
| − | [[Ambrose | + | [[Ambrose Applejohn's Adventure]] |
[[Amelia's African Adventure]] | [[Amelia's African Adventure]] | ||
| Line 281: | Line 329: | ||
[[Anatomie Titus Fall of Rome]] | [[Anatomie Titus Fall of Rome]] | ||
| + | |||
| + | [[Ancestors and Diamonds]] ([[Michael Picardie|Picardie]]) | ||
[[And]] | [[And]] | ||
[[And The Girls in Their Pretty (Sunday?) Dresses]] | [[And The Girls in Their Pretty (Sunday?) Dresses]] | ||
| + | |||
| + | [[And The Girls in Their Sunday Dresses]] (Mda) | ||
[[Die Ander Man|Ander Man, Die]] | [[Die Ander Man|Ander Man, Die]] | ||
| Line 292: | Line 344: | ||
[[Die Ander Seun|Ander Seun, Die]] | [[Die Ander Seun|Ander Seun, Die]] | ||
| − | [[ | + | [['n Ander Tongval|Ander Tongval, 'n]] |
[[André]] | [[André]] | ||
| Line 301: | Line 353: | ||
[[Angel]] | [[Angel]] | ||
| + | |||
| + | [[Angel in a Dark Room]] | ||
| + | |||
| + | [[Angelina]] (De Waal) | ||
[[Angels Everywhere]] | [[Angels Everywhere]] | ||
| Line 318: | Line 374: | ||
[[Annerkant die Longdrop]] | [[Annerkant die Longdrop]] | ||
| − | [['n Anonieme Briefwisseling|Anonieme Briefwisseling, 'n]] | + | [['n Anonieme Briefwisseling|Anonieme Briefwisseling, 'n]] (Fuchs-Nordhoff/De Waal) |
| + | |||
| + | [[Another Child]] | ||
[[Another Friggin’ Tribute Show]] | [[Another Friggin’ Tribute Show]] | ||
| + | |||
| + | [[Another Kettle of Fish]] | ||
[[Another “Sherlock Holmes” musical]] | [[Another “Sherlock Holmes” musical]] | ||
| Line 331: | Line 391: | ||
[[Antigone in ’71]] | [[Antigone in ’71]] | ||
| + | |||
| + | [[Antigone (not quite/quiet)]] (Fleishman ''et al'') | ||
[[Antjie Somers]] | [[Antjie Somers]] | ||
| Line 425: | Line 487: | ||
[[As Ek Maar Geweet Het]] | [[As Ek Maar Geweet Het]] | ||
| + | |||
| + | [[As Long As Forever Is]] (Goodman/Thomas) | ||
[[As ons twee eers getroud is]] | [[As ons twee eers getroud is]] | ||
| Line 431: | Line 495: | ||
[[Die Asblik|Asblik, Die]] | [[Die Asblik|Asblik, Die]] | ||
| + | |||
| + | [[Ashes (Philip Rademeyer)]] | ||
[[Ashes on our Heads]] | [[Ashes on our Heads]] | ||
| − | [[Asinamali]] | + | [[Asinamali]] (Ngema) |
[[Asingeni lapho]] | [[Asingeni lapho]] | ||
| Line 452: | Line 518: | ||
[[Asylum-for-the-Sane]] | [[Asylum-for-the-Sane]] | ||
| − | [[At | + | [[At Her Feet]] |
[[At the Edge]] | [[At the Edge]] | ||
| Line 474: | Line 540: | ||
[[An Audience with an African Queen|Audience with an African Queen, An]] | [[An Audience with an African Queen|Audience with an African Queen, An]] | ||
| − | [[An Audience with | + | [[An Audience with Miss Hobhouse|Audience with Miss Hobhouse, An]] (Jackman) |
| − | [[An Audience With Pieter-Dirk Eish!|Audience With Pieter-Dirk Eish!, An]] | + | [[An Audience with Evita Bezuidenhout|Audience with Evita Bezuidenhout, An]] (Uys) |
| + | |||
| + | [[An Audience With Pieter-Dirk Eish!|Audience With Pieter-Dirk Eish!, An]] (Uys) | ||
[[Auditioning Angels]] | [[Auditioning Angels]] | ||
| Line 486: | Line 554: | ||
[[Een Avontuurtje van Mijnheer Kikkerlib| Avontuurtje van Mijnheer Kikkerlib, Een]] | [[Een Avontuurtje van Mijnheer Kikkerlib| Avontuurtje van Mijnheer Kikkerlib, Een]] | ||
| − | [[ | + | [[Awuthunyelwa Gundane]] |
[[The Axe-Man|Axe-Man, The]] | [[The Axe-Man|Axe-Man, The]] | ||
| Line 492: | Line 560: | ||
[[Ayikho inkomo yobuthongo]] | [[Ayikho inkomo yobuthongo]] | ||
| − | [[Azanian Love Song]] | + | [[Azanian Love Song]] |
| + | |||
| + | == Return to == | ||
| + | |||
| + | |||
| + | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| − | Return to [[ | + | Return to [[PLAYS II: Foreign plays]] |
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 11:10, 8 December 2019
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
Please Note
English titles beginning with the articles "a" and "an" are listed under the following noun, according to normal bibliographic usage. However, for all other indigenous South African languages, such as Sotho, Venda, Xhosa, Zulu so on, the title is given as it is written and listed under "A".
The list
A! Ndluyamandla! (B.S.G. Faku)
Aballino Junior, of De Kleine Bandiet (De Lima)
Abbess, The (Fugard)
Abimelech (Malherbe)
Achter de Schermen (Viljoen)
Adventures of a Merry Madcap, The
Adventures of Millicent Microsoft in Computerland, The
Adventures of Ntini the Small Otter, The
The Adventures of the Black Girl in Her Search for God
Advokaat, De en De Barbier, of Hoe Men Pro Deo Wordt Geschoren (Boniface)
Advokaat Markus Antonius spring Riem!
Affêre met Kallie Pienk Pietertjie en die Heilige Kaktus
Africaine, La or High Tall Yawn Uproar
African Star! - The Will Schreiner Story
After Cardenio (Taylor)
Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla
AIDS – Wrong Address, it’s not for Me
Akelige Slot van Madacrestan, Vryheer van Gierenburg, Het (Boniface)
Alice’s Adventures Underground
Alicia en el Paris de Las Maravillas
Alicia in die Wonderlike Parys
Almost the Sound of Music (Lingenfelder)
Amadoda la afunani ezintsaneni?
amaQueerKwere (Acty Tang)
Amazing Adventures of Tambootie the Puppet, The
Ancestors and Diamonds (Picardie)
And The Girls in Their Pretty (Sunday?) Dresses
And The Girls in Their Sunday Dresses (Mda)
Angelina (De Waal)
Anonieme Briefwisseling, 'n (Fuchs-Nordhoff/De Waal)
Another “Sherlock Holmes” musical
Antigone (not quite/quiet) (Fleishman et al)
Arlequin by Toeval of Eene Weldaad blijft nooit onbeloond
Art of Charf (Lady Lonely Hearts) See Art of Charf (Lady Lonely Hearts)
Artaxerxes of De Vader Rechter over zijn Zoon
Artscape Schools Arts Festival
As Long As Forever Is (Goodman/Thomas)
Asinamali (Ngema)
Astounding Antics of Anthony Ant, The
Atalia, Wrede Koningmoeder van Juda
Atkinson at 80 – The Importance of Being Michael
Audience with an African Queen, An
Audience with Miss Hobhouse, An (Jackman)
Audience with Evita Bezuidenhout, An (Uys)
Audience With Pieter-Dirk Eish!, An (Uys)
Avalon Court: Dramatic Scenes on the Cape Flats
Avontuurtje van Mijnheer Kikkerlib, Een
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
